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Leaflets is Adrienne Rich's fifth book of poems. It contains twenty-eight new poems, five adaptations of Dutch, Yiddish, and Russian poets, and a sequence of seventeen poems loosely based on the ghazal, a common form in Middle Eastern poetic tradition; these ghazals comprise a kind of notebook of a month in the summer of 1968. The themes of this book are the poetics of violence and the poetics of love. Its impulse is the deepening of recognitions through language, in a time of ignorance and mutilation. Miss Rich has written: "For a poet...there is this primary labor with words. But I have the notion that how you live your life has something to do with it—that morality, for a poet, is a refusal of blinders, of traditional consolations, a courage to be alone, or wounded....A willingness to step out into the fog, to take paths which may lead nowhere. Certainty, predictability, are the first supports that have to go. I see the poetry of things as standing in resistance to brute mechanistic force, the charge of the rhinoceros with its head down. To discover—literally—this poetry and re-create it in language is a poet's essential action."
This examination of the lives and poetic works of Emily Dickinson, Marianne Moore, Elizabeth Bishop, Adrienne Rich and Gwendolyn Brooks focuses on the historical struggles between women writers and feminists. It traces the conflict that has taken place through the generations.
Review: "This encyclopedia offers an authoritative and comprehensive survey of the important writers and works that form the literature about the Holocaust and its consequences. The collection is alphabetically arranged and consists of high-quality biocritical essays on 309 writers who are first-, second-, and third-generation survivors or important thinkers and spokespersons on the Holocaust. An essential literary reference work, this publication is an important addition to the genre and a solid value for public and academic libraries."--"The Top 20 Reference Titles of the Year," American Libraries, May 2004
The collected works of Adrienne Rich, whose poetry is "distinguished by an unswerving progressive vision and a dazzling, empathic ferocity" (New York Times). A Finalist for the 2017 Pulitzer Prize in Poetry. Adrienne Rich was the singular voice of her generation and one of our most important American poets. She brought discussions of gender, race, and class to the forefront of poetical discourse, pushing formal boundaries and consistently examining both self and society. This collected volume traces the evolution of her poetry, from her earliest work, which was formally exact and decorous, to her later work, which became increasingly radical in both its free-verse form and feminist and political content. The entire body of her poetry is on display in this vast volume, including the National Book Award–winning Diving Into the Wreck and her prize-winning Atlas of the Difficult World. The Collected Poems of Adrienne Rich gathers and memorializes all of her boldly political, formally ambitious, thoughtful, and lucid work, the whole of which makes her one of the most prolific and influential poets of our time.
The first scholarly study of Adrienne Rich’s full career examines the poet through her developing approach to the transformative potential of relationships Adrienne Rich is best known as a feminist poet and activist. This iconic status owes especially to her work during the 1970s, while the distinctive political and social visions she achieved during the second half of her career remain inadequately understood. In Outward, poet, scholar, and novelist Ed Pavlić considers Rich’s entire oeuvre to argue that her most profound contribution in poems is her emphasis on not only what goes on “within us” but also what goes on “between us.” Guided by this insight, Pavlić shows how Rich’s most radical work depicts our lives—from the public to the intimate—in shared space rather than in owned privacy. Informed by Pavlić’s friendship and correspondence with Rich, Outward explores how her poems position visionary possibilities to contend with cruelty and violence in our world. Employing an innovative framework, Pavlić examines five kinds of solitude reflected in Rich’s poems: relational solitude, social solitude, fugitive solitude, dissident solitude, and radical solitude. He traces the importance of relationships to her early writing before turning to Rich’s explicitly antiracist and anticapitalist work in the 1980s, which culminates with her most extensive sequence, “An Atlas of the Difficult World.” Pavlić concludes by examining the poet’s twenty-first century work and its depiction of relationships that defy historical divisions based on region, race, class, gender, and sexuality. A deftly written engagement in which one poet works within the poems of another, Outward reveals the development of a major feminist thinker in successive phases as Rich furthers her intimate and erotic, social and political reach. Pavlić illuminates Rich’s belief that social divisions and the power of capital inform but must never fully script our identities or our relationships to each other.
This reissue of Adrienne Rich’s first poetry collection reaffirms the author’s place as one of our most important American poets. A Change of World was selected by W. H. Auden for the Yale Series of Younger Poets Award. Out of print for decades, this initial collection launched the career of a poet whose work has been crucial to discussions of gender, race, and class, pushing formal boundaries and consistently examining both self and society.
“Certain lines had become like incantations to me, words I’d chanted to myself through sorrow and confusion” —Cheryl Strayed, Wild “The Dream of a Common Language explores the contours of a woman’s heart and mind in language for everybody—language whose plainness, laughter, questions and nobility everyone can respond to. . . . No one is writing better or more needed verse than this.”—Boston Evening Globe
“Rich’s lyrics are powerful and mournful, drenched in memory.” —San Francisco Chronicle To view text with line endings as poet intended, please set font size to the smallest size on your device.
A New York Times Critics’ Pick A career-spanning selection of the lucid, courageous, and boldly political prose of National Book Award winner Adrienne Rich. Demonstrating the lasting brilliance of her voice and her prophetic vision, Essential Essays showcases Adrienne Rich’s singular ability to unite the political, personal, and poetical. The essays selected here by feminist scholar Sandra M. Gilbert range from the 1960s to 2006, emphasizing Rich’s lifelong intellectual engagement and fearless prose exploration of feminism, social justice, poetry, race, homosexuality, and identity.
Relationships—partings/reconciliations, solidarities/ruptures, trust/betrayal, exposure/withdrawal—are the deep fabric of this forceful work. In the intimate address of "Axel Avákar," the black humor of "Quarto," and the underground journey of "Powers of Recuperation," compressed lyrics flash among larger scenarios where images, dialogues, blues, and song spiral into political visions. Adrienne Rich has said, "I believe almost everything I know, have come to understand, is somewhere in this book." from "Ballade of the Poverties" There's the poverty of wages wired for the funeral you Can't get to the poverty of bodies lying unburied There's the poverty of labor offered silently on the curb The poverty of yard sale scrapings spread And rejected the poverty of eviction, wedding bed out on street Prince let me tell you who will never learn through words There are poverties and there are poverties.