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Excerpt from Lectures on Slavery and Its Remedy Lecture I. The sin of slavery - qttestion stated; slavery de fined; definition explained and illustrated; the q0t'sll01l not one 0! Mere abstraction; slavery in all cases, either is or is not sin it is in all cases, falsehood in theory; tyranny in prae tice a violation of God's law; and a parent 0! Abominations o - origmmitig and perpetuating the foreign slave-trade, with all its tonnccted sms and woes also the domestic; and the fruitful source of licentiousness. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Today most Americans, black and white, identify slavery with cotton, the deep South, and the African-American church. But at the beginning of the nineteenth century, after almost two hundred years of African-American life in mainland North America, few slaves grew cotton, lived in the deep South, or embraced Christianity. Many Thousands Gone traces the evolution of black society from the first arrivals in the early seventeenth century through the Revolution. In telling their story, Ira Berlin, a leading historian of southern and African-American life, reintegrates slaves into the history of the American working class and into the tapestry of our nation. Laboring as field hands on tobacco and rice plantations, as skilled artisans in port cities, or soldiers along the frontier, generation after generation of African Americans struggled to create a world of their own in circumstances not of their own making. In a panoramic view that stretches from the North to the Chesapeake Bay and Carolina lowcountry to the Mississippi Valley, Many Thousands Gone reveals the diverse forms that slavery and freedom assumed before cotton was king. We witness the transformation that occurred as the first generations of creole slaves--who worked alongside their owners, free blacks, and indentured whites--gave way to the plantation generations, whose back-breaking labor was the sole engine of their society and whose physical and linguistic isolation sustained African traditions on American soil. As the nature of the slaves' labor changed with place and time, so did the relationship between slave and master, and between slave and society. In this fresh and vivid interpretation, Berlin demonstrates that the meaning of slavery and of race itself was continually renegotiated and redefined, as the nation lurched toward political and economic independence and grappled with the Enlightenment ideals that had inspired its birth.
River of Dark Dreams places the Cotton Kingdom at the center of worldwide webs of exchange and exploitation that extended across oceans and drove an insatiable hunger for new lands. This bold reaccounting dramatically alters our understanding of American slavery and its role in U.S. expansionism, global capitalism, and the upcoming Civil War.
Reprint of the original, first published in 1876.
Most accounts date the birth of American abolitionism to 1831, when William Lloyd Garrison began publishing his radical antislavery newspaper, The Liberator. In fact, however, the abolition movement had been born with the American Republic. In the decades following the Revolution, abolitionists worked steadily to eliminate slavery and racial injustice, and their tactics and strategies constantly evolved. Tracing the development of the abolitionist movement from the 1770s to the 1830s, Richard Newman focuses particularly on its transformation from a conservative lobbying effort into a fiery grassroots reform cause. What began in late-eighteenth-century Pennsylvania as an elite movement espousing gradual legal reform began to change in the 1820s as black activists, female reformers, and nonelite whites pushed their way into the antislavery movement. Located primarily in Massachusetts, these new reformers demanded immediate emancipation, and they revolutionized abolitionist strategies and tactics--lecturing extensively, publishing gripping accounts of life in bondage, and organizing on a grassroots level. Their attitudes and actions made the abolition movement the radical cause we view it as today.
A comprehensive collection of Emerson's writings against slavery and the subjugation of American Indians - writings that reveal Emerson's deep commitment to social reform. Included are 18 works by Emerson, including speeches and lectures, on the subject of slavery, written between 1838 and 1863.
This definitive biography restores to the public an eloquent writer and reformer who embodied the best of the American democratic heritage.
People have been experimenting with different ways to write history for 2,500 years, yet we have experimented with film in the same way for only a century. Noted professor and historian Natalie Zemon Davis, consultant for the film The Return of Martin Guerre, argues that movies can do much more than recreate exciting events and the external look of the past in costumes and sets. Film can show millions of viewers the sentiments, experiences and practices of a group, a period and a place; it can suggest the hidden processes and conflicts of political and family life. And film has the potential to show the past accurately, wedding the concerns of the historian and the filmmaker. To explore the achievements and flaws of historical films in differing traditions, Davis uses two themes: slavery, and women in political power. She shows how slave resistance and the memory of slavery are represented through such films as Stanley Kubrick's Spartacus, Steven Spielberg's Amistad and Jonathan Demme's Beloved. Then she considers the portrayal of queens from John Ford's Mary of Scotland and Shekhar Kapur's Elizabeth to John Madden's Mrs. Brown and compares them with the cinematic treatments of Eva Peron and Golda Meir. This visionary book encourages readers to consider history films both appreciatively and critically, while calling historians and filmmakers to a new collaboration.