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Innovator, genius, forward thinker and trendsetter: there are few individuals who have stamped quite as unique a footprint onto the musical landscape as Lee 'Scratch' Perry. Instantly recognisable both for his appearance and his musical approach, he has become a legend in his own lifetime in the worlds of reggae and dub. Kiss Me Neck is an extensive, detailed and heavily illustrated guide to the records produced by Perry and those that hailed from his legendary Black Ark Studio.
In this remarkable debut novel, a boy’s bittersweet passage to maturity and sexual awakening is set against escalating political tensions in Sri Lanka, during the seven years leading up to the 1983 riots. Arjie Chelvaratnam is a Tamil boy growing up in an extended family in Colombo. It is through his eyes that the story unfolds and we meet a delightful, sometimes eccentric cast of characters. Arjie’s journey from the luminous simplicity of childhood days into the more intricately shaded world of adults – with its secrets, its injustices, and its capacity for violence – is a memorable one, as time and time again the true longings of the human heart are held against the way things are.
Winner of the ARSC’s Award for Best Research (History) in Folk, Ethnic, or World Music (2008) When Jamaican recording engineers Osbourne “King Tubby” Ruddock, Errol Thompson, and Lee “Scratch” Perry began crafting “dub” music in the early 1970s, they were initiating a musical revolution that continues to have worldwide influence. Dub is a sub-genre of Jamaican reggae that flourished during reggae’s “golden age” of the late 1960s through the early 1980s. Dub involves remixing existing recordings—electronically improvising sound effects and altering vocal tracks—to create its unique sound. Just as hip-hop turned phonograph turntables into musical instruments, dub turned the mixing and sound processing technologies of the recording studio into instruments of composition and real-time improvisation. In addition to chronicling dub’s development and offering the first thorough analysis of the music itself, author Michael Veal examines dub’s social significance in Jamaican culture. He further explores the “dub revolution” that has crossed musical and cultural boundaries for over thirty years, influencing a wide variety of musical genres around the globe. Ebook Edition Note: Seven of the 25 illustrations have been redacted.
In Extended Play, one of the country's most innovative music writers conducts a wide-ranging tour through the outer limits of contemporary music. Over the course of more than twenty-five portraits, interviews, and essays, John Corbett engages artists from lands as distant as Sweden, Siberia, and Saturn. With a special emphasis on African American and European improvisers, the book explores the famous and the little known, from John Cage and George Clinton to Anthony Braxton and Sun Ra. Employing approaches as diverse as the music he celebrates, Corbett illuminates the sound and theory of funk and rap, blues and jazz, contemporary classical, free improvisation, rock, and reggae. Using cultural critique and textual theory, Corbett addresses a broad spectrum of issues, such as the status of recorded music in postmodern culture, the politics of self-censorship, experimentation, and alternativism in the music industry, and the use of metaphors of space and madness in the work of African American musicians. He follows these more theoretically oriented essays with a series of extensive profiles and in-depth interviews that offer contrasting and complementary perspectives on some of the world's most creative musicians and their work. Included here are more than twenty original photographs as well as a meticulously annotated discography. The result is one of the most thoughtful, and most entertaining, investigations of contemporary music available today.
“Reggae’s chief eyewitness, dropping testimony on reggae’s chief prophet with truth, blood, and fire.” —Marlon James, Man Booker Prize–winning author Renowned reggae historian Roger Steffens’s riveting oral history of Bob Marley’s life draws on four decades of intimate interviews with band members, family, lovers, and confidants—many speaking publicly for the first time. Hailed by the New York Times Book Review as a “crucial voice” in the documentation of Marley’s legacy, Steffens spent years traveling with the Wailers and taking iconic photographs. Through eyewitness accounts of vivid scenes—the future star auditioning for Coxson Dodd; the violent confrontation between the Wailers and producer Lee Perry; the attempted assassination (and conspiracy theories that followed); the artist’s tragic death from cancer—So Much Things to Say tells Marley’s story like never before. What emerges is a legendary figure “who feels a bit more human” (The New Yorker).
This history of reggae music covers from the Jamaican R and B and Calypso of the post-war years, to the surge of interest in the 1990s. As well as tracing the musical history, this book explains the historical and social background which are crucial to the understanding of its development. There are four main centres, in chronological order - Jamaica, London, New York and Toronto.
A history of Jamaica's contribution to world culture--reggae--traces the history of the form from African rhythms to the slums of Kingston and the international recording industry.
From its birth in the vibrant Kingston ghettos of Jamaica through its phenomenal popularity in the 1970s to its iconic standing in today’s global culture, reggae and its close relations—ska, rock steady, dj, dub, dancehall, and raggamuffin—have taken the world by storm. In The Reggae Scrapbook, scintillating words and images propel our appreciation of Jamaican music into the 21st century. Guiding us on this colorful book-length journey is one of the men who introduced reggae to America and helped rock the world with its syncopated beat, Roger Steffens. Through lectures, books, magazine articles, radio, and television, Steffens has shared his knowledge of reggae from coast to coast. He is the world’s premier archivist and collector of reggae memorabilia, and brings the best of his in-depth interviews with such reggae legends as Peter Tosh, Jimmy Cliff, and “Toots” Hibbert to this unique scrapbook. Covering topics such as “Roots and Ska,” “Rock Steady,” “The Golden Age,” “Rockers, Digital and Dance Hall,” and “Internationalization,” and supplemented with sidebar features on historic figures, styles, and events, The Reggae Scrapbook demonstrates the bold statement made by the rise of this irresistible musical and social force. Already the book is gaining powerful critical comment - "Rich in political, religious and herbaceous context, this lively package is primer for the uninitiated and treasure trove for the fan," raved the San Francisco Chronicle. Includes the following special features: A DVD of interviews with reggae greats by Roger Steffans (see a preview on YouTube) Facsimile reproduction of autographed flyers, album covers, posters, postcards, and tickets. A collection of evocative images by photographer Peter Simon, from reggae’s rough beginnings to the latest festivals, providing a stunning visual accompaniment. The best of Roger Steffens collection of more than 30,000 photographs and more rare memorabilia!
Compilation of conversations and essays facilitated by the Red Bull Music Academy, a traveling music workshop and lecture series.