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A young woman encounters strange events in her Mexican hometown in this novel by an author who “immerses us...in her wickedly funny and imaginative world” (Latina). Leaving Tabasco tells of the coming of age of Delmira Ulloa, raised in an all-female home in Agustini, in the Mexican province of Tabasco. In Agustini it is not unusual to see your grandmother float above the bed when she sleeps, or to purchase torrential rains at a traveling fair, or to watch your family’s elderly serving woman develop stigmata, then disappear completely, to be canonized as a local saint. But as Delmira becomes a woman, she will set out on a search for her missing father, and must make a choice that could mean leaving her home forever, in a tale filled with both depth and delightful mystery that poses questions about just how real the real world is. “To flee Agustini is to leave not just a town but the viscerally primal dreamscape it represents.”— The New York Times Book Review “Vibrant...Each chapter is an adventure.”—The Boston Globe “We happily share with [Delmira] her life, including the infinitely charming town she inhabits [and] her grandmother’s fantastic imagination.”—The Washington Post Book World
Russia, 1905. Behind the gates of the Karenin Palace, Sergei, son of Anna Karenina, meets Tolstoy in his dreams and finds reminders of his mother everywhere: the almost-living portrait that the Tsar intends to acquire and the opium-infused manuscripts she wrote just before her death, one of which opens a trapdoor to a wild feminist fairytale. Across the city, Clementine, an anarchist seamstress, and Father Gapón, the charismatic leader of the proletariat, tip the country ever closer to revolution. Boullosa lifts the voices of coachmen, sailors, maids, and seamstresses in this playful, polyphonic, and subversive revision of the Russian revolution, told through the lens of Tolstoy’s most beloved work.
An enchanting, audacious retelling of the Cleopatra story from a Mexican novelist who is “a luminous writer” and “a masterful spinner of the fantastic” (The Miami Herald). In Cleopatra Dismounts, Carmen Boullosa has written a remarkable imaginary life of one of history’s most legendary women. Dying in Marc Antony’s arms, Cleopatra bewails the end of her political career throughout ancient Egypt, Greece, and the Mediterranean. But is this weak woman the true Cleopatra? Through the intervention of Cleopatra’s scribe and informer Diomedes, Boullosa creates two deliriously wild other lives for the young monarch—a girl escaping the intrigues of royal society to disguise herself and take up residence with a band of pirates; and the young queen who is carried across the sea on the back of a magical bull, to live among the Amazons. Magical, multifaceted, and rippling with luminous imagination, Cleopatra Dismounts confirms Carmen Boullosa as an important international voice. “Wildly entertaining.” —The Washington Post “A highly appealing and poetic interpretation of the Egyptian queen’s doomed fate.” —San Francisco Chronicle “The Mexican fabulist Carmen Boullosa reinvents Cleopatra as a character for modern feminism to conjure with.” —The Boston Globe
A dark, thought-provoking adventure that “artfully evokes the blood-soaked reality of 17th-century pirates” (Entertainment Weekly). This “wryly humorous, satiric, and often macabre novel” (Library Journal) follows Jean Smeeks, a Flemish thirteen-year-old who signs up as an indentured servant with the French West Indies Company, but instead winds up a slave on the notorious island of Tortuga. Over time, he learns the arts of herbal medicine and surgery—a skill that allows him to join a band of Caribbean pirates. Contrasting Jean’s romantic pull toward the “Brethren of the Coast”—an all-male society pursuing socialist, anti-colonialist ideals—with the brutal reality of their lawless existence, They’re Cows, We’re Pigs is a “unique and memorable” novel whose “pirate world leaves you as a good book should: thinking” (The Boston Herald).
The term "Mexican Drug War" misleads. It implies that the ongoing bloodbath, which has now killed well over 100,000 people, is an internal Mexican affair. But this diverts attention from the U.S. role in creating and sustaining the carnage. It's not just that Americans buy drugs from, and sell weapons to, Mexico's murderous cartels. It's that ever since the U.S. prohibited the use and sale of drugs in the early 1900s, it has pressured Mexico into acting as its border enforcer--with increasingly deadly consequences. Mexico was not a helpless victim. Powerful forces within the country profited hugely from supplying Americans with what their government forbade them. But the policies that spawned the drug war have proved disastrous for both countries. Written by two award-winning authors, one American and the other Mexican,A Narco History reviews the interlocking twentieth-century histories that produced this twenty-first century calamity, and proposes how to end it.
"One morning Mel Toews put on his coat and hat and walked out of town, prepared to die. A loving husband and father, faithful member of the Mennonite church, and immensely popular school teacher, he was a pillar of his close-knit community. Yet after a lifetime of struggle, he could no longer face the darkness of manic depression. Now his daughter Miriam, an award-winning writer, has given her father a voice for his whole story. In Swing Low, Miriam recounts Mel's life as she imagines he would have told it, right up to the day he took his final walk. Toews takes us deep inside the experience of depression, but she also gives us winsome and hilarious tales of country life: growing up on a farm, courting a wife, becoming a teacher, and rearing a strong, happy family in the midst of private torment." --
This exhilarating story is the transporting tale of how the sensual, romantic elements of haute Chinese cuisine become the perfect ingredients to lift the troubled soul of a grieving American woman.
"Carmen Boullosa is, in my opinion, a true master."—Alvaro Mutis Part bildungsroman, part ghost story, part revenge novel, Before tells the story of a woman who returns to the landscape of her childhood to overcome the fear that held her captive as a girl. This powerful exploration of the path to womanhood and lost innocence won Mexico's two most prestigious literary prizes. Carmen Boullosa, one of Mexico's leading writers, has published nearly twenty novels. Her most recent novel, Texas: The Great Theft, won the 2014 Typographical Era Translation Award and was shortlisted for the 2015 PEN Translation Award.
Mexican American author Josie M&éndez-Negrete's memoir of how she and her siblings and mother survived years of violence and sexual abuse at the hands of her father.
It's the other menu at Chanterelle, New York's dazzling four-star restaurant. Customers eat foie gras and truffles. The staff eats Venison Chili with Red Beans. Customers swoon over the signature seafood sausage. The staff, elbows on the table, cheerfully tucks into Lamb Shanks with Tomato and Rosemary. Of all the great restaurants in New York, Chanterelle serves the finest staff meals--nothing fancy, just delicious home-style peasant and bourgeois dishes. And here they are, in Staff Mealsfrom Chanterelle. In 200 recipes, Chanterelle's chef, David Waltuck, brings the superb culinary insights and techniques befitting one of America's best chefs (Gourmet) to the delectable stews, pasta dishes, roasts, curries, one-pot meals, and blue plate specials that have made families happy forever. Outstanding yet easy-to-make, these are dishes for home cooking and entertaining alike, including Fish Fillets with Garlic and Ginger, Thai Duck Curry, Sauteed Pork Chops with Sauce Charcutiere, and the most requested dish of all, David's Famous Fried Chicken with Creamed Spinach and Herbed Biscuits. Tips throughout put cooks in the hands of a four-star teacher, from the best way to boil a potato (uncut and in its jacket) to shaping hot, oven-fresh tuiles into sophisticated dessert cups.