Download Free Leelas Book A Novel Book in PDF and EPUB Free Download. You can read online Leelas Book A Novel and write the review.

A mesmerizing, heartbreaking graphic novel of immigrant life on New York’s Lower East Side at the turn of the twentieth century, as seen through the eyes of twin sisters whose lives take radically and tragically different paths. “A haunting and often heartbreaking look at Eastern European Jewish immigrants in the early 20th century [and] also a story about women, power, and bodies.” —Austin American-Statesman For six-year-old Esther and Fanya, the teeming streets of New York’s Lower East Side circa 1910 are both a fascinating playground and a place where life’s lessons are learned quickly and often cruelly. In drawings that capture both the tumult and the telling details of that street life, Unterzakhn (Yiddish for “Underthings”) tells the story of these sisters: as wide-eyed little girls absorbing the sights and sounds of a neighborhood of struggling immigrants; as teenagers taking their own tentative steps into the wider world (Esther working for a woman who runs both a burlesque theater and a whorehouse, Fanya for an obstetrician who also performs illegal abortions); and, finally, as adults battling for their own piece of the “golden land,” where the difference between just barely surviving and triumphantly succeeding involves, for each of them, painful decisions that will have unavoidably tragic repercussions.
With a nod to the Indian masterpiece the Mahabharata, a multithraded, raucous epic about family and faith. Bold and entertaining, Leela’s Book weaves a tale of contemporary Delhi that crosses religious and social boundaries. Leela—alluring, taciturn, haunted—is moving from New York back to Delhi, where her return will unsettle precariously balanced lives. Twenty-five years earlier, her sister was seduced by the egotistical Vyasa. Now an eminent Sanskrit scholar, Vyasa is preparing for his son’s marriage. But when Leela arrives, she disrupts the careful choreography of the wedding, with its myriad attendees and their conflicting desires. Gleefully presiding over the drama is Ganesh—divine, ­elephant-headed scribe of the Mahabharata, India’s great epic. The family may think they have arranged the wedding for their own selfish ends, but according to Ganesh it is he who is directing events—in a bid to save Leela, his beloved heroine, from Vyasa.
Leela can't wait for Ajji, her grandmother, to come visit from India. But when she arrives, everything changes. Nicholas makes fun of the red dot Ajji wears on her forehead. Crystal says Leela and her grandmother are weird. Soon, Leela wishes her grandmother had never come. Before, she was Leela, a normal girl who happened to have brown skin. Now, she's weird Leela, a strange girl from a faraway foreign land. Can Leela find a way to stop the teasing and stay true to herself?
Published twenty years ago, Leela Gandhi’s Postcolonial Theory was a landmark description of the field of postcolonial studies in theoretical terms that set its intellectual context alongside poststructuralism, postmodernism, Marxism, and feminism. Gandhi examined the contributions of major thinkers such as Edward Said, Gayatri Spivak, Homi Bhabha, and the subaltern historians. The book pointed to postcolonialism’s relationship with earlier anticolonial thinkers such as Frantz Fanon, Albert Memmi, Ngũgĩ wa Thiong’o, and M. K. Gandhi and explained pertinent concepts and schools of thought—hybridity, Orientalism, humanism, Marxist dialectics, diaspora, nationalism, gendered subalternity, globalization, and postcolonial feminism. The revised edition of this classic work reaffirms its status as a useful starting point for readers new to the field and as a provocative account that opens up possibilities for debate. It includes substantial additions: A new preface and epilogue reposition postcolonial studies within evolving intellectual contexts and take stock of important critical developments. Gandhi examines recent alliances with critical race theory and Africanist postcolonialism, considers challenges from postsecular and postcritical perspectives, and takes into account the ontological, environmental, affective, and ethical turns in the changed landscape of critical theory. She describes what is enduring in postcolonial thinking—as a critical perspective within the academy and as an attitude to the world that extends beyond the discipline of postcolonial studies.
"Steeped in the tradition of the Indian epic, yet modern and vastly entertaining." —The Times (London) In her fiction debut, Alice Albinia weaves a multithreaded epic tale that encompasses divine saga and familial discord and introduces an unforgettable heroine. Leela—alluring, taciturn, haunted—is moving from New York back to Delhi. Worldly and accomplished, she has been in self-imposed exile from India and her family for decades; twenty-two years earlier, her sister was seduced by the egotistical Vyasa, and the fallout from their relationship drove Leela away. Now an eminent Sanskrit scholar, Vyasa is preparing for his son’s marriage. But when Leela arrives for the wedding, she disrupts the careful choreography of the weekend, with its myriad attendees and their conflicting desires. Gleefully presiding over the drama is Ganesh—divine, elephant-headed scribe of the Mahabharata, India’s great epic. The family may think they have arranged the wedding for their own selfish ends, but according to Ganesh it is he who is directing events—in a bid to save Leela, his beloved heroine, from Vyasa. As the weekend progresses, secret online personas, maternal identities, and poetic authorships are all revealed; boundaries both religious and continental are crossed; and families are ripped apart and brought back together in this vibrant and brilliant celebration of family, love, and storytelling.
Have you ever dreamed of going in space and having a best friend share your journey? This book is about a little girl who finds a friend and goes on a journey with him. It will inspire you to follow your heart no matter how difficult things appear.
Lawrence Hill’s award-winning novel is a major television miniseries airing on BET Networks. The Book of Negroes (based on the novel Someone Knows My Name) will be BET’s first miniseries. The star-studded production includes lead actress Aunjanue Ellis (Ray, The Help), Oscar winner Cuba Gooding Jr. (Jerry Maguire, A Few Good Men), Oscar and Emmy winner Louis Gossett Jr. (A Raisin in the Sun, Boardwalk Empire), and features Lyriq Bent (Rookie Blue), Jane Alexander (The Cider House Rules), and Ben Chaplin (The Thin Red Line). Director and co-writer Clement Virgo is a feature film and television director (The Wire) who also serves as producer with executive producer Damon D’Oliveira (What We Have). In this “transporting” (Entertainment Weekly) and “heart-stopping” (Washington Post) work, Aminata Diallo, one of the strongest women characters in contemporary fiction, is kidnapped from Africa as a child and sold as a slave in South Carolina. Fleeing to Canada after the Revolutionary War, she escapes to attempt a new life in freedom.