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One of the best ways to understand history is through eye-witness accounts. Ting-Xing Ye’s riveting first book, A Leaf in the Bitter Wind, is a memoir of growing up in Maoist China. It was an astonishing coming of age through the turbulent years of the Cultural Revolution (1966 - 1974). In the wave of revolutionary fervour, peasants neglected their crops, exacerbating the widespread hunger. While Ting-Xing was a young girl in Shanghai, her father’s rubber factory was expropriated by the state, and he was demoted to a labourer. A botched operation left him paralyzed from the waist down, and his health deteriorated rapidly since a capitalist’s well-being was not a priority. He died soon after, and then Ting-Xing watched her mother’s struggle with poverty end in stomach cancer. By the time she was thirteen, Ting-Xing Ye was an orphan, entrusted with her brothers and sisters to her Great-Aunt, and on welfare. Still, the Red Guards punished the children for being born into the capitalist class. Schools were being closed; suicide was rampant; factories were abandoned for ideology; distrust of friends and neighbours flourished. Ting-Xing was sent to work on a distant northern prison farm at sixteen, and survived six years of backbreaking labour and severe conditions. She was mentally tortured for weeks until she agreed to sign a false statement accusing friends of anti-state activities. Somehow finding the time to teach herself English, often by listening to the radio, she finally made it to Beijing University in 1974 as the Revolution was on the wane — though the acquisition of knowledge was still frowned upon as a bourgeois desire and study was discouraged. Readers have been stunned and moved by this simply narrated personal account of a 1984-style ideology-gone-mad, where any behaviour deemed to be bourgeois was persecuted with the ferocity and illogic of a witch trial, and where a change in politics could switch right to wrong in a moment. The story of both a nation and an individual, the book spans a heady 35 years of Ye’s life in China, until her eventual defection to Canada in 1987 — and the wonderful beginning of a romance with Canadian author William Bell. The book was published in 1997. The 1990s saw the publication of several memoirs by Chinese now settled in North America. Ye’s was not the first, yet earned a distinguished place as one of the most powerful, and the only such memoir written from Canada. It is the inspiring story of a woman refusing to “drift with the stream” and fighting her way through an impossible, unjust system. This compelling, heart-wrenching story has been published in Germany, Japan, the US, UK and Australia, where it went straight to #1 on the bestseller list and has been reprinted several times; Dutch, French and Turkish editions will appear in 2001.
One of the best ways to understand history is through eye-witness accounts. Ting-Xing Ye’s riveting first book, A Leaf in the Bitter Wind, is a memoir of growing up in Maoist China. It was an astonishing coming of age through the turbulent years of the Cultural Revolution (1966 - 1974). In the wave of revolutionary fervour, peasants neglected their crops, exacerbating the widespread hunger. While Ting-Xing was a young girl in Shanghai, her father’s rubber factory was expropriated by the state, and he was demoted to a labourer. A botched operation left him paralyzed from the waist down, and his health deteriorated rapidly since a capitalist’s well-being was not a priority. He died soon after, and then Ting-Xing watched her mother’s struggle with poverty end in stomach cancer. By the time she was thirteen, Ting-Xing Ye was an orphan, entrusted with her brothers and sisters to her Great-Aunt, and on welfare. Still, the Red Guards punished the children for being born into the capitalist class. Schools were being closed; suicide was rampant; factories were abandoned for ideology; distrust of friends and neighbours flourished. Ting-Xing was sent to work on a distant northern prison farm at sixteen, and survived six years of backbreaking labour and severe conditions. She was mentally tortured for weeks until she agreed to sign a false statement accusing friends of anti-state activities. Somehow finding the time to teach herself English, often by listening to the radio, she finally made it to Beijing University in 1974 as the Revolution was on the wane — though the acquisition of knowledge was still frowned upon as a bourgeois desire and study was discouraged. Readers have been stunned and moved by this simply narrated personal account of a 1984-style ideology-gone-mad, where any behaviour deemed to be bourgeois was persecuted with the ferocity and illogic of a witch trial, and where a change in politics could switch right to wrong in a moment. The story of both a nation and an individual, the book spans a heady 35 years of Ye’s life in China, until her eventual defection to Canada in 1987 — and the wonderful beginning of a romance with Canadian author William Bell. The book was published in 1997. The 1990s saw the publication of several memoirs by Chinese now settled in North America. Ye’s was not the first, yet earned a distinguished place as one of the most powerful, and the only such memoir written from Canada. It is the inspiring story of a woman refusing to “drift with the stream” and fighting her way through an impossible, unjust system. This compelling, heart-wrenching story has been published in Germany, Japan, the US, UK and Australia, where it went straight to #1 on the bestseller list and has been reprinted several times; Dutch, French and Turkish editions will appear in 2001.
A Canadian teenager travels to China to explore her ancestry and search for her birth mother in a dramatic and moving YA novel. Throwaway Daughter tells the story of Grace Dong-mei Parker, whose biggest concern is how to distill her adoption from China into the neat blanks of her personal history assignment. Aside from the unwelcome reminders of difference, Grace loves passing for the typical Canadian teen — until the day she witnesses the Tiananmen massacre on the news. Horrified, she sets out to explore her Chinese ancestry, only to discover that she was one of the thousands of infant girls abandoned in China since the introduction of the one-child policy, strictly enforced by the Communist government. But Grace was one of the lucky ones, adopted as a baby by a loving Canadian couple. With the encouragement of her adoptive parents, she studies Chinese and travels back to China in search of her birth mother. She manages to locate the village where she was born, but at first no one is willing to help her. However, Grace never gives up and, finally, she is reunited with her birth mother, discovering through this emotional bond the truth of what happened to her almost twenty years before.
In the film Serenity, outlaw Malcolm Reynolds and his crew revealed to the entire 'verse the crimes against humanity undertaken by the sinister government--the Alliance. Here, in the official follow-up to the film, the crew has been in hiding since becoming everyone's most wanted, and now they are forced to come out. River uncovers more secrets, leading these former Browncoats on a dangerous mission against the Alliance that, with hope, will bring them together again . . . Television writer Zack Whedon (Deadwood, Southland, Agents of S.H.I.E.L.D.) continues the saga of Joss Whedon's space cowboys!
Nearly a century ago, in the Forbidden City, China’s last emperor reigned from his dragon throne. Although he was only a boy, the imperial decrees issued in his name echoed in every corner of the country. Every man had to shave his head and wear a single pigtail to symbolize his submission to the emperor, and every woman was second in importance to the men in her family. Women were obedient to their fathers and brothers and later to the husbands in their arranged marriages. Certainly no woman was encouraged to attend school or to show any independence. Into this world, in a village in the lower reaches of the Yangtze River, White Lily was born. She had a happy childhood, running and playing, until, at the age of four, she was forced to undergo the painful procedure of foot binding required for all females of her social class. But White Lily has her heart set on more than a traditional role in society, and she enlists the support of her beloved elder brother. Together they devise a plan to defy tradition and convince their father that White Lily’s feet and mind must be allowed to grow.
A powerful and passionate memoir for young readers, Ting-xing Ye tells, through the eyes of a child, the moving story of growing up in China during the Cultural Revolution. When Ting-xing Ye was born her aunt declared, “Ah Si shi ge lao lu ming” – Number Four will have a difficult life – for the signs were unlucky. Events soon bore out this cruel prediction. Here is the true story of fourteen-year-old Ting-xing’s tumultuous life turned upside down by China’s Cultural Revolution. After the death of both her parents, Ting-xing and her four siblings endure the brutality of Red Guard attacks on their schools and even their house as they struggle against poverty and hunger. At sixteen, Ting-xing herself is exiled to a prison farm far from home. Full of personal and historical detail about this dramatic period in Chinese history, My Name is Number 4 has at its centre the feisty and courageous Ting-xing, fighting to survive as a young woman caught up in events beyond her control.
This study of the Antonescu regime’s forced-labor system “offers precious insights to historians and social scientists alike” (Dennis Deletant, author of Ion Antonescu: Hitler’s Forgotten Ally). Between Romania’s entry into World War II in 1941 and the ouster of dictator Ion Antonescu three years later, over 105,000 Jews were forced to work in internment and labor camps, labor battalions, government institutions, and private industry. Particularly for those in the labor battalions, this period was characterized by extraordinary physical and psychological suffering, hunger, inadequate shelter, and dangerous or even deadly working conditions. And yet the situation that arose from the combination of Antonescu’s paranoias and the peculiarities of the Romanian system of forced-labor organization meant that most Jewish laborers survived. Jewish Forced Labor in Romania explores the ideological and legal background of this system of forced labor, its purpose, and its evolution. Author Dallas Michelbacher examines the relationship between the system of forced labor and the Romanian government’s plans for the “solution to the Jewish question.” In doing so, Michelbacher highlights the key differences between the Romanian system of forced labor and the well-documented use of forced labor in Nazi Germany and neighboring Hungary. Jewish Forced Labor in Romania explores the internal logic of the Antonescu regime and how it balanced its ideological imperative for antisemitic persecution with the economic needs of a state engaged in total war whose economy was still heavily dependent on the skills of its Jewish population.
When Silas House made his debut with Clay's Quilt last year, it touched a nerve not just in his home state (where it quickly became a bestseller), but all across the country. Glowing reviews-from USA Today (House is letter-perfect with his first novel), to the Philadelphia Inquirer (Compelling. . . . House knows what's important and reminds us of the value of family and home, love and loyalty), to the Mobile Register (Poetic, haunting), and everywhere in between-established him as a writer to watch. His second novel won't disappoint. Set in 1917, A PARCHMENT OF LEAVES tells the story of Vine, a beautiful Cherokee woman who marries a white man, forsaking her family and their homeland to settle in with his people and make a home in the heart of the mountains. Her mother has strange forebodings that all will not go well, and she's right. Vine is viewed as an outsider, treated with contempt by other townspeople. Add to that her brother-in-law's fixation on her, and Vine's life becomes more complicated than she could have ever imagined. In the violent turn of events that ensues, she learns what it means to forgive others and, most important, how to forgive herself. As haunting as an old-time ballad, A PARCHMENT OF LEAVES is filled with the imagery, dialect, music, and thrumming life of the Kentucky mountains. For Silas House, whose great-grandmother was Cherokee, this novel is also a tribute to the family whose spirit formed him.
In these pages you will come to know Kvothe the notorious magician, the accomplished thief, the masterful musician, the dragon-slayer, the legend-hunter, the lover, the thief and the infamous assassin.