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Desarrollar un arte es desarrollar una habilidad. La Biblia dice que el favor viene a los hombres de habilidad. La obra del ministerio exige gran habilidad. Este nuevo libro, "El Arte del Ministerio" es un recurso muy necesario para todos los que quieren hacer la obra del ministerio. Presenta claramente lo que es el pensamiento correcto o erróneo acerca del ministerio, cual es la obra del ministerio, lo que se requiere de ti como trabajador en el ministerio y la forma de realizar las tareas de un ministro. ¿Te has preguntado acerca de cómo ejecutar tu trabajo en el ministerio? Este libro excepcional por Dag Heward-Mills te retará andar como es digno de la llamada de Dios y te guiará a entregarse totalmente a la obra del ministerio.
Arvey Foundation Book Award, Association for Latin American Art, 2018 Many Latin American artists and critics in the 1920s drew on the values of modernism to question the cultural authority of Europe. Modernism gave them a tool for coping with the mobility of their circumstances, as well as the inspiration for works that questioned the very concepts of the artist and the artwork and opened the realm of art to untrained and self-taught artists, artisans, and women. Writing about the modernist works in newspapers and magazines, critics provided a new vocabulary with which to interpret and assign value to the expanding sets of abstracted forms produced by these artists, whose lives were shaped by mobility. The Mobility of Modernism examines modernist artworks and criticism that circulated among a network of cities, including Buenos Aires, Mexico City, Havana, and Lima. Harper Montgomery maps the dialogues and relationships among critics who published in avant-gardist magazines such as Amauta and Revista de Avance and artists such as Carlos Mérida, Xul Solar, and Emilio Pettoruti, among others, who championed esoteric forms of abstraction. She makes a convincing case that, for these artists and critics, modernism became an anticolonial stance which raised issues that are still vital today—the tensions between the local and the global, the ability of artists to speak for blighted or unincorporated people, and, above all, how advanced art and its champions can enact a politics of opposition.
Toward the middle of the 1950s, abstract art became a dominant trend in the Latin American cultural scene. Many artists incorporated elements of abstraction into their rigorous artistic vocabularies, while at the same time, the representation of geometric lines and structures filtered into everyday life, appearing in textiles, posters, murals, and landscapes. The translation of a field-changing Spanish-language book, Abstract Crossings analyzes the relationship between, on the one hand, the emergence of abstract proposals in avant-garde groups and, on the other, the institutionalization and newfound hegemony of abstract poetics as part of Latin America’s imaginary of modernization. A profusion of mid-century artistic institutional exchanges between Argentina and Brazil makes a study of the trajectories of abstraction in these two countries particularly valuable. Examining the work of artists such as Max Bill, Lygia Clark, Waldemar Cordeiro, and Tomás Maldonado, author María Amalia García rewrites the artistic history of the period and proposes a novel reading of the cultural dialogue between Argentina and Brazil. This is the first book in the new Studies on Latin American Art series, supported by a gift from the Institute for Studies on Latin American Art.
Are your first impressions of others often wrong? Do you wish you could be luckier in love? Physiognomy, or the art of reading a person's features, is commonly used in Asian cultures to help people plan for success and steer clear of heartache and frustration. It is also considered enormously helpful when choosing friends, business partners, and romantic interests. Physiognomy can be used not only to discern a person's character and personality, but also to glimpse his or her fate. For example, by reading a special feature on a person, skilled physiognomists can predict whether this person will have a long life, marital happiness, good health, or fame. With the help of physiognomist Quyen Quang Tran, you can learn to use physiognomy in all walks of life. You can also use it to divine what fate may have in store for you and others: success or failure, sickness or health, marital bliss or conflict, or good or bad fortune. Author Quyen Quang Tran has practiced physiognomy for over fifty years. Now, in Physiognomy: The Art of Reading People, he presents fundamental concepts and skills to help others learn this life-changing science. Tran explains the fundamentals of reading the forms on the face and on the body as well as interpreting the voice, color, and countenance of an individual. He includes hundreds of illustrations to help readers identify and read various features on the face and on the body of a person. A special chapter of the book is for the discussion of dozens of readings conducted by Tran's mentor, Mr. Ngo Hung Dien. These stories illustrate the practical applications of physiognomy on people in their own lives. Physiognomy: The Art of Reading People is a thorough guide to the fundamentals. Topics include: observing and interpreting a person's physical forms, his/her color, voice, and countenance, grouping the physiognomic features into sets, and applying physiognomy to daily life of any individual to contemplate. The book also includes forty detailed case studies to illustrate the practical uses of physiognomy. Whether you're seeking insights into your friends or your fate, Physiognomy will offer you a fresh perspective to live a life that you are looking for. "