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The haunting memoir of a girl growing up in the Moso country in the Himalayas -- a unique matrilineal society. But even in this land of women, familial tension is eternal. Namu is a strong-willed daughter, and conflicts between her and her rebellious mother lead her to break the taboo that holds the Moso world together -- she leaves her mother's house.
"Lyrical and emotionally gutting." —O, THE OPRAH MAGAZINE “Intellectually satisfying [and] artistically profound.” —KIRKUS REVIEWS (STARRED REVIEW) “Mesmeric.”—THE PARIS REVIEW “Vividly awesome and truly great." —EILEEN MYLES “Gorgeous, gutting, unforgettable." —LENI ZUMAS “Brilliant.” —MICHELLE TEA An arresting memoir equal parts refugee-coming-of-age story, feminist manifesto, and meditation on motherhood, displacement, gender politics, and art that follows award-winning writer Sophia Shalmiyev’s flight from the Soviet Union, where she was forced to abandon her estranged mother, and her subsequent quest to find her. Russian sentences begin backward, Sophia Shalmiyev tells us on the first page of her striking lyrical memoir. To understand the end of her story, we must go back to the beginning. Born to a Russian mother and an Azerbaijani father, Shalmiyev was raised in the stark oppressiveness of 1980s Leningrad (now St. Petersburg), where anti-Semitism and an imbalance of power were omnipresent in her home. At just eleven years old, Shalmiyev’s father stole her away to America, forever abandoning her estranged alcoholic mother, Elena. Motherless on a tumultuous voyage to the states, terrified in a strange new land, Shalmiyev depicts in urgent, poetic vignettes her emotional journeys through an uncharted world as an immigrant, artist, and, eventually, as a mother of two. As an adult, Shalmiyev voyages back to Russia to search endlessly for the mother she never knew—in her pursuit, we witness an arresting, impassioned meditation on art-making, gender politics, displacement, and most potently, motherhood.
"Leaving the M/other develops a striking parallel between Whitman's poetry and Kristeva's theory with close readings of poems published from 1855 to 1881. At the root of the analysis is the metaphor of the ocean."--BOOK JACKET.
A daughter returns home to the Navajo reservation to retrace her mother’s life in a memoir that is both a narrative and an archive of one family’s troubled history. “A candid and achingly fractured memoir of [Geller’s] mother, her family, her Navajo heritage and her own journey to self-discovery and acceptance.”—Ms. SHORTLISTED FOR: The Hubert Evans Non-Fiction Prize, The Jim Deva Prize for Writing That Provokes • ONE OF THE BEST BOOKS OF THE YEAR: Esquire, She Reads When Danielle Geller’s mother dies of alcohol withdrawal during an attempt to get sober, Geller returns to Florida and finds her mother’s life packed into eight suitcases. Most were filled with clothes, except for the last one, which contained diaries, photos, and letters, a few undeveloped disposable cameras, dried sage, jewelry, and the bandana her mother wore on days she skipped a hair wash. Geller, an archivist and a writer, uses these pieces of her mother’s life to try and understand her mother’s relationship to home, and their shared need to leave it. Geller embarks on a journey where she confronts her family's history and the decisions that she herself had been forced to make while growing up, a journey that will end at her mother's home: the Navajo reservation. Dog Flowers is an arresting, photo-lingual memoir that masterfully weaves together images and text to examine mothers and mothering, sisters and caretaking, and colonized bodies. Exploring loss and inheritance, beauty and balance, Danielle Geller pays homage to our pasts, traditions, and heritage, to the families we are given and the families we choose.
How Do You Forgive a Parent Who Has Failed You? One summer, Melissa Cistaro’s mother stepped into her baby-blue Dodge Dart and drove away, leaving behind Melissa and her brothers. Rarely seeing their mother as they were growing up, they blamed themselves for her leaving, turning to each other for support and seeking out often destructive ways to cope with living without their mom. Decades later, with children of her own, Melissa finds herself in Olympia, Washington, as her mother is dying. She has just days to find out what happened that summer and to confront the unthinkable fear that a “leaving gene” might be lying dormant inside of her. She knew she came from a long line of mothers who left their children. But when Melissa stumbles across a folder titled “Letters Never Sent” tucked away in her mother’s filing cabinet, she begins to feel the wreckage of her mother’s painful journey, before and after she abandoned her family. Alternating between Melissa’s tumultuous coming-of-age and her mother’s final days, Without My Mother is a haunting yet ultimately uplifting story of one woman’s quest to discover how our parents’ choices impact our own and how we can survive those choices to forge our own paths.
The searing memoir of an extraordinary woman who served as a nun for eleven years in Mother Teresa's order, Hope Endures is a compelling chronicle of idealistic determination, rigid discipline, and shattering disillusionment. InÊher life's journey from certainty to doubt, Colette Livermore enters the Missionaries of Charity order in 1973 with unwavering faith and total surrender ofÊher will and intellect after seeing a documentary on the order's work in India. Only eighteen at the time, Livermore has been studying to enter medical school -- a lifelong goal -- but virtually overnight severs her many ties with family, friends, and the life she's known in beautiful, rural New South Wales in order to train as a sister to aid the poor. In the process, she also gives herself over to the order's unexpectedly severe, ascetic regime, which demands blind obedience and submission. Given the religious name Sister Tobit, Livermore serves in some of the poorest places in the world -- the garbage dump slums of Manila, Papua New Guinea, and Calcutta -- bringing hope and care to people who are desperately ill, hungry, abandoned, and even dying, and comforting whomever she can. Although she draws inspiration and strength from her humanitarian work, Livermore and other nuns risk their own physical health, as they are sent to dangerous areas while being unschooled in the languages and cultures, untrained in medical care, and sometimes unprotected by vaccines. Livermore herself succumbs to bouts of drug-resistant cerebral malaria that almost kill her and to a new strain of hepatitis. Over time she also beginsÊto notice that the order's rigid insistence on unquestioning obedience harms the young sisters mentally, emotionally, and spiritually -- and she experiences a terrible inner struggle to find the right path for herself. As she tries to respond to the suffering around her, she often falls into an incomprehensible conflict between her vow to obey and her vow to serve, between religious strictures and the practice of compassion, between authority and personal conscience. Pressured to stay with the order by Mother Teresa and other superiors, as well as by the younger nuns, Livermore nonetheless decides to leave at age thirty and attain her medical degree, continuing to take health care and relief to impoverished people in remote areas -- the isolated aboriginal communities of the Outback and war-torn East Timor. Even as she serves others as a medical doctor, she continues in a crisis of faith thatÊeventually leads her to become an agnostic. Hope Endures is the eye-opening, deeply affecting story of a brave woman's search for meaning in a world that is rent with tragedies and contradictions. It is also an unflinching critique of any faith that insists on blind obedience. For true hope to endure, Dr. Livermore demonstrates, we must always strive to question, to face the hard truths, and to discover the courage to follow our convictions.
A collection of feminist essays steeped in “Solnit’s unapologetically observant and truth-speaking voice on toxic, violent masculinity” (The Los Angeles Review). In a timely and incisive follow-up to her national bestseller Men Explain Things to Me, Rebecca Solnit offers sharp commentary on women who refuse to be silenced, misogynistic violence, the fragile masculinity of the literary canon, the gender binary, the recent history of rape jokes, and much more. In characteristic style, “Solnit draw[s] anecdotes of female indignity or male aggression from history, social media, literature, popular culture, and the news . . . The main essay in the book is about the various ways that women are silenced, and Solnit focuses upon the power of storytelling—the way that who gets to speak, and about what, shapes how a society understands itself and what it expects from its members. The Mother of All Questions poses the thesis that telling women’s stories to the world will change the way that the world treats women, and it sets out to tell as many of those stories as possible” (The New Yorker). “There’s a new feminist revolution—open to people of all genders—brewing right now and Rebecca Solnit is one of its most powerful, not to mention beguiling, voices.”—Barbara Ehrenreich, New York Times–bestselling author of Natural Causes “Short, incisive essays that pack a powerful punch.” —Publishers Weekly “A keen and timely commentary on gender and feminism. Solnit’s voice is calm, clear, and unapologetic; each essay balances a warm wit with confident, thoughtful analysis, resulting in a collection that is as enjoyable and accessible as it is incisive.” —Booklist
An insatiable need for sex and love. Periods of overeating or starving. A pattern of unstable and painful relationships. Does this sound painfully familiar? Trauma counselor Kelly McDaniel has seen these traits over and over in clients who feel trapped in cycles of harmful behaviors-and are unable to stop. Many of us find ourselves stuck in unhealthy habits simply because we don't see a better way. With Mother Hunger, McDaniel helps women break the cycle of destructive behavior by taking a fresh look at childhood trauma and its lasting impact. In doing so, she destigmatizes the shame that comes with being under-mothered and misdiagnosed. McDaniel offers a healing path with powerful tools that include therapeutic interventions and lifestyle changes in service to healthy relationships. The constant search for mother love can be a lifelong emotional burden, but healing begins with knowing and naming what we are missing. McDaniel is the first clinician to identify Mother Hunger, which demystifies the search for love and provides the compass that each woman needs to end the struggle with achy, lonely emptiness, and come home to herself.
The book dispenses mini doses of advice to grown kids who are leaving home to live on their own. It is written in an easy-to-read, humorous style that will appeal to parents and kids alike. Tips are offered for planning and completing the move, peacefully coexisting with roommates, and dealing with the daily occurences of independent living. The book is heavily illustrated with clever drawings that will keep readers laughing while they learn.
Sound familiar? 1. You spot a cute boy (we’ll call him Boy A). 2. You dream about Boy A. 3. You do whatever it takes to make Boy A notice you. 4. Even though Boy A doesn’t pursue you, you hang on to your dream of Boy A until he (a) moves to the North Pole with no access to a cell phone or computer, (b) dies and is buried or cremated, or (c) begins dating another girl. 5. You mend your broken heart by hating Boy A and finding another cute boy (Boy B). You replace Boy A with Boy B and begin all over again . . . Paula has gone through an entire alphabet—and more—of boys over the years. As she shares her journal entries and stories—the good, the bad, and the ugly—you’ll be encouraged to trust God with your love life and buckle up for the ride! Written for teen girls, Confessions of a Boy-Crazy Girl will help you on your own journey from neediness to freedom. Part of the True Woman publishing line, whose goal is to encourage women to exude God’s beauty by embracing his design for womanhood