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Throughout his life, Walt Whitman continually revised and re-released Leaves of Grass. He added and deleted words, emended lines, divided poems, dropped and created titles, and shifted the order of poems. Leaves of Grass: A Textual Variorum of the Printed Poems includes all the variants that Whitman ever published, from the collection’s first appearance in 1855 through the posthumous “Old Age Echoes” annex printed in 1897. Each edition was unique, with its own character and emphasis, and the Textual Variorum enables scholars to follow the development of both the individual poems and the work as a whole. Volume I contains introductory material, including a chronology of the poems and a summary of all the editions and annexes, along with the poems from 1855 and 1856. Volume II includes the poems from 1860 through 1867, including the first appearance of “When Lilacs Last in the Door-Yard Bloom’d” and “O Captain! my Captain!” Volume III features the poems 1870–1891, plus the “Old Ages Annex” and an index to the three-volume set.
After decades of feminism and deconstruction, romance remains firmly in place as a central preoccupation in the lives of most women. Divorce rates skyrocket, the traditional family is challenged from all sides, and yet romance seems indestructible. In terms of its cultural representation, the popularity of romance also appears unchallenged. Popular fiction, Hollywood cinema, television soap-operas, and the media in general all display a seemingly bottomless appetite for romantic subjects. The trappings of classic romance--white weddings, love songs, Valentine's Day--are as commercially viable as ever.In this anthology of original essays, romance is revisited from a wide spectrum of perspectives, not just in fiction and film but in a whole range of cultural phenomena. Essays range over such issues as Valentine's Day, interracial relationships, medieval erotic visions and modern romance fiction, the relationship between the lesbian poet H.D. and Bryher, the pervasive whiteness of romantic desire, lesbian erotica in the age of AIDS, and the public romance of Charles and Diana.
All Whitman scholars have encountered the frustration of trying to track down an event in Whitman's life—the last time he saw Peter Doyle, when he moved to his own home on Mickle Street in Camden, when he met Oscar Wilde. The records of these events in Whitman's long life are buried in seven volumes of his abundant correspondence, in nine volumes of his conversations with Horace Traubel, in nine volumes of his notebooks and manuscripts, and in countless writings produced by his friends and admirers. To fulfill a long-felt need for order among this embarrassment of riches, Joann Krieg has crafted this detailed chronology of Whitman's life. A Whitman Chronology clarifies the facts of Whitman's life by offering a year-by-year and, where possible, day-by-day account of his private and public life. Where conflicting interpretations exist, Krieg recognizes them and cites the differences; she also directs readers to fuller descriptions of noteworthy events. She offers brief synopses of Whitman's fiction and of his major prose works, giving distinguishing information about each of the six editions of Leaves of Grass. By intertwining the events of his life and work—but without cumbersome layers of speculation—she reveals the close alliance between Whitman's personal involvements and his literary achievements.
General Series Editors: Gay Wilson Allen and Sculley Bradley Originally published between 1961 and 1984, and now available in paperback for the first time, the critically acclaimed Collected Writings of Walt Whitman captures every facet of one of America's most important poets. In discussing letter-writing, Whitman made his own views clear. Simplicity and naturalness were his guidelines. “I like my letters to be personal—very personal—and then stop.” The six volumes in The Correspondence comprise nearly 3,000 letters written over a half century, revealing Whitman the person as no other documents can. Volume III covers the years in which Whitman radiated a personal and artistic magnetism, despite the paralysis that struck him in 1873. This period was full of important events, including the attempted censoring of Leaves of Grass, Whitman's renewed friendship with William D. O'Connor, and the arrival in America of Whitman's unrequited lover, Anne Gilchrist. During this period, Whitman also met Harry Stafford, the eighteen-year-old son of a New Jersey farming family. Despite his international fame, Whitman preferred to spend much of his time with the Staffords, particularly Harry, with whom he had a close but uncertain bond.
Reference tool for Rare Books Collection.