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A series of six publications to be released over three years, each of which focuses on different aspects of Friedlander's images of people, featuring photographs chosen and sequenced by the artist from his archive.
"Consisting of photographs taken over the last decade in a majority of the fifty states, [book title] is a vast compendium of the country's eccentricities and obsessions documented at the beginning of the twenty-first century. ... they reveal the photographer's lifelong preoccupation with America's distinctive landscape and his humorous, often revelatory view of the nation from the driver's seat"--Book jacket.
Essay by Richard Benson.
Photographs by Lee Friedlander.
Here, then from an expert hand, is a pictorial account of what TV-screen light does to rooms and to the things in them.
The fourth edition of Nutrition: maintaining and improving health continues to offer wide-ranging coverage of all aspects of nutrition, including: * nutritional assessment * epidemiological and experimental methods used in nutrition research * social aspects of nutrition * the science of food as a source of energy and essential nutritients * variation in nutritional needs and priorities at different stages of the life-cycle * hospital malnutrition * the use of dietary supplementsand functional foods Completely updated, this accessible textbook offers a comprehensive guide to the roles of diet in causing, preventing and even treating chronic disease and maintaining good health. The importance of improving health is a guiding principle throughout the book and is underpinned by health promotion theory. This is essential reading for all nutrition and dietetics students, including those studying nutrition modules as part of food science, catering or health care courses
Originally published in hardcover in 2005.
With a career spanning seven decades, renowned American photographer Lee Friedlander has produced an unrivaled photographic output documenting seemingly every aspect of the American "social landscape" (a term Friedlander coined), with a specific focus on creating books. "Books are my medium," Friedlander has been quoted as saying. Friedlander First Fifty provides an inside look at Friedlander's first fifty books, featuring extensive commentary directly from Friedlander on his own work. The book contains photographs from each of the first fifty books, as well as descriptions, publication information, and most notably, interviews with Friedlander and his wife, Maria, conducted by Friedlander's grandson, Giancarlo, and daughter, Anna, who together co-published the book. The result is the most personal and candid look at Friedlander's life and career to date, as told to his own family. Published over a fifty year period, from 1969-2018, the first fifty books describe the entirety of subject matter -- from jazz musicians to factory workers to monuments to television screens -- and genres -- from self-portraits to street photographs to nudes to landscapes -- Friedlander has explored. Containing the largest collection of Friedlander's own quotes ever published, Friedlander First Fifty offers a behind-the-scenes look at the photographer's diverse oeuvre that contextualizes and brings new life to the work, for everyone from the casual art appreciator to the most ardent Friedlander fan.
Photographs by Lee Friedlander.
Lee Friedlander is celebrated for his ability to weave disparate elements from ordinary life into uncanny images of great formal complexity and visual wit. And few things have attracted his attention--or been more unpredictable in their effect--than the humble chain link fence. Erected to delineate space, form protective barriers and bring order to chaos, the fences in Friedlander's pictures catch filaments of light, throw disconcerting shadows and visually interrupt scenes without fully occluding them. Sometimes the steel mesh seems as delicate as lace; at others it appears as tough as snakeskin. In this book's 97 pictures, drawn from over four decades of work, it recurs as versatile, utilitarian and ubiquitous--not unlike the photographer himself.