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Historian Michael H. Kater chronicles the rise and fall of one of Germany’s most iconic cities in this fascinating and surprisingly provocative history of Weimar. Weimar was a center of the arts during the Enlightenment and hence the cradle of German culture in modern times. Goethe and Schiller made their reputations here, as did Franz Liszt and the young Richard Strauss. In the early twentieth century, the Bauhaus school was founded in Weimar. But from the 1880s on, the city also nurtured a powerful right-wing reactionary movement, and fifty years later, a repressive National Socialist regime dimmed Weimar’s creative lights, transforming the onetime artists’ utopia into the capital of its first Nazified province and constructing the Buchenwald death camp on its doorstep. Kater’s richly detailed volume offers the first complete history of Weimar in any language, from its meteoric eighteenth-century rise up from obscurity through its glory days of unbridled creative expression to its dark descent back into artistic insignificance under Nazi rule and, later, Soviet occupation and beyond.
Briefe bringen Worte zum Ausdruck, die in Gesprächen verborgen bleiben. Dieses Buch schreibt (Liebes)Briefe an das prägendste Umfeld im Leben. Es regt zum Nachdenken an und zeigt auf, dass es in jeder Ecke Hoffnung und Liebe zu finden gibt.
Using the critical approach of the New Historicism and the sociological insights of Ernst Troeltsch, this study addresses the complicated issue of how the German Romantic poet, Friedrich Hölderlin, shifts religious vocabulary to the aesthetic realm, by examining his relationship to pietist groups in his native Württemberg. The study is divided into three sections: 1) a literature review and methodological statement; 2) overview of the spectrum of positions represented within Württemberg pietism, and a discussion of three pietists known to have had contact with Hölderlin in his youth and as a student; 3) analysis of a representative selection of Hölderlin's works - including his early poems, Hyperion, his theoretical writings on aesthetics, and a number of his late hymns - in light of their relation to Württemberg pietism.
Wars have played a fundamental part in modern German history. Although infrequent, conflicts involving German states have usually been extensive and often catastrophic, constituting turning-points for Europe as a whole. Absolute War is the first in a series of studies from Mark Hewitson that explore how such conflicts were experienced by soldiers and civilians during wartime, and how they were subsequently imagined and understood during peacetime, from Clausewitz and Kleist to Jünger and Adorno. Without such an understanding, it is difficult to make sense of the dramatic shifts characterising the politics of Germany and Europe over the past two centuries. The studies argue that the ease - or reluctance - with which Germans went to war, and the far-reaching consequences of such wars on domestic politics, were related to soldiers' and civilians' attitudes to violence and death, as well as to long-term transformations in contemporaries' conceptualisation of conflict. Absolute War reassesses the meaning of military conflict for the millions of German subjects who were directly implicated in the Revolutionary and Napoleonic Wars. Based on a re-reading of contemporary diaries, letters, memoirs, official correspondence, press reports, pamphlets, treatises, plays, and cartoons, this volume refocuses attention on combat and conscription as the central components of new forms of mass warfare. It concentrates, in particular, on the impact of violence, killing, and death on many soldiers' and some civilians' experiences and subsequent memories of conflict. War has often been conceived of as 'an act of violence pushed to its utmost bounds', as Clausewitz put it, but the relationship between military conflicts and violent acts remains a problematic one.