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The poems in Leaked Footages carry urgent subject matters, ranging from death to disappearance to grief to memory. Not only do the poems fulfill the tradition of witnessing, but they extend that tradition by the medium through which they witness: the technical and the technological.
How digital media are transforming Arab culture, literature, and politics In recent years, Arab activists have confronted authoritarian regimes both on the street and online, leaking videos and exposing atrocities, and demanding political rights. Tarek El-Ariss situates these critiques of power within a pervasive culture of scandal and leaks and shows how cultural production and political change in the contemporary Arab world are enabled by digital technology yet emerge from traditional cultural models. Focusing on a new generation of activists and authors from Egypt and the Arabian Peninsula, El-Ariss connects WikiLeaks to The Arabian Nights, Twitter to mystical revelation, cyberattacks to pre-Islamic tribal raids, and digital activism to the affective scene-making of Arab popular culture. He shifts the epistemological and historical frameworks from the postcolonial condition to the digital condition and shows how new media challenge the novel as the traditional vehicle for political consciousness and intellectual debate. Theorizing the rise of “the leaking subject” who reveals, contests, and writes through chaotic yet highly political means, El-Ariss investigates the digital consciousness, virality, and affective forms of knowledge that jolt and inform the public and that draw readers in to the unfolding fiction of scandal. Leaks, Hacks, and Scandals maps the changing landscape of Arab modernity, or Nahda, in the digital age and traces how concepts such as the nation, community, power, the intellectual, the author, and the novel are hacked and recoded through new modes of confrontation, circulation, and dissent.
Captain Herve Jaubert breaks his silence in this explosive true story of Princess Latifa with stunning revelations. Princess Latifa had planned to escape from the Maktoums’ stranglehold for her whole life. She knew the risk of running for freedom. She would have died trying rather than live in submission. When she escaped from Dubai on February 24, 2018, with the help of former French spy Herve Jaubert, Sheikh Mohammed launched a military attack against a US private yacht never seen in maritime history. Latifa is no ordinary princess; she is a tigress; she fought to scream, bite, and kick the Indian commandos who stormed the American yacht where she had taken refuge. They kidnapped her with everyone onboard and took her back to the clenches of her father, the Emir of Dubai. She suffered torture and humiliation because of her determination. Princess Latifa tells us how Sheikh Mohammed sees himself above the law for kidnapping princesses from the streets in the UK or a vessel under US jurisdiction and disappearing others who tried. Her story shows a pattern of abuse over the last twenty years, inhuman treatment, kidnapping, and disappearances on the order of His “Highness” Sheikh Mohammed bin Rashid Al Maktoum, in total impunity. Latifa should be returned to US Jurisdiction, where she was taken from. She believes no adult woman in the 21st century should be under Islamic male “possessionship.” It is laughable for Sheikh Mohammed to call himself a champion of women’s rights when he tortures and imprisons his own daughters. Despite the words her father’s minions put in her mouth, Latifa is not free; she is a modern-day hero who deserves to be praised for what she tried to achieve.
As the horror subgenre du jour, found footage horror's amateur filmmaking look has made it available to a range of budgets. Surviving by adapting to technological and cultural shifts and popular trends, found footage horror is a successful and surprisingly complex experiment in blurring the lines between quotidian reality and horror's dark and tantalizing fantasies. Found Footage Horror Films explores the subgenre's stylistic, historical and thematic development. It examines the diverse prehistory beyond Man Bites Dog (1992) and Cannibal Holocaust (1980), paying attention to the safety films of the 1960s, the snuff-fictions of the 1970s, and to television reality horror hoaxes and mockumentaries during the 1980s and 1990s in particular. It underscores the importance of The Blair Witch Project (1999) and Paranormal Activity (2007), and considers YouTube's popular rise in sparking the subgenre's recent renaissance.
Women candidates are under more pressure to communicate competence and likability than men. And when women balance these rhetorical pressures, charges of inauthenticity creep in, suggesting the structural and strategic anti-woman backlash at play in presidential politics. Hillary Clinton demonstrated considerable ability to adapt her rhetoric across roles, contexts, genres, and audiences. Comparisons between Clinton’s campaign speeches and those of her presidential opponents (Barack Obama, Bernie Sanders, and Donald Trump) show that her rhetorical range exceeded theirs. And comparisons with Democratic women candidates of 2020 suggest they too exhibited a rhetorical range and faced a backlash similar to Clinton. Hillary Clinton’s Career in Speeches combines statistical text-mining methods with close reading to analyze the rhetorical highs and lows of one of the most successful political women in U.S. history. Drawing on Clinton’s oratory across governing and campaigning, the authors debunk the stereotype that she was a wooden and insufferably wonkish speaker. They marshal evidence for the argument that the sexist tactics in American politics function to turn women’s rhetorical strengths into political liabilities.
"Michelle Malkin’s latest book is required reading for anyone wishing to understand the forces and interests behind the open borders and mass migration lobby." —Pawel Styrna, ImmigrationReform.com Follow the money, find the truth. That’s Michelle Malkin’s journalistic mantra, and in her stunning new book, Open Borders Inc., she puts it to work with a shocking, comprehensive exposé of who’s behind our immigration crisis. In the name of compassion—but driven by financial profit—globalist elites, Silicon Valley, and the radical Left are conspiring to undo the rule of law, subvert our homeland security, shut down free speech, and make gobs of money off the backs of illegal aliens, refugees, and low-wage guest workers. Politicians want cheap votes or cheap labor. Church leaders want pew-fillers and collection plate donors. Social justice militants, working with corporate America, want to silence free speech they deem “hateful,” while raking in tens of millions of dollars promoting mass, uncontrolled immigration both legal and illegal. Malkin names names—from Pope Francis to George Clooney, from George Soros to the Koch brothers, from Jack Dorsey to Tim Cook and Mark Zuckerberg. Enlightening as it is infuriating, Open Borders Inc. reveals the powerful forces working to erase America.
From copying to bunking lectures, making friends to making girlfriends, college life is filled with questions that don’t have textbook answers. Until now! For the first time in India comes a non-pakao book that gives students straight answers to nervous questions. From the author of Kissing Ass: The Art of Office Politics comes Ghanta College: The Art of Topping College Life—the ultimate college guide as you go from nervous fresher to confident graduate! With true college stories from celebrities and gyan in the form of Professor’s Tips, Topper’s Secrets, and Nerd’s Warnings, if there’s any book you even pretend to read during college, make it Ghanta College.
Examines US foreign and domestic policy through the narratives of post-9/11 US military veterans and the activism they are engaged in. While veterans are often cast as a “problem” for society, Fight to Live, Live to Fight challenges this view by focusing on the progressive, positive, and productive activism that veterans engage in. Benjamin Schrader weaves his own experiences as a former member of the American military and then as a member of the activist community with the stories of other veteran activists he has encountered across the United States. An accessible blend of political theory, international relations, and American politics, this book critically examines US foreign and domestic policy through the narratives of post-9/11 military veterans who have turned to activism after having exited the military. Veterans are involved in a wide array of activism, including but not limited to antiwar, economic justice, sexual violence prevention, immigration issues, and veteran healing through art. This is an accessible, captivating, and engaging work that may be read and appreciated not just by scholars, but also students and the wider public. “There is currently no book on the market that does what this book does (and could do) and I welcome it. There are books on veterans, of course, but there are none that focus in particular on veterans’ activism written by a veteran activist and academic. The book is in many ways a testament to our time and a kind of generational story that I am sure many veterans will relate to.” — Synne L. Dyvik, University of Sussex
Cyberbullying is a fact of life for many teens today, with the internet and social media platforms consuming a large part of their social life. This timely guide gives teens the tools they need to identify cyberbullying, understand why and how it happens, and confront it with important social and emotional skills. Readers will learn what they can do to move past a cyberbullying episode and reclaim their online space—and their peace of mind. Accessible information is paired with stimulating sidebars, vibrant photographs, and useful resources to give readers a clear understanding of this important real-life topic.
State-sponsored torture and peacebuilding encapsulate the essence of many of the current conflicts in Indonesia. Papua in particular provides a thought-provoking example of the intricacy and complexity of building peace amidst enduring conflict and violence. This book examines the complex power relations that have constructed the gruesome picture of the fifty-year practice of torture in Papua, as well as the ongoing Papuan peacebuilding movements that resist the domineering power of the Indonesian state over Papuans. Conceptualising ‘theatres of torture and peace’, the book argues that torture in Papua is performed in public by the Indonesian state in order to communicate its policy of terror towards Papuans - it is not meant for extracting information, gaining confessions or exacting punishment. A Torture Dataset is provided, codifying evidence from a broad range of cases, collected through sensitive interviews. In examining the data, the author crafts a new, more holistic framework for analyzing cases of torture and employs an interdisciplinary approach integrating three different theories: Foucault’s theory of governmentality and sovereignty, Kristeva’s theory of abjection and Metz’s theory of memoria passionis (the memory of suffering). The book successfully establishes a new understanding of torture as ‘public theatre’ and offers a new perspective of strengthening the existing Papuan peacebuilding framework of Papua Land of Peace. It will be of interest to academics working on Southeast Asian Studies, Peace and Conflict Studies, Transitional Justice, Peacebuilding, Human Rights and Anthropology of Violence.