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Ex-prosecutor Mary Crow has returned home to Pisgah County, North Carolina, three years after bringing its corrupt sheriff to justice. But the local District Attorney reneges on his promise of a job for her, and the only offer of work comes from a land developer—and former classmate—who seems to have trouble taking no for an answer. For Mary, coming home is supposed to be about renewal, about living the life she wants. She’s come home to reunite with her former lover Johnny Walkingstick . . . and to reconnect with her own past. But the reality of her homecoming takes a much darker turn as she’s plunged into the merciless world of a ruthless predator.
Homesick and longing for the company of handsome Jonathan Walkingstick, former Atlanta D.A. Mary Crow returns to North Carolina to open her own practice and finds herself taking on the case of Ridge Standingdeer, a young Cherokee farmhand accused of killing the local prom queen. Reprint.
Charlie James (1867–1937) was a premier carver and painter from the Kwakwaka'wakw First Nation of British Columbia. Also known by his ceremonial name Yakuglas, he was a prolific artist and activist during a period of severe oppression for First Nations people in Canada. Yakuglas’ Legacy examines the life of Charlie James. During the early part of his career James created works primarily for ritual use within Kwakwaka'wakw society. However, in the 1920s, his art found a broader audience as he produced more miniatures and paintings. Through a balanced reading of the historical period and James’ artistic production, Ronald W. Hawker argues that James’ shift to contemporary art forms allowed the artist to make a critical statement about the vitality of Kwakwaka'wakw culture. Yakuglas’ Legacy, aided by the inclusion of 123 colour illustrations, is at once a beautiful and poignant book about the impact of the Canadian project on Aboriginal people and their artistic response.
Thousands of years ago, science let go of man, leaving him one step away from extinction. The world re-emerged from these unequaled beings, with a lost history and the same intelligence, they raised houses and walls. The inheritance of ancient legends were the pinnacle of the ascent, since these wonders created exemplary men, skillful and versatile with just one of them. For centuries the foundations were created between conflicts with these magnificent objects, mistakes and injustices, they would predict wars and a religion angry with the means of exercising the power given by some god. Misguided or not, the differences would lead the continent to tremble once more hand in hand with science and its legacy. The penalties for our beloved Hansa begin upon learning of the loss of the hunter's mask, the only sustenance for the families of his class, where his father loses it in a bet. His mother decides to try to protect the future of her son, working for a strange duke just outside the walls. His little son, with the help of Roni, his best friend, tries to make up for his alcoholic father's big mistake, searching for his only treasure.
This book explores the development of Sinhala stylistic drama from its earliest manifestations to the post-independence era. Bulathsinghala examines the impact of indigenous and imported folk theatrical forms on the work of the most significant postcolonial stylistic dramatists and on key plays that they produced. In the process, the book explores a number of myths and misunderstandings regarding Sri Lanka’s folk heritage and seeks to establish more reliable information on the principal indigenous Sri Lankan folk dramatic forms and their characteristics. At the same time, by drawing connections between folk drama and the post-independence stylistic theatrical movement, the author demonstrates the essential role of the former in Sinhala culture prior to the advent of Western and other influences and shows how both continue to inflect Sri Lankan drama today. This book will help to open the field of South Asian drama studies to an audience consisting not only of scholars and students but also of general readers who are interested in the fields of drama and theatre and Asian studies.
This book investigates the role of humor in the good life, specifically as discussed by three prominent French intellectuals who were influenced by Nietzsche's thought: Georges Bataille, Gilles Deleuze, and Clément Rosset. Lydia Amir begins by discussing Nietzsche’s reception in France, and she explains why and how he came to be considered a "philosopher of laughter" in the French academe. Each of the subsequent three chapters focuses on the significance of humor and laughter in the good life as advocated by Bataille, Deleuze, and Rosset. These chapters also explore the complex relationship between the comic and the tragic, and of humor and laughter to irony, satire, and ridicule. The Legacy of Nietzsche’s Philosophy of Laughter makes an invaluable contribution to recent interpretive work done on Bataille and Deleuze, and offers further introduction to the relatively understudied Rosset. It illuminates the philosophies of these three thinkers, their connection to Nietzsche, and, overall, the significant role that humor plays in philosophy.
Best-selling horror novelist Clive Barker's 1987 film Hellraiser has become an undisputed horror classic, spawning a movie franchise that to date includes eight films. Exploring not only the cinematic interpretations of the Hellraiser mythos but also its intrusion into other artistic and cultural forms, this volume begins by identifying the unconventional sources of Barker's inspiration and following Barker from his pre-Hellraiser cinematic experience through the filming of the horror classic. It examines various themes (such as the undermining of the traditional family unit and the malleability of the flesh) found throughout the film series and the ways in which the representation of these themes changes from film to film. The religious aspects of the films are also discussed. Characters central to the franchise--and the mythos--are examined in detail.
Combining in-depth analysis with over 200 film reviews, 'Legacy of Blood' is a comprehensive examination of the slasher movie and its conventions to date, from 'Halloweeen' to 'Scream' and beyond.
Contemporary American colleges are increasingly queer places, where significant steps toward inclusion of BGLT students have been made. Tracing the journey of BGLT students' emergence, which parallels the modern gay rights movement in America, this monograph provides an overview of data and theory derived from studying BGLT students and student movements in higher education. Offering context for the ways that previously marginalized students in higher education survive and thrive, this issue: Tells the story of their growing visibility on campus Summarizes collective knowledge to date about BGLT identity development Takes stock of transgender students' distinctive position and experiences in higher education Assesses the role of the BGLT campus resource center in supporting students and advancing equity. This issue develops a picture of the ways that BGLT community activism informs scholarship (and vice versa). In the telling of the movement's stories, these lessons suggest a practice of collaborative transformation for advancing the future of BGLT equality in higher education. This is Volume 37 Issue 4 of the Jossey-Bass publication ASHE Higher Education Report. Each monograph is the definitive analysis of a tough higher education problem, based on thorough research and institutional experiences. Topics are identified by a national survey. Noted practitioners and scholars are then commissioned to write the reports, with experts providing critical reviews of each manuscript before publication.
A ground-breaking work of nation building, this unique biographical book by many of English and French Canada's best-known writers and thinkers -- Margaret Atwood, Lucien Bouchard, Dr. Samantha Nutt, Ken Dryden, etc. -- tells the story of the extraordinary legacy of the French contribution to our very way of life. In 1913, schoolgirls found a heavy metal plaque peeking out of the soil in St-Pierre, South Dakota. On it they saw engraved characters and signs they could not decipher. They took the plaque back home, and somehow, it found its way into the hands of a local historian who immediately realized the importance of the artifact. One hundred and seventy years earlier, French-Canadian explorer Pierre Gaultier de la Vérendrye had written about his travels to the west in search of the elusive "Western Sea." In his journal, he remembered: "I placed upon a hillock near the fort a lead plaque with the arms and inscription of the King." That was the plaque found by the children, the proof that de la Vérendrye was the first white man to set eyes on the Rockies, 60 years before Lewis and Clark's famous expedition. Traces of the French-Canadians' contribution to North American history can be found in all regions of the continent. More often than not, we are unaware of or indifferent towards these signs. Yet the descendants of the French travelled farther than one would expect, exploring the land and a wide variety of fields of human activity (science, arts, economy, etc.). Through their audacity, their courage and their determination, they shaped Canada -- and, to a smaller but still significant extent -- the United States. In a unique partnership with Les Éditions La Presse, Legacy is the story of a dozen French-Canadian pioneers, from the era of Nouvelle-France up to the 20th century. This ambitious book project will take the form of a series of biographical essays written by Canadian personalities and leading authors. Through the lives of these extraordinary persons, the authors will reflect on the French-Canadian legacy. They are all convinced that Canada would not be what it is today were it not for these French-speaking Canadians who explored the land, hung on to their culture while respecting that of others, longed for peace, fought with courage, and stood up for a brand of humanism that helped shape the country we live in today.