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Prison is a strange land, a land of deep heartache and sadness. Over two million people are serving prison time in America. Millions more are carrying the mark of prison as those who were formerly incarcerated, including large numbers of men and women who have been released on parole. In the midst of such human misery, when "loosened tongues" are freed to sing of God's redemptive love, grief is diminished and the prison loses its power.
A prizewinning historian pens this biography of C.L. Franklin, the greatest African-American preacher of his generation, father of Aretha, and civil rights pioneer.
Singing in a Strange Land is a book of imaginative journey, religious resources, and suggestions for action designed especially for North American Christians to pray with poor and marginalized, and to act for justice on their behalf. Its underlying theme is orthodox: that spirituality and action for justice are necessarily interconnected in the Christian faith. Seven imaginative narratives elicit a sense of the connections that both bind people socially and create and maintain conditions that foster poverty and marginalization. Biblical reflections and prayers from world religions provide a sound basis upon with readers can begin to pray with those who fall outside the mainstream.
Experiences of the author during her sojourn among the natives on a rubber plantation in Liberia.
Music and song are important parts of worship, and hymns have long played a central role in Protestant history. This book explores the ways in which Protestants use hymns to clarify their identity and define their relationship with America and Christianity.
The pieces in this series are long-time favorites that have appeal for pianists of all ages. Very carefully correlated to standard piano method levels, each book contains arrangements that are musically appropriate to that level. The arrangements are teacher friendly, even for the teacher who is reluctant to add pop music to the curriculum. And the series is student friendly -- there will be willing practice! Titles: * Begin the Beguine * Evergreen * I Only Have Eyes for You * Stairway to Heaven * 'S Wonderful * Star Wars (Main Title) * Tea for Two * Theme from A Summer Place * The Thorn Birds (Main Theme) * The Wind Beneath My Wings * Your Smiling Face.
* 2022 Young Lions Fiction Award, Winner. * A BookBrowse "20 Best Books of 2022" * VCU Cabell First Novelist Award, Longlist. * An ABA "Indie Next List" pick for November 2021. * "A Best Book of 2021" —New York Public Library, Cosmopolitan, Independent Book Review * "October 2021 Must-Reads" —Debutiful, The Chicago Review of Books, The Millions In 1913, a Russian ballet incited a riot in Paris at the new Théâtre de Champs-Elysées. “Only a Russian could do that," says Aleksandr Ivanovich. “Only a Russian could make the whole world go mad.” A century later, in November 2013, thousands of Ukrainian citizens gathered at Independence Square in Kyiv to protest then-President Yanukovych’s failure to sign a referendum with the European Union, opting instead to forge a closer alliance with President Vladimir Putin and Russia. The peaceful protests turned violent when military police shot live ammunition into the crowd, killing over a hundred civilians. I Will Die in a Foreign Land follows four individuals over the course of a volatile Ukrainian winter, as their lives are forever changed by the Euromaidan protests. Katya is an Ukrainian-American doctor stationed at a makeshift medical clinic in St. Michael’s Monastery; Misha is an engineer originally from Pripyat, who has lived in Kyiv since his wife’s death; Slava is a fiery young activist whose past hardships steel her determination in the face of persecution; and Aleksandr Ivanovich, a former KGB agent, who climbs atop a burned-out police bus at Independence Square and plays the piano. As Katya, Misha, Slava, and Aleksandr’s lives become intertwined, they each seek their own solace during an especially tumultuous and violent period. The story is also told by a chorus of voices that incorporates folklore and narrates a turbulent Slavic history. While unfolding an especially moving story of quiet beauty and love in a time of terror, I Will Die in a Foreign Land is an ambitious, intimate, and haunting portrait of human perseverance and empathy. "Kalani Pickhart's timely debut novel, I Will Die In a Foreign Land, is about the 2014 Ukrainian revolution which provided a pretense for Russia to annex Crimea. The story follows the experiences of several characters whose lives intersect as the country's political situation deteriorates. There's a Ukrainian-American doctor, an old KGB spy, a former mine worker, and others, and these episodes are interspersed with folk songs, news reports and historical notes. The effect—kaleidoscopic but never confusing—provides an intimate sense of a country convulsing, mourning, and somehow surviving." —CBS News, "The Book Report: Recommendations from Washington Post critic Ron Charles" (Watch the full video on CBS News, February 6, 2022).
Across the United States, Jews come together every week to sing and pray in a wide variety of worship communities. Through this music, made by and for ordinary folk, these worshippers define and re-define their relationship to the continuity of Jewish tradition and the realities of American life. Combining oral history with an analysis of recordings, The Lord's Song in a Strange Land examines this tradition incontemporary Jewish worship and explores the diverse links between the music and both spiritual and cultural identities. Alive with detail, the book focuses on metropolitan Boston and covers the full range of Jewish communities there, from Hasidim to Jewish college students in a transdenominational setting. It documents a remarkably fluid musical tradition, where melodies are often shared, where sources can be as diverse as Sufi chant, Christmas carols, rock and roll, and Israeli popular music, and where the meaning of a song can change from one block to the next.
Out on the barren margins of Babylonian exile, the great Psalmist suggests their captors are actually asking for a song of joy. Imagine that. Is it possible to sing the Lord's song in a foreign land? Christians today find themselves caught up in the massive sweep of secularizing culture. Do we have a joyful song to sing anymore? Do we know what our song has been throughout history? Could we possibly sing as a mighty choir, just perhaps igniting spiritual renewal for our world--and for each one of us as well? This book proposes the possibility of finding a new song for our time.
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