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Cult film star Lee Van Cleef began his movie career in Hollywood, appearing as evil-eyed villains in such 1950s and '60s Westerns as High Noon, Gunfight at the O.K. Corral and How the West was Won. But Van Cleef didn't achieve full-blown fame until he began starring in Spaghetti Westerns overseas. He played opposite Clint Eastwood in The Good, the Bad and the Ugly and For a Few Dollars More before becoming a tough-guy star in his own right. By the 1980s, Van Cleef was aging and in weakened health, but he still managed to give thrilling performances in such films as Escape from New York and in a weekly martial-arts TV series, The Master. Film-by-film and show-by-show, this work fully details Van Cleef's career. Each movie entry includes cast and credits, studio, running times, year of release, a plot synopsis and a brief overview of Van Cleef's role. The background of the ABC series The Master is then given, followed by an episode guide that provides airdate, cast and credits, a synopsis and a comment on the episode. Comprehensive information on Van Cleef's other appearances in television concludes the work.
He had the face of a true villain, chiseled to perfection. Director Sergio Leone, best-known for "The Man With No Name" spaghetti western trilogy, once described Van Cleef as having the face of a hawk; actor Eli Wallach called it "wonderfully alive" and full of wickedness. As an actor, Van Cleef portrayed some of the best movie villains of all time-Angel Eyes in The Good, The Bad, and The Ugly, and Frank Talby in Day of Anger. Although more than twenty years have passed since his premature death in 1989, Lee Van Cleef remains a cinematic icon for millions of film fans worldwide, and his legacy as the "Best of the Bad" is set in granite. Lee Van Cleef: Best of the Bad explores the life and career of this great actor, a man with unbounded talent and a heart of finely-polished gold. Through interviews and numerous sources, Best of the Bad reveals the real Lee Van Cleef and discusses his roles in For A Few Dollars More, The Good, The Bad, and The Ugly, and Day of Anger, along with chapters on mythic archetypes and historical gunfighters and bounty hunters. Also included is a foreword by Mike Malloy, author of Lee Van Cleef: A Biographical, Film, and Television Reference.
This book is about a group of actors who bring drama to the big screen the way the fair haired hero never could. The granddaddies of Darth Vadar and J.R. Ewing--villains of the Westerns. Witty interviews with ten Hollywood heavies--Lee Van Cleef, Jack Elam, Strother Martin, others--about their backgrounds, and feelings about themselves, their families, and playing bad guys. Horner asks the right questions, pulls out good answers and shows a fondness for controversial and sensitive issues. Two sections contain 43 photos of these familiar grisly characters in well known roles. All in all a splendid portrayal of a bunch of fine fellows who make a living convincing audiences they are despicable, degenerate and mean. A thorough filmography and a solid index are included.
In the mid-1960s an unknown Italian film director named Sergio Leone was given $200,000 and some leftover film stock, and he went to make a Western. With an American TV actor named Clint Eastwood and a script based on a samurai epic, Leone wound up creating "A Fistful of Dollars", the first in a trilogy of films (with "For a Few Dollars More" and "The Good, the Bad, and the Ugly") that was violent, cynical, and visually stunning. Along with his later masterpiece, "Once Upon a Time in the West", these films came to define the Spaghetti Western
Since the silent days of cinema, Westerns have been one of the most popular genres, not just in the United States but around the world. International filmmakers have been so taken by westerns that many directors have produced versions of their own, despite lacking access to the American West. Nowhere has the Western been more embraced outside of the United States than Italy. In the 1960s, as Hollywood heroes like John Wayne and Randolph Scott were aging, Italian filmmakers were revitalizing the western, securing younger American actors for their productions and also making stars of homegrown talent. Movies directed and produced by Italians have been branded “spaghetti westerns”—a genre that boastsseveral hundred films. In Spaghetti Westerns: A Viewer’s Guide, Aliza S. Wong identifies the most significant westerns all’italiana produced as well as the individuals who significantly contributed to the genre. The author profiles such American actors as Clint Eastwood, Eli Wallach, and Lee Van Cleef; composers including Ennio Morricone and Carlo Rustichelli; and, of course, directors like Sergio Corbucci and Sergio Leone. The most memorable movies of the genre are also examined, includingCompañeros, Django; A Fistful of Dollars; The Good, the Bad, and the Ugly; and They Call Me Trinity. In addition to citing pivotal films and filmmakers, this volume also highlights other relevant aspects of the genre, including popular shooting locations, subgenres like the Zapata western, and the films and filmmakers who were inspired by the spaghetti western, including Quentin Tarantino, Richard Rodriguez, and Takashi Miike. An introduction to a unique homage of American cinema, Spaghetti Westerns: A Viewer’s Guide allows fans and scholars alike to learn more about a genre that continues to fascinate audiences.
Cult film star Lee Van Cleef began his movie career in Hollywood, appearing as evil-eyed villains in such 1950s and '60s Westerns as High Noon, Gunfight at the O.K. Corral and How the West was Won. But Van Cleef didn't achieve full-blown fame until he began starring in Spaghetti Westerns overseas. He played opposite Clint Eastwood in The Good, the Bad and the Ugly and For a Few Dollars More before becoming a tough-guy star in his own right. By the 1980s, Van Cleef was aging and in weakened health, but he still managed to give thrilling performances in such films as Escape from New York and in a weekly martial-arts TV series, The Master. Film-by-film and show-by-show, this work fully details Van Cleef's career. Each movie entry includes cast and credits, studio, running times, year of release, a plot synopsis and a brief overview of Van Cleef's role. The background of the ABC series The Master is then given, followed by an episode guide that provides airdate, cast and credits, a synopsis and a comment on the episode. Comprehensive information on Van Cleef's other appearances in television concludes the work.
"40 years ago as a graduate student I wrote a book about Spaghetti Westerns, called 10,000 Ways to Die. It’s an embarrassing tome when I look at it now: full of half-assed semiotics and other attenuated academic nonsense. In the intervening period I have had the interesting experience of being a film director. So now, when I watch these films, I’m looking at them from a different perspective. A professional perspective, maybe . . . I’m thinking about what the filmmakers intended, how they did that shot, how the director felt when his film was recut by the studio, and he was creatively and financially screwed. 10,000 Ways to Die is an entirely new book about an under-studied subject, the Spaghetti Western, from a director’s POV. Not only have these films stood the test of time; some of them are very high art." —Alex Cox
The landmark biography of one of the twentieth century's most recognizable directors--now back in print
A new guide covering the spaghetti western genre, which not only made a star out of Clint Eastwood, Klaus Kinski, Lee Van Cleef and many others but was a major influence on such directors as Sam Peckinpah and Quentin Tarantino. Everything readers need to know in one handy volume.