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Originally published in 1997 by Houghton Mifflin, this is a collection of true stories, essays and poems which tell of the glories and rigours of living close to the land.
A finalist for the 1995 Governor General's Literary Award for English-language non-fiction Winner of the Mountain Environment and Culture Award at the 1995 Banff Mountain Book Festival Leaning on the Wind is a love song of the west, sung to the tune of the wild chinook wind. Sid Marty skilfully weaves together the prehistory of Alberta with the experiences of First Nations, miners, early homesteaders and his own family. At the centre of his tale is the Marty homestead, located in the foothills of the Rocky Mountains. Sid looks back through generations of his family and celebrates the feats of wild creatures and wild westerners. The past comes alive in these pages, but so does the present, where you will meet cowboy poets, bull riders, sailplane pilots, desperate chicken farmers, curmudgeonly broncos, a homicidal cow elk, some dubious politicians and several fierce defenders of the earth. Humour and sardonic wit abound, along with abundant affection for the western earth and the people who depend on its bounties and experience its extremes of wind, frost and drought. A western classic, Leaning on the Wind is as evocative today as when it was first published in 1995.
“Leaning against the wind” (LAW) with a higher monetary policy interest rate may have benefits in terms of lower real debt growth and associated lower probability of a financial crisis but has costs in terms of higher unemployment and lower inflation, importantly including a higher cost of a crisis when the economy is weaker. For existing empirical estimates, costs exceed benefits by a substantial margin, even if monetary policy is nonneutral and permanently affects real debt. Somewhat surprisingly, less effective macroprudential policy and generally a credit boom, with resulting higher probability, severity, or duration of a crisis, increases costs of LAW more than benefits, thus further strengthening the strong case against LAW.
"Leaning into the Wind is a series of ten intimate essays in which Susan Allen Toth, who was spent most of her life in Iowa, Minnesota, and Wisconsin, reveals the ways in which weather has challenged and changed her perceptions about herself and the world around her. She describes her ever-growing awareness of and appreciation for how the weather marks the major milestones of her life. Toth explores issues as large as weather and spirituality in "Who Speaks in the Pillar of Cloud?" and topics as small as mosquito in "Things That Go Buzz in the Night." In "Storms," a severe thunderstorm becomes a continuing metaphor for the author's troubles first marriage. Two essays, one from late middle age, ponder how the weather seems different at various stages of life but always provides unexpected opportunities for self-discovery, change, and renewal."--BOOK JACKET.
Time, always an element in the work of Andy Goldsworthy, both as a medium and as a metaphor, is celebrated in this book. The text is comprised of Goldsworthy's own diaries.
Creations on the beaches and in rivers explore the passage of time, while a white chalk path investigates the passing from day into night. "Passage" focuses exclusively on such sculpture made by artist Goldsworthy since the turn of the millennium. These evocative images are illuminated by diary entries that chart his experiences working in Scotland and abroad. 0-8109-5586-5$60.00 / Harry N. Abrams, Inc.
A classic work of American theatre, based on the Scopes Monkey Trial of 1925, which pitted Clarence Darrow against William Jennings Bryan in defense of a schoolteacher accused of teaching the theory of evolution The accused was a slight, frightened man who had deliberately broken the law. His trial was a Roman circus. The chief gladiators were two great legal giants of the century. Like two bull elephants locked in mortal combat, they bellowed and roared imprecations and abuse. The spectators sat uneasily in the sweltering heat with murder in their hearts, barely able to restrain themselves. At stake was the freedom of every American. One of the most moving and meaningful plays of our generation. Praise for Inherit the Wind "A tidal wave of a drama."—New York World-Telegram And Sun “Jerome Lawrence and Robert E. Lee were classic Broadway scribes who knew how to crank out serious plays for thinking Americans. . . . Inherit the Wind is a perpetually prescient courtroom battle over the legality of teaching evolution. . . . We’re still arguing this case–all the way to the White House.”—Chicago Tribune “Powerful . . . a crackling good courtroom play . . . [that] provides two of the juiciest roles in American theater.”—Copley News Service “[This] historical drama . . . deserves respect.”—The Columbus Dispatch
Born in the stables of the Sultan of Morocco, an Arabian stallion named Sham is taken to England, along with the loyal yet mute Arab stable boy who tends to him, and becomes one of the founding sires of the Thoroughbred breed.
Using an estimated dynamic stochastic general equilibrium model with banking, this paper first provides evidence that monetary policy reacted to bank loan growth in the US during the Great Moderation. It then shows that the optimized simple interest-rate rule features no response to the growth of bank credit. However, the welfare loss associated to the empirical responsiveness is small. The sources of business cycle fluctuations are crucial in determining whether a “leaning-against-the-wind” policy is optimal or not. In fact, the predominant role of supply shocks in the model gives rise to a trade-off between inflation and financial stabilization.