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A new edition of Beverley Farmer's out-of-print classic A Body of Water, which in its mixing of genres — essay, memoir, fiction, folk tale — opened up new frontiers for Australian literature A Body of Water was first published thirty years ago. The writing of the book takes place over a year, and portrays a complete cycle in the writer's life. It begins on her forty-sixth birthday, in a period of emotional inhibition and loneliness – her marriage has broken down, and she is living on her own. By the end of the cycle the narrator has written short stories and poems, which are included in the book, alongside essays about the writing process, journal entries, excerpts from books she has been reading, spiritual meditations, and finely detailed observations of the life around her. The title A Body of Water could be taken to refer to the book's settings along the Bellarine Peninsula in southern Victoria, with its bays, the outer harbour, and the lighthouse, standing like a sentinel at the entrance to the ocean. It also suggests the diverse material which fills the book, like a body of water with all that it contains and nurtures. Throughout, one is aware of the the writer's own body, as an entity which shifts its identity like water, with its changes of mood, relationships and reflections. 'Beverley Farmer's expansive curiosity and appreciation for microcosmic significance sharpen a reader's attention to all things lived, dreamed, and observed.' — Josephine Rowe 'A bold and beautiful, genre-defying book, weaving together process and product, reflections on reading and the luminous moments of everyday life into a work that shimmers with allusion, insight and charm. It remains as striking and important a book now as it was in its original context.' — Fiona Wright
A new edition of the bestselling classic – published with a special introduction to mark its 10th anniversary This pioneering account sets out to understand the structure of the human brain – the place where mind meets matter. Until recently, the left hemisphere of our brain has been seen as the ‘rational’ side, the superior partner to the right. But is this distinction true? Drawing on a vast body of experimental research, Iain McGilchrist argues while our left brain makes for a wonderful servant, it is a very poor master. As he shows, it is the right side which is the more reliable and insightful. Without it, our world would be mechanistic – stripped of depth, colour and value.
In those moments when focus on creative work overrides input from the outside world, we are in a creative trance. This psychologically significant altered state of consciousness is inherent in everyone. It can take the form of daydreams generating scientific or creative ideas, hyperfocus in sports, visualizations that impact entire civilizations, life-changing audience experiences, or meditations for self-transformation that may access states beyond trance, becoming gateways to transcendence. Artist and psychologist Tobi Zausner shows how creative trance not only operates in scientific inventions and works of art in all media, but is also important in creating and recreating the self. Drawing on insights from cognitive neuroscience, clinical psychology and post-materialist psychology, this book investigates the diversity of the creative trance ranging from non-industrial societies to digital urban life, and its presence in people from all backgrounds and abilities. Finally, Zausner investigates the future of trance in our rapidly changing world.
This volume addresses the complex topic of the preeminent status of the divine feminine power, to be referred also as Female, within the theosophical structures of many important Kabbalists, Sabbatean believers, and Hasidic masters. This privileged status is part of a much broader vision of the Female as stemming from a very high root within the divine world, then She was emanated and constitutes the tenth, lower divine power, and even in this lower state She is sometime conceived of governing this world and as equal to the divine Male. Finally, She is conceived of as returning to Her original place in special moments, the days of Sabbath, the Jewish Holidays or in the eschatological era. Her special dignity is sometime related to Her being the telos of creation, and as the first entity that emerged in the divine thought, which has been later on generated. In some cases, an uroboric theosophy links the Female Malkhut, directly to the first divine power, Keter. The author points to the possible impact of some of the Kabbalistic discussions on conceptualizations of the feminine in the Renaissance period.
This volume explains a new theory of grief and loss that is designed to represent the realities not addressed in current conventional views of grief. First and last, McCabe's is a relational theory of grief. Inherent in this theory is the reality that the lost one remains and ongoing part of our existence and that a major dimension of grieving involves reintegrating our lives around the lost presence. This process does not have stages or prescribed time limits as those cited in traditional theory. The experience proceeds, rather, in terms of the griever's prior, ongoing, dynamic relationship with the loved one as well as others, and the griever's personal resources for reconstituting life in the face of personal loss. This volume will be useful to scholars and practioners whose work brings them in touch with death issues. Academics in psychology, sociology, nursing and religion will find this of interest, as will practitioners in bereavement counseling, menetal health, religion, social work, nursing and medicine.
Own or Other Culture challenges those anthropologists who suggest that fieldwork in the 'West' is easy or merely a reiteration of what is already 'known' to either Westerners or non Westerners. Revealing some pioneering articles in social anthropology written over a period of twenty years, Judith Okely discusses selected themes which include: * questions of reflexivity and autobiography * anthropology in Europe * the cultural location of the anthropologist * feminism in anthropology. Illustrated with photographs, Own or Other Culture covers subjects ranging from the author's own boarding school revealing a British exotica and colonial comparisons, to how Gypsies, who treat non-Gypsies as the 'other', act to create or manipulate cultural difference. Feminist anthropology is developed in a reassessment of de Beauvoir and Kaberry while gender and bodily experience is explored in the face of popular demands by women readers for cross-cultural examples.