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Photographers who do not understand their basic rights tend to approach legal issues with blissful ignorance, extreme caution, or reckless abandon. Foolish souls may cross the lines to obtain images, while overly cautious photographers may miss out on once-in-a-lifetime opportunities in fear of legal repercussions. In the end, each of these photographers suffers as a result of not understanding the legal issues associated with photography. In this book, intellectual property attorney and photographers-rights advocate Bert Krages spells out exactly what you need to know to protect yourself and your business when planning, shooting, publishing, and selling your photography. -- Bert P. Krages
"The purpose of this book remains the same-to provide practical advice to photographers about the parameters of the law"--
"Includes: how laws about photography are made on a local, state and national basis; the enforcement of laws, both criminally and civilly; photography in public and private places; privacy issues; understanding restrictions on subject matter, such as copyrighted material, currency and military installations; lawful and unlawful seizures of your film and equipment; establishing your personal ethics as a photographer." - back cover.
• Use simple exercises to learn to see and shoot like a pro rather than painfully following strict rules. • This book covers a wide variety of genres (street documentary, photojournalism, nature, landscape, sports, and still-life photography). • The Author has helped 1,000’s of photographers to date. In this revised edition, he includes over 250 beautiful color photographs to make his exercises come to life.
A convenient guide for practicing clinicians who take clinical photographs for documentation, teaching, publication, and medical-legal purposes. Written by physicians and professional medical photographers, this handbook discusses the equipment, principles, and techniques used to take effective medical photographs. It will equip health care providers with the skills they need to obtain excellent clinical images, reproductions of radiographs, and other data such as ECGs. Comparisons of the various images can be made to determine changes in medical conditions. Beginners and experienced users alike will benefit from chapters pertaining to their specific needs. An important section on Technique by Body Location discusses how to take photographs of all parts of the body. The reader simply turns to the information that describes the technique of the body location of interest, reviews the brief text, intended results, and illustrations which demonstrate the technique, and he/she is equipped to take the photograph. 350 high-quality original line drawings created especially for this book (200 of these are in full color) Includes procedures for operating room photography, medical photojournalism, forensic photography, digital cameras in medical photography, and medical image archival and storage Distinguished teachers, authors, illustrators, and lecturers, in medical photography have contributed their expertise to produce this book
In this accessible and entertaining book, expert Nancy E. Wolff explains copyright, trademark, contracts, and privacy. Real-world examples of cases, laws, and news items torn from today’s headlines illustrate the most urgent legal situations faced by photographers: requirements, limits, and enforcement of copyright and trademark; fair use and public domain; first amendment considerations; the law of privacy and publicity; and many more issues. Detailed information on drafting contracts and licensing agreements is included. The imprimatur of the Picture Archive Council of America assures readers that the information is comprehensive and up to the minute. The Professional Photographer’s Legal Handbook is an essential tool for everyone who works in photography—and everyone who wants to.
The Model Rules of Professional Conduct provides an up-to-date resource for information on legal ethics. Federal, state and local courts in all jurisdictions look to the Rules for guidance in solving lawyer malpractice cases, disciplinary actions, disqualification issues, sanctions questions and much more. In this volume, black-letter Rules of Professional Conduct are followed by numbered Comments that explain each Rule's purpose and provide suggestions for its practical application. The Rules will help you identify proper conduct in a variety of given situations, review those instances where discretionary action is possible, and define the nature of the relationship between you and your clients, colleagues and the courts.
Imagine the twentieth century without photography and film. Its history would be absent of images that define historical moments and generations: the death camps of Auschwitz, the assassination of John F. Kennedy, the Apollo lunar landing. It would be a history, in other words, of just artists’ renderings and the spoken and written word. To inhabitants of the twenty-first century, deeply immersed in visual culture, such a history seems insubstantial, imprecise, and even, perhaps, unscientific. Documenting the World is about the material and social life of photographs and film made in the scientific quest to document the world. Drawing on scholars from the fields of art history, visual anthropology, and science and technology studies, the chapters in this book explore how this documentation—from the initial recording of images, to their acquisition and storage, to their circulation—has altered our lives, our ways of knowing, our social and economic relationships, and even our surroundings. Far beyond mere illustration, photography and film have become an integral, transformative part of the world they seek to show us.
Since the beginning of the twentieth century, photographic composition has been taught mostly by applying the principles from the field of graphic design. But the factor that distinguishes the work of master photographers is their ability to see and describe scenes visually. This book follows contemporary educational methods used to teach fine arts such as drawing and painting, concentrating on teaching the perception of critical visual elements and understanding how they will be rendered photographically. "In many respects, this book can do for photography what Betty Edwards’ best-selling Drawing on the Right Side of the Brain did for drawing. Many people believe that seeing is a mysterious gift, the so-called ‘artist's eye." says Krages. The core of the book is a group of sixty exercise that readers perform to learn how to perceive points, lines, and shapes in static and dynamic settings. These exercises are structured enough to push photographers to develop their cognitive abilities while at the same time flexible enough to allow for individual creative expression. They also show the importance of knowing about the subject and provide some history about the specific genres at the heart of each exercise.