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Philosopher Marcel Hébert developed his Religious Experience in the Work of Richard Wagner (1895) from this background of sustained popular interest in Wagner, an interest that had intensified with the return of his operas to the Paris stage. Newspaper debates about the impact of Wagner's ideas on French society often stressed the links between Wagner and religion. These debates inspired works like Hébert's, intended to explain the complex myth and allegory in Wagner's work and to elucidate it for a new generation of French spectators.
A superbly insightful and moving exploration of Wagner's last opera, by one of Britain's leading intellectuals Wagner's last music-drama tells the story of Parsifal, the 'pure fool, knowing through compassion', who has been called to rescue the Kingdom of the Grail from the sins that have polluted it. The Grail is a symbol of purity in a world of lust and power, but although Parsifal is the culmination of Wagner's life-long obsession with the religious frame of mind, the redemption sought by his characters is far from the Christian archetype. For Wagner, redemption occurs inthis life, when compassion prevails over enslavement, and purity replaces spiritual pollution. His music here ties together suffering and contrition, sin and forgiveness, downfall and redemption in an inextricable knot, healing the fractures and uniting the warring elements in human life in a way that is clear, convincing and uncanny. More than any other of his works, Parsifal expresses in music a depth of feeling for which we do not have words. This short but penetrating book, by a writer who was uniquely both a leading philosopher and musicologist, shows us how Wagner achieves this profound work, explaining the story, its musical ideas, and their coming together into a sublime whole which gives us the musical equivalent of forgiveness and closure. There are few writers who can so enhance our understanding of one of the greatest works in western music.
This study explores the evolution of the text and music of this inexhaustible yet highly controversial music drama across Wagner's entire career, and offers a reassessment of the ideological and political history of 'Parsifal' that illuminates the connection of Wagner's legacy to the rise of National Socialism in Germany. The compositional genesis is traced through many unfamiliar sketches and manuscript sources held at Bayreuth, revealing unsuspected models and veiled connections to Wagner's earlier works.
Here translated for the first time, Jean-Jacques Nattiez's widely hailed comparative guide to the techniques of music analysis focuses on a single vivid passage from Wagner's Tristan and Isolde.