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This book presents a complete listing of pattern lines made by the L.E. Smith Glass Company from the 1920s to the present day. Following up on the author's previous volume, L.E. Smith Glass Company: The First One Hundred Years, this one encompasses over 100 patterns, the majority of which did not appear in the first book. Fully illustrated with hundreds of photographs, catalog pages, and advertisements featuring not only the well-known patterns like Moon and Star (with a special section illustrating the look-alike items made by the L. G. Wright Glass Company) and Mount Pleasant, but also showing for the first time dozens of patterns made in the last 40 years that are already becoming the collectibles of the future. Also included are Smith's Animates, punch bowls, holiday platters, canisters, apothecary jars, and kitchen ware. For the collector of Depression glass, mid-century glass, and contemporary production alike, this volume is an invaluable resource.
This book is for art market researchers at all levels. A brief overview of the global art market and its major stakeholders precedes an analysis of the various sales venues (auction, commercial gallery, etc.). Library research skills are reviewed, and advanced methods are explored in a chapter devoted to basic market research. Because the monetary value of artwork cannot be established without reference to the aesthetic qualities and art historical significance of our subject works, two substantial chapters detail the processes involved in researching and documenting the fine and decorative arts, respectively, and provide annotated bibliographies. Methods for assigning values for art objects are explored, and sources of price data, both in print and online, are identified and described in detail. In recent years, art historical scholarship increasingly has addressed issues related to the history of art and its markets: a chapter on resources for the historian of the art market offers a wide range of sources. Finally, provenance and art law are discussed, with particular reference to their relevance to dealers, collectors, artists and other art market stakeholders.
Originally published in 2007 and out of print since 2012, this volume was the first complete history of L. E. Smith, made possible by unprecedented access to factory records, catalogs, photographs, and the company "morgue" - thousands of sample pieces from 100 years of production. It is now available from the Glass Flakes Press, scanned from the original work with minor updates and corrections. In addition to the extensive history, it includes sections identifying all production and many experimental colors, including carnival glass, milk glass, and other opaque colors. Approximately one third of the book is devoted to the major patterns, including Mount Pleasant, Heritage (including many reproductions from the McKee -Tec patterns), Dominion, Simplicity (Smith's answer to Viking's Epic), Moon and Star, Hobnail, Daisy and Button, and many more. The remainder of the book covers specialized products: ruby-stained souvenir ware, candy containers, bedroom and bathroom glassware, animals and covered animals dishes, candlesticks, and punch bowls. A general index, pattern number index, and visual index are included.
Green was a popular color for glassware made during the Depression and its popularity among collectors is very evident today. This book includes examples of forty-six patterns and brief histories of the glass companies, along with a chapter of incidental pieces from such firms as Anchor Hocking, Bartlett-Collins, Federal, Hazel-Atlas, Imperial, L. E. Smith, U. S. Glass and others. An indispensable guide for all who collect Depression Era glass and enjoy the beauty of green glassware.
This Encyclopedia begins with an introduction summarizing itsscope and content. Glassmaking; Structure of Glass, GlassPhysics,Transport Properties, Chemistry of Glass, Glass and Light,Inorganic Glass Families, Organic Glasses, Glass and theEnvironment, Historical and Economical Aspect of Glassmaking,History of Glass, Glass and Art, and outlinepossible newdevelopments and uses as presented by the best known people in thefield (C.A. Angell, for example). Sections and chapters arearranged in a logical order to ensure overall consistency and avoiduseless repetitions. All sections are introduced by a briefintroduction and attractive illustration. Newly investigatedtopics will be addresses, with the goal of ensuring that thisEncyclopedia remains a reference work for years to come.
This comprehensive, easy-to-use book is the first published to cover milk glass that was mass produced in the United States since 1930. Patterns and shapes made by Fenton, Westmoreland, L.E. Smith, and Kemple are all featured in full-color photographs as well as vintage company catalogs and advertisements. This beautiful presentation will be a great addition to any glassware dealer's or collector's library. 2005 values.
Dealing primarily with the glass made from the 1920s through the end of the 1930s, this book contains color photographs, vintage catalog pages, updated values, and a special section on reissues and fakes. 8.5 x 11. 2002 values.
Colors in Cambridge Glass II features 60 full-page color photos showing all the colors produced by the Cambridge Glass Company. In addition to those showing numerous items in individual colors, there are photos that compare several similar colors, transparent and opaque. Also included are shots illustrating such items as swans, the Statuesque line, and figural flower frogs. Each color photo is accompanied by a page of narrative, describing the color, its history, and the pieces shown. Compiled and written by National Cambridge Collectors, Inc., the book showcases glass from the organization's museum collection. All of the photographs and narratives are new with well over 1,000 pieces pictured. When possible, comments taken from trade journals dating to the time of the specific color's introduction are provided. Cambridge collectors are sure to be pleased with this new book.