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Sympathetic portrait of an enigmatic man who was a model of decorum and honor, a moderate on the issue of secession, and a fierce yet chivalrous soldier. 10 black-and-white illustrations.
In Light-Horse Harry Lee and the Legacy of the American Revolution, Charles Royster takes an ingenious, creative approach in his consideration of the life of one of the American Revolution’s heroes. Having fought valiantly to bring about a victory for the colonies, Henry (“Light-Horse Harry”) Lee (1756–1818) envisioned the new country as a virtuous and prosperous classical republic and eventually aligned himself with the Federalist party. He served as governor of Virginia and as a congressman, but he grew increasingly isolated, disillusioned, and bitter as the nation moved in a direction more in line with the Jeffersonian democratic principles. After going bankrupt and then suffering an attack by an angry mob, Lee exiled himself to the West Indies to escape his debts and save his family’s honor (including that of his son, the future General Robert E. Lee) and returned to the United States only several weeks before his death. Royster argues that Lee’s tragic life was different only in degree from those of many other patriots of the Revolution who viewed the peacetime fruits of their efforts with disappointment. How Lee, and others like him, shaped the American Revolution and were shaped by it is the theme of this provocative character study.
Based on interviews with Stan Lee and dozens of his colleagues and contemporaries, as well as extensive archival research, this book provides a professional history, an appreciation, and a critical exploration of the face of Marvel Comics. Recognized as a dazzling writer, a skilled editor, a relentless self-promoter, a credit hog, and a huckster, Stan Lee rose from his humble beginnings to ride the wave of the 1940s comic books boom and witness the current motion picture madness and comic industry woes. Included is a complete examination of the rise of Marvel Comics, Lee's work in the years of postwar prosperity, and his efforts in the 1960s to revitalize the medium after it had grown stale.
Spike Lee's challenging film Bamboozled (2000) is often read as a surface level satire of blackface minstrelsy. Careful analysis, however, gives way to a complex and nuanced study of the history of black performance. This book analyzes the work of five men, minstrel performer Bert Williams, director Oscar Micheaux, writer Ralph Ellison, painter Michael Ray Charles, and director Spike Lee, all through the lens of this misunderstood film. Equal parts biography and cultural analysis, this book examines the intersections of these five artists and Bamboozled, and investigates their shared legacy of resistance against misrepresentation.