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Dressage is a love affair between a horse and a human. Treat it as such. Ride your horse on a long rein with joy in your heart and be gentle with your hands and soft with your seat. When your horse has warmed up, pick up the reins gently in order to let it know that you want to play, to play a game of love with sunshine in your heart. In the letters of Leaves are Falling on Horses and Riders, author Ulli Berner paints a picture of the world of horse people that is just a bit more poetic, even compassionate, than people in a mechanical world could display. These letters are full of laughter but of grief too. How many teenage girls have in short proclaimed, 'Horses are fun!' And how many older women have turned back to life in the stable after the loss of their husband, or the flight of their children from the nest? Berner explores these questions and more, and takes the reader to a time when Leaves are Falling on Horses and Riders.
German rider and equine veterinarian Dr. Gerd Heuschmann is well-known in dressage circles—admired for his plain speaking regarding what he deems the incorrect and damaging training methods commonly employed by riders and trainers involved in competition today. Here, he presents an intelligent and thought-provoking exploration of both classical and "modern" training methods, including "hyperflexion" (also known as Rollkur), against a practical backdrop of the horse's basic anatomy and physiology. In a detailed yet comprehensible fashion, Dr. Heuschmann describes parts of the horse's body that need to be correctly developed by the dressage rider. He then examines how they function both individually and within an anatomical system, and how various schooling techniques affect these parts for the good, or for the bad. Using vivid color illustrations of the horse's skeletal system, ligaments, and musculature, in addition to comparative photos depicting "correct" versus "incorrect" movement—and most importantly, photos of damaging schooling methods—Dr. Heuschmann convincingly argues that the horse's body tells us whether our riding is truly gymnasticizing and "building the horse up," or simply wearing it down and tearing it apart. He then outlines his ideal "physiological education" of the horse. Training should mirror the mental and physical development of the horse, fulfilling "classical" requirements—such as regularity of the three basic gaits, suppleness, and acceptance of the bit—rather than disregarding time-tested values for quick fixes that could lead to the degradation of the horse's well-being. Dr. Heuschmann's assertion that the true objectives of dressage schooling must never be eclipsed by simple "mechanical perfection" is certain to inspire riders at all levels to examine their riding, their riding goals, and the techniques they employ while pursuing them.
An adventure based on the introduction of horses to the Plains Indians. Santiago Ortega was born to a wealthy family living on a sprawling ranch in the Spanish province of New Mexico. When the Pueblo Indians revolt against the Spaniards, the lives and dreams of Santiago and his family are forever shattered. Santiago embarks on a dangerous journey back into New Mexico to find a lost brother and to seek revenge on all Indians. Ouray lives in poverty with his Indian tribe in a desert on the high plains of Wyoming. Ouray’s life unravels when hostile warriors destroy his family and capture the woman he loves. Ouray begins an impossible search to find his woman, but discovers something so unusual and wonderful that his life will never be the same. Fate eventually pulls Santiago and Ouray onto an unexpected collision course.
A revised and updated edition of a classic work on horses and horsemanship by one of the most acclaimed riders in show jumping history.
The writer of this little volume deems it only fair to forewarn his readers that he is not, and never has been, an inhabitant of that variegated region in creation commonly called "the sporting world." He has never bred, raced, steeple-chased, nor betted sixpence on any colt, filly, horse, or mare. He has never seen, nor been seen by, the Jockey-Club. He has never been on the turf. He does not belong to "the ring." Nevertheless, sometimes in the performance of public duties,—sometimes from private inclination,—sometimes for the benefit of his health,—sometimes for recreation,—sometimes for rumination,—sometimes to risk his life,—and more than once to save it, he has, throughout a long and chequered career, had to do an amount of rough-riding, a little larger than has fallen to a lot of many men. His observations and reflections on horses and horsemen he now ventures to submit to that portion only of the community who, like himself, preferring a long tether to a short one, take exercise on four legs, instead of on two.
150 Western Classics presents an unparalleled assembly of stories that weave the rich tapestry of the American West, capturing its vast landscapes, its tumultuous history, and its indomitable spirit. This anthology showcases a diversity of literary styles, ranging from the rugged realism of frontier life to the romanticized myths that have come to define the genre. The collection embodies the essence of Western literature, featuring narratives that explore the complexities of human nature against the backdrop of the American frontier. Standout pieces within the anthology include tales of high adventure, stoic courage, and the relentless pursuit of justice, all of which contribute to the reimagining and preservation of the American West in the literary canon. The contributing authors and editors of 150 Western Classics bring together a remarkable range of backgrounds, from celebrated novelists like Mark Twain and Willa Cather to pioneering Western storytellers such as Zane Grey and Owen Wister. This collective reflects a myriad of historical, cultural, and literary movements, from the realism and romanticism that defined early American literature to the naturalism that informed the later works. Together, these voices create a multidimensional portrait of the American West, offering readers an expansive perspective on its legends, hardships, and triumphs. 150 Western Classics is an essential volume for anyone interested in exploring the depth and diversity of the American West through its literature. This anthology provides a unique opportunity to engage with the works of some of the genre's most influential figures, offering a comprehensive view that spans the classic to the contemporary. Readers are invited to immerse themselves in this collection for its educational value, its breadth of insights, and the ongoing dialogue it fosters between the myriad authors' works. It is a testament to the enduring allure of the West and its capacity to inspire storytelling that resonates across generations.
Since Hollywood's first motion-picture, stunt players have given blood, sweat, and tears to the business. From high falls and horse gags to fist-fights, fire, water-work and automotive mayhem, this largely unsung group of action-performers has been making movie violence believable and telling stories through exciting sequences without so much as an Oscar category to acknowledge their work. This book follows the careers of Loren Janes and Mickey Gilbert, two fabled stunt practitioners born and trained during the pre-CGI film age, and shares their secrets of the trade while walking through five decades of movie magic. The fascinating and original conversations discuss some of Hollywood's most action-packed flicks such as Spartacus, How the West Was Won, Bullitt, The Wild Bunch, Butch Cassidy and the Sundance Kid and Little Big Man.