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AS READ ON RADIO 4 'Manages to find joy in the trivial and creates farce out of monotony . . . To say that a book has 'changed your life' has become so commonplace that it has become almost meaningless. Nonetheless, I think that in this case, it is probably true' JONATHAN COE From the bestselling author of Going Gently and the hugely successful autobiography I Didn't Get Where I Am Today Reginald Iolanthe Perrin is sick to death with selling exotic ices at Sunshine Desserts. He's fed up with his boss C.J. who delights in making his life hell. And he's had enough of his eager young assistants who think everything is 'super'. So begins Reggie's battle against consumerism. Driven to desperation by the rat race and the unpunctuality of Britain's trains, Reggie's small eccentricities escalate to the extreme. Until, finally, he leaves behind the unacceptable face of capitalism altogether. Driven off in a motorised jelly, and creating the world's biggest loganberry slick on his way, he dumps his clothes on a Dorset beach and sets off for new adventures . . .
*The fourth book of the classic comic series about the 'sweaty, charming, paunchy, sad, hilarious man' who faked his own death. First published in the late 1970s, the three previous books were made into an immensely popular BBC TV series starring Leonard Rossiter. *THE LEGACY OF REGINALD PERRIN is set in the present day, and Reggie is now REALLY dead. He's bequeathed vast sums of money to his family and old associates on the condition that each performs a really absurd act. Here is the return of all the favourite Perrin characters, whose hilarious catch-phrases have become by-words: Reggie's hopeless brother-in-law Jimmy ('Bit of a cock-up on the catering front'), and his old boss at Sunshine Desserts, C. J. ('I did'nt get where I am today by. . . ')
This hilarious episode in the remarkable exploits of Reginald Iolanthe Perrin follows our hero on his most ambitious venture yet. Setting up a commune strictly for the middle-class and middle-aged, Reggie's therapy centre nurtures its clients, encouraging them to find the love and goodness that lurks deep inside. And he's gathered together the unlikeliest of staff to help him- including C.J. (for people's work problems), David Harris-Jones (handling their sex problems), plus Tony Webster (culture), his son-in-law Tom (sport) and Doc Morrissey (psychology). With a team like this, how can the indomitable, unconventional R.I.P. ever fail in his bid to create a Better World?
The inspiring story of Reginald Lewis: lawyer, Wall Street wizard, philanthropist--and the wealthiest black man in American history. Based on Lewis's unfinished autobiography, along with scores of interviews with family, friends, and colleagues, this book cuts through the myth and hype to reveal the man behind the legend.
Reginald Iolanthe Perrin is surely one of the best loved comedy heroes of our time, in both literature and television. This omnibus brings together the first three Reginald Perrin novels containing a lifetime's outrageous and hilarious adventures. When we first meet Reggie, he is sick to death with selling exotic ices at Sunshine Desserts. Driven to desperation by the rat race and the unpunctuality of Britain's trains, Reggie's small eccentricites escalate to the extreme, until finally he leaves the unacceptable face of capitalism behind by driving off in a stolen motorised jelly. In his pursuit of the unconventional, he devotes himself to faking his own death, opening a shop devoted to selling completely useless goods, and setting up a commune strictly for the middle-class and middle-aged. Join Reggie, who didn't get where he is today without some help from some memorable supporting characters, in one man's quest to avoid an everyday existence.
It is at my persuasion that these poems are now published. The earliest of them were read to me in London in 1896, when the writer was seventeen; the later ones were sent to me from India in 1904, when she was twenty-five; and they belong, I think, almost wholly to those two periods. As they seemed to me to have an individual beauty of their own, I thought they ought to be published. The writer hesitated. "Your letter made me very proud and very sad," she wrote. "Is it possible that I have written verses that are 'filled with beauty,' and is it possible that you really think them worthy of being given to the world? You know how high my ideal of Art is; and to me my poor casual little poems seem to be less than beautiful—I mean with that final enduring beauty that I desire." And, in another letter, she writes: "I am not a poet really. I have the vision and the desire, but not the voice. If I could write just one poem full of beauty and the spirit of greatness, I should be exultantly silent for ever; but I sing just as the birds do, and my songs are as ephemeral." It is for this bird-like quality of song, it seems to me, that they are to be valued. They hint, in a sort of delicately evasive way, at a rare temperament, the temperament of a woman of the East, finding expression through a Western language and under partly Western influences. They do not express the whole of that temperament; but they express, I think, its essence; and there is an Eastern magic in them. Sarojini Chattopadhyay was born at Hyderabad on February 13, 1879. Her father, Dr. Aghorenath Chattopadhyay, is descended from the ancient family of Chattorajes of Bhramangram, who were noted throughout Eastern Bengal as patrons of Sanskrit learning, and for their practice of Yoga. He took his degree of Doctor of Science at the University of Edinburgh in 1877, and afterwards studied brilliantly at Bonn. On his return to India he founded the Nizam College at Hyderabad, and has since laboured incessantly, and at great personal sacrifice, in the cause of education.
This book was shortlisted for the 2015 BSA Philip Abrams Memorial Prize. Comedy is currently enjoying unprecedented growth within the British culture industries. Defying the recent economic downturn, it has exploded into a booming billion-pound industry both on TV and on the live circuit. Despite this, academia has either ignored comedy or focused solely on analysing comedians or comic texts. This scholarship tends to assume that through analysing an artist’s intentions or techniques, we can somehow understand what is and what isn’t funny. But this poses a fundamental question – funny to whom? How can we definitively discern how audiences react to comedy? Comedy and Distinction shifts the focus to provide the first ever empirical examination of British comedy taste. Drawing on a large-scale survey and in-depth interviews carried out at the Edinburgh Festival Fringe, the book explores what types of comedy people like (and dislike), what their preferences reveal about their sense of humour, how comedy taste lubricates everyday interaction, and how issues of social class, gender, ethnicity and geographical location interact with patterns of comic taste. Friedman asks: Are some types of comedy valued higher than others in British society? Does more ‘legitimate’ comedy taste act as a tangible resource in social life – a form of cultural capital? What role does humour play in policing class boundaries in contemporary Britain? This book will be of interest to students and scholars of sociology, social class, social theory, cultural studies and comedy studies.
*INSTANT NEW YORK TIMES BESTSELLER* A behind-the-scenes look into the creation and legacy of The West Wing as told by cast members Melissa Fitzgerald and Mary McCormack, with compelling insights from cast and crew exploring what made the show what it was and how its impassioned commitment to service has made the series and relationships behind it endure. Step back inside the world of President Jed Bartlet’s Oval Office with Fitzgerald and McCormack as they reunite the West Wing cast and crew in a lively and colorful “backstage pass” to the timeless series. This intimate, in-depth reflection reveals how The West Wing was conceived, and spotlights the army of people it took to produce it, the lifelong friendships it forged, and the service it inspired. From cast member origin stories to the collective cathartic farewell on the show’s final night of filming, What’s Next will delight readers with on-set and off-camera anecdotes that even West Wing superfans have never heard. Meanwhile, a deeper analysis of the show’s legacy through American culture, service, government, and civic life underscores how the series envisaged an American politics of decency and honor, creating an aspirational White House beyond the bounds of fictional television. What’s Next revisits beloved episodes with fresh, untold commentary; compiles poignant and hilarious stories from the show’s production; highlights initiatives supported by the cast, crew, and creators; and makes a powerful case for competent, empathetic leadership, hope, and optimism for whatever lies ahead.