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Robert T. Denommé, who has written ex­tensively on French literature, here offers a companion volume to his Nineteenth­-Century French Romantic Poets, previ­ously published in this series. Once again working within an historical, philosophi­cal, and aesthetic context, he provides a wealth of critical insights for the general reader as well as the specialist. His first chapter surveys the evolution of poetic expression in France, and succeeding chapters study the major poets--Théophile Gautier, Théodore de Banville, Leconte de Lisle, and José-Maria de He­redia. Incisive and concise, the book provides a good general introduction to, and a long-overdue reassessment of, French Par­nassianism.
Claude Debussy’s exquisite piano works have captivated generations with their dreamlike atmosphere and mysterious soundscapes. Written in Paris at the height of the Belle Époque, the music creates a soundtrack for Parisians’ enjoyment of such delights as clowns, mermaids, eccentric dances, and the dark tales of Edgar Allan Poe. Debussy’s Paris: Piano Portraits of the Belle Époque explores how key works reflect not only the most appealing and innocent aspects of Paris but also more disquieting attitudes of the time such as racism, colonial domination, and nationalistic hostility. Debussy left no avenue unexplored, and his piano works present a sweeping overview of the passions, vices, and obsessions of the era. Pianist Catherine Kautsky reveals little-known elements of Parisian culture and weaves the music, the man, the city, and the era into an indissoluble whole. Her portrait will delight anyone who has ever been entranced by Debussy’s music or the city that inspired it.
The career of Gabriel Fauré as a composer of songs for voice and piano traverses six decades (1862-1921); almost the whole history of French mélodie is contained within these parameters. In this book, the distinguished accompanist and song scholar Graham Johnson places the vocal music within twin contexts: Fauré's own life story, and the parallel lives of his many poets. Each of Fauré's 109 songs receives a separate commentary. Additional chapters for the student singer and serious music-lover discuss interpretation and performance in both aesthetical and practical terms and Richard Stokes provides parallel English translations of the original French texts.
A personal journey through the works of poets that most influenced Kinsella's work, resulting in a collection of "cover poems" Here, John Kinsella takes the work of poets from across the centuries writing in languages other than English, including French, Russian, German, Greek, Latin, and Chinese, and recreates the original works as translations, adaptations, and versions. In the case of 19th-century French poets, including Leconte de Lisle, Charles Baudelaire, Arthur Rimbaud, and Charles Cros, there is close consideration of the traditional conventions of translation; Kinsella produces versions designed to capture the intent and design of the originals. However, with medieval poet Francois Villon, Kinsella has taken his "criminal jargon" poems and made radical departures into a play on contemporary "criminal" language. Using a vast array of interpretative techniques, Kinsella takes the reader from the intense animal poems of the Parnassian Leconte de Lisle, who spent much of his younger life on his birth island of Bourbon (La Reunion), through linguistically innovative remakings of Tristan Tzara's Dadaist poetry, to enigmatic investigations of the brilliant 20th-century poet of witness, fragmentation, and reconstitution of language, Paul Celan."
A creative innovator who boldly traversed traditional boundaries separating different genres and schools, French poet Theophile Gautier was extremely influential, playing a role in shaping the styles of poets from T. S. Elliot to Ezra Pound. In this, his most acclaimed collection of verse, Gautier offers his philosophical ponderings and lyrical musings.
Originally published in 1947, this book presents a comprehensive study regarding the Poèmes barbares (1862) of Leconte de Lisle. Two key areas are explored: 'what attracted Leconte de Lisle to the history and mythology of the barbarian races, by what methods and in accordance with what ideas he transformed his material into poetry'. The text is organised in reflection of the different ethnic and tribal groups contained within the poems. Detailed notes are incorporated throughout and a bibliography is also included. This book will be of value to anyone with an interest in French poetry and literary criticism.
This collection illuminates the uniquely fascinating era between 1820 and 1950 in French poetry - a time in which diverse aesthetic ideas conflicted and converged as poetic forms evolved at an astonishing pace. It includes generous selections from all the established giants - among them Baudelaire, Verlaine, Rimbaud and Breton - as well as works from a wide variety of less well-known poets such as Claudel and Cendrars, whose innovations proved vital to the progress of poetry in France. The significant literary schools of the time are also represented in sections focusing on such movements as Romanticism, Symbolism, Cubism and Surrealism. Eloquent and inspirational, this rich and exhilarating anthology reveals an era of exceptional vitality.
'a Greek gentleman in a straw hat, standing absolutely motionless at a slight angle to the universe' E. M. Forster E. M. Forster's description of C. P. Cavafy (1863-1933) perfectly encapsulates the unique perspective Cavafy brought to bear on history and geography, sexuality and language in his poems. Cavafy writes about people on the periphery, whose religious, ethnic and cultural identities are blurred, and he was one of the pioneers in expressing a specifically homosexual sensibility. His poems present brief and vivid evocations of historical scenes and sensual moments, often infused with his distinctive sense of irony. They have established him as one of the most important poets of the twentieth century. This volume presents the most authentic Greek text of the 154 authorized poems ever published, together with a new English translation that conveys the accent and rhythm of Cavafy's individual tone of voice. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
This study of Baudelaire and English modernism observes his protean influence on poets from Swinburne, who wrote the first English review of Les Fleurs du Mai, to T. S. Eliot. Documenting Baudelaire's impact on Swinburne, Pater, Wilde, Arthur Symons, Aldous Huxley, Edith and Osbert Sitwell, D. H. Lawrence, the Imagists, John Middleton Murry, Eliot, and others, Patricia Clements describes the Baudelaire who is the creation of the English poets and identifies some major lines in the development of modernism in English literature. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.