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A powerful, heartbreaking, and redemptive account of a boy who endured a childhood of poverty and abuse in an American Southwest trailer park named Cloud 9. Abandoned by his father at age two, Rick Sylvester lived with an abusive mother whose struggles as a member of the working poor led her to drugs, alcohol, theft, and prostitution--and eventually attempted suicide. Rick battled depression, anxiety, and PTSD as the chaos, neglect, and unpredictability of his childhood seemed to doom him to follow in his mother's footsteps. Well into adulthood, Rick stumbled through unemployment and divorce, using drugs and alcohol to numb the pain until he was diagnosed with bipolar disorder. Miraculously, though, he overcame the odds and today is a happy husband and father. How did this happen? Rick's answer is this: "It was the Lord." A message of hope to those who are drowning from an undeserved childhood, Leaving Cloud 9 speaks to millions who grew up poor, feeling ignored and hopeless, and who need the healing power of God. This indelibly American story conveys the steadfast love of Jesus and his power to deliver us from the most devastating of pasts.
Life's short. Enjoy it. This is the slogan of Leata, the wonder-drug that sixteen-year-old Hope has been taking since she was a child, just like the rest of her family. Well, the rest of the country really. For who would choose not to take it - a perfectly safe little pill that just helps 'take the edge off' life. Because everyone can do with a little help staying happy sometimes . . . Especially Hope, whose life is maybe not as perfect as she likes to make out on her blog. Tom's never taken Leata. Why would he? His family are happy as they are. At least they were, until the sudden death of his journalist father. The police are unequivocal: his dad killed himself. But Tom just can't believe it. Consumed by grief, he obsessively begins to unravel the trail that leads to his dad's final news story. And Hope is there to help. As a Leata-backed blogger, Hope wants to steer Tom into 'positive living'. Instead, her efforts take them down a path she could never have expected - into the murky underworld that lies beneath the surface of the 'happy' drug everyone wants to love . . . and the secrets it will kill to hide.
A two-act play in which preconceptions about gender, romance, and "lifestyle" are scrambled, neutralized, and possibly even rebuilt.
What would you do with a second chance at life? Sarah Talbot thought she’d never see another birthday. But against all odds, she beat the illness that could have killed her, reopened her bedding shop, Cloud Nine, and vowed to make the most of a fresh start that few are given. With Thanksgiving approaching, Sarah charters a small plane to take her to Elk Island, a remote spot off the rugged Maine coast where she spent some of her happiest days and where she hopes to reunite with the two most important people in her life. She arrives on the island with pilot Will Burke, a kindred spirit with whom Sarah forges a bond that will give them the courage to confront the past and have faith in the future…no matter how uncertain. Once Sarah thought happy endings occurred only in books; now she believes they can happen for anyone. And as she and Will grow closer, and something unexpectedly real blossoms between them, she has him believing it, too. But is believing it enough? Is even love enough? Can real life be lived on cloud nine? In this stunning novel, New York Times bestselling author Luanne Rice tells a story you will cherish, peopled with indelible characters whose challenges are your own.
By turns hilarious and heartfelt, dark and illuminative, Ben Marcus’s Leaving the Sea is a ground breaking collection of stories from one of the single most vital, extraordinary, and unique writers of his generation. In the heartfelt “I Can Say Many Nice Things,” a washed-up writer toying with infidelity leads a creative writing workshop on board a cruise ship. In the dystopian “Rollingwood,” a divorced father struggles to take care of his ill infant, as his ex-wife and colleagues try to render him irrelevant. In “Watching Mysteries with My Mother,” a son meditates on his mother’s mortality, hoping to stave off her death for as long as he sits by her side. And in the title story, told in a single breathtaking sentence, we watch as the narrator’s marriage and his sanity unravel, drawing him to the brink of suicide. Surreal and tender, terrifying and life-affirming, Leaving the Sea is the work of an utterly unique writer at the height of his powers.
#1 INTERNATIONAL BESTSELLER • A timeless, structure-bending classic that explores how actions of individual lives impact the past, present and future—from a postmodern visionary and one of the leading voices in fiction Featuring a new afterword by David Mitchell and a new introduction by Gabrielle Zevin, author of Tomorrow, and Tomorrow, and Tomorrow One of the New York Times’s 100 Best Books of the 21st Century • Shortlisted for the International Booker Prize Cloud Atlas begins in 1850 with Adam Ewing, an American notary voyaging from the Chatham Isles to his home in California. Ewing is befriended by a physician, Dr. Goose, who begins to treat him for a rare species of brain parasite. The novel careens, with dazzling virtuosity, to Belgium in 1931, to the West Coast in the 1970s, to an inglorious present-day England, to a Korean superstate of the near future where neocapitalism has run amok, and, finally, to a postapocalyptic Iron Age Hawaii in the last days of history. But the story doesn’t end even there. The novel boomerangs back through centuries and space, returning by the same route, in reverse, to its starting point. Along the way, David Mitchell reveals how his disparate characters connect, how their fates intertwine, and how their souls drift across time like clouds across the sky. As wild as a video game, as mysterious as a Zen koan, Cloud Atlas is an unforgettable tour de force that, like its incomparable author, has transcended its cult classic status to become a worldwide phenomenon.
This “brutal and unflinching” novel of fleeting love in Sin City inspired the film starring Nicholas Cage and Elizabeth Shue (Jay McInerney, author of Bright Lights, Big City). John O’Brien’s debut novel, Leaving Las Vegas, is an emotionally wrenching story of a woman who embraces life and a man who rejects it; a powerful tale of hard luck, hard drinking, and a relationship of tenderness and destruction. An avowed alcoholic, Ben drinks away his family, friends, and, finally, his job. With deliberate resolve, he burns the remnants of his life and heads for Las Vegas to end it all in the last great binge of his hopeless life. On the Strip, he picks up Sera, a prostitute, in what might have become another excess in his self-destructive jag. Instead, their chance meeting becomes a respite on the road to oblivion as they form a bond that is as mysterious as it is immutable.
Adam Gordon is a brilliant, if highly unreliable, young American poet on a prestigious fellowship in Madrid, struggling to establish his sense of self and his relationship to art. What is actual when our experiences are mediated by language, technology, medication, and the arts? Is poetry an essential art form, or merely a screen for the reader's projections? Instead of following the dictates of his fellowship, Adam's "research" becomes a meditation on the possibility of the genuine in the arts and beyond: are his relationships with the people he meets in Spain as fraudulent as he fears his poems are? A witness to the 2004 Madrid train bombings and their aftermath, does he participate in historic events or merely watch them pass him by? In prose that veers between the comic and tragic, the self-contemptuous and the inspired, Leaving the Atocha Station is a portrait of the artist as a young man in an age of Google searches, pharmaceuticals, and spectacle. Born in Topeka, Kansas, in 1979, Ben Lerner is the author of three books of poetry The Lichtenberg Figures, Angle of Yaw, and Mean Free Path. He has been a finalist for the National Book Award and the Northern California Book Award, a Fulbright Scholar in Spain, and the recipient of a 2010-2011 Howard Foundation Fellowship. In 2011 he became the first American to win the Preis der Stadt Münster für Internationale Poesie. Leaving the Atocha Station is his first novel.
Comedy / Casting: 4m, 3f w/doubling / Scenery: 2 exteriors The time-shifting comedy by the author of Top Girls created a sensation Off-Broadway directed by Tommy Tune. Here we are in 1880 darkest but British Africa as portrayed in old movies, plays and novels. Only with a difference. Both parody and spoof of the Victorian Empire and its rigid attitudes especially towards sex. There is Clive, a British functionary, his wife Betty (played by a man), their daughter Victoria (a rag doll), Clive's
Life on cloud nine isn't always easy-especially when both your husband and your college sweetheart want to share it with you Busy looking after her writers' colony and hoping for a holiday in Spain with her husband and children, Shruti Narayan is startled to find a rather unwanted email in her inbox one morning. It is an invitation to a reunion at her college in Bangalore. It takes her a second to delete the mail. After all, why would she want to leave her life in Philadelphia to visit the past, to go back to Priya, the best friend she deserted, and to Jaggu, the old flame she has left so far behind? But as luck would have it, her husband finds out about the reunion and Shruti and her family find themselves at the gates of her college. Desperate to ensure that her family does not learn about her past escapades, and at the same time unable to prevent herself from revisiting old memories, Shruti is caught in a guilty whirlpool of emotions and desires, as she struggles to reconcile past and present loyalties.