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Lauren Ashburn left a promising job to help her family in Vermont take care of her dying father. Now that he’s gone, Lauren has every intention of returning to her old life—the vibrant, successful one her father had always expected her to have. But Lauren discovers that she feels adrift without his strict guidance. Georgia Solomon designs homes for others. But as a bisexual autistic woman, she rarely feels at home herself. When her best friend dies suddenly, leaving her alone with their young daughter, her little slice of happiness vanishes. Now Georgia finds herself struggling to navigate a world that doesn’t understand her at all. Lauren and Georgia clash at a disastrous work meeting, but Georgia’s daughter Hannah pulls them together despite themselves. As they discover new possibilities and priorities for the future, can they make room for love? Or will they have to leave each other behind—in order for them both to move forward?
What links the popular songs "You'll Never Walk Alone", "Send in the Clowns", "Memory" and "I Am What I Am"? They all originated in Broadway musicals. Song of the Season is for those who believe that the score is at the heart of a musical and is the essential building block on which the rest of a show is built. Through a systematic historical survey from 1891 to 2023 it argues that the best musicals survive because of their songs, from early 20th century classics such as Show Boat and Oklahoma! through to the contemporary sound of Dear Evan Hansen and Hamilton. looking at outstanding songs from each Broadway season, the development and history of the musical is illustrated with a fresh perspective. As song styles and popular music tastes changed throughout the decades this structure charts the progress of American showtunes alongside popular music forms as songs evolved from the waltz and ragtime to jazz, rock, rap and hip-hop. Factual analysis and historical context combine to offer a rich picture of the American songbook from Irving Berlin to Elton John. Song of the Season paints a fresh picture for musical theatre students and fans alike, illustrating significant changes in the form through the music. Analyzed in an accessible and engaging way that doesn't rely on music theory knowledge, and including a link to playlist where all the 'songs of the seasons' can be listened to, it is a must-have for those looking to expand their knowledge of the form and trace the social history of the American showtune.
A renowned scholar of Islamic studies interviews ex-Muslims, who feel it is their duty to speak up against their former faith to tell the truth about the fastest growing religion in the world.
A guide for grad students and academics who want to find fulfilling careers outside higher education. With the academic job market in crisis, 'Leaving Academia' helps grad students and academics in any scholarly field find satisfying careers beyond higher education. The book offers invaluable advice to visiting and adjunct instructors ready to seek new opportunities, to scholars caught in "tenure-trap" jobs, to grad students interested in nonacademic work, and to committed academics who want to support their students and contingent colleagues more effectively. Providing clear, concrete ways to move forward at each stage of your career change, even when the going gets tough, 'Leaving Academia' is both realistic and hopeful.
This landmark presentation at last makes heard the centuries of Zen's female voices. Through exploring the teachings and history of Zen's female ancestors, from the time of the Buddha to ancient and modern female masters in China, Korea, and Japan, Grace Schireson offers us a view of a more balanced Dharma practice, one that is especially applicable to our complex lives, embedded as they are in webs of family relations and responsibilities, and the challenges of love and work. Part I of this book describes female practitioners as they are portrayed in the classic literature of "Patriarchs' Zen"--often as "tea-ladies," bit players in the drama of male students' enlightenments; as "iron maidens," tough-as-nails women always jousting with their male counterparts; or women who themselves become "macho masters," teaching the same Patriarchs' Zen as the men do. Part II of this book presents a different view--a view of how women Zen masters entered Zen practice and how they embodied and taught Zen uniquely as women. This section examines many urgent and illuminating questions about our Zen grandmothers: How did it affect them to be taught by men? What did they feel as they trying to fit into this male practice environment, and how did their Zen training help them with their feelings? How did their lives and relationships differ from that of their male teachers? How did they express the Dharma in their own way for other female students? How was their teaching consistently different from that of male ancestors? And then part III explores how women's practice provides flexible and pragmatic solutions to issues arising in contemporary Western Zen centers.
The first book length anthropological study of voluntary assisted dying in Switzerland, Leaving is a narrative account of five people who ended their lives with assistance. Stavrianakis places his observations of the judgment to end life in this way within a larger inquiry about how to approach and understand the practice of assisted suicide, which he characterizes as operating in a political, legal, and medical “parazone,” adjacent to medical care and expertise. Frequently, observers too rapidly integrate assisted suicide into moral positions that reflect sociological and psychological commonplaces about individual choice and its social determinants. Leaving engages with core early twentieth-century psychoanalytic and sociological texts arguing for a contemporary approach to the phenomenon of voluntary death, seeking to learn from such conceptual repertoires, as well as to acknowledge their limits. Leaving concludes on the anthropological question of how to account for the ethics of assistance with suicide: to grasp the actuality and composition of the ethical work that goes on in the configuration of a subject, one who is making a judgment about dying, with other participants and observers, the anthropologist included.
In this novel of the American Civil War, a disgraced Union colonel races to stop Confederates fleeing Gettysburg. Pickett’s charge has just ended, the battle of Gettysburg is over. The Confederate army is defeated and must retreat to the Potomac River forty miles away with thousands of wagons full of wounded soldiers, provisions and tens of thousands of animals. Asa Helms, a private in the Twenty-Sixth North Carolina Infantry, joined the army to oppose the Yankee’s invasion of his “country.” He is torn between serving his country with honor and going home to take care of his wife who is in great need. He faces a long, seemingly impossible march with little food, little hope and the Yankees on his heels. Captain Louis Young, aide-to-camp to Confederate General James Pettigrew, is fighting to preserve a culture and a lifestyle and possible domination by the despicable Yankees. The defeat at Gettysburg, the horrendous condition of the army and the endless resources of the enemy are causing him to doubt the ability of the Confederacy to gain another major victory and thus independence. His objective is to get the rebel army across the Potomac River to preserve it to fight another day. Colonel George Gray, an Irishman, is colonel of the Sixth Michigan Cavalry. He is hell-bent on putting down the rebellion before it divides the country that has been so good to him. He is neither a soldier, nor an accomplished equestrian, and has gotten on the wrong side of his superior, General George Custer, with whom he is in constant conflict. He sees a chance to cut off the Confederate army and end the war before it reaches the Potomac. That is where the journey ends and where each soldier must face the realities of this unnatural war. Asa must choose between escaping across the river or remaining with his wounded friend and facing certain captivity . . . Praise for Leaving Gettysburg “A solid piece of Civil War fiction that introduces readers to seldom discussed aspect of the Gettysburg Campaign.” —ARGunners.com “Curtis Crockett brings the retreat to life in fiction . . . a must-read for everyone interested in the Gettysburg campaign.” —Maine at War “Paints a vivid image of an ACW army in retreat and a victorious army slowly reorganizing to pursue.” —Historical Miniatures Gaming Society
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