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Death in Medieval Europe: Death Scripted and Death Choreographed explores new cultural research into death and funeral practices in medieval Europe and demonstrates the important relationship between death and the world of the living in the middle ages. This volume explores overarching topics such as burials, commemorations, revenants, mourning practices and funerals, capital punishment, suspiscious death and death registrations using case studies from across Europe including England, Iceland and Spain. Drawing together and building upon the latest scholarship, this book is essential reading for all students and academics of death in the medieval period.
Présentation des réalités de la mort aux 14e et 15e siècles, du vécu de la mort, son cérémonial et ses représentations. Avec une réflexion sur la signification des gestes et des discours autour de la mort.
The death penalty was unusual in medieval Europe until the twelfth century. From that moment on, it became a key instrument of rule in European society, and we can study it in the case of Catalonia through its rich and varied unpublished documentation. The death penalty was justified by Roman Law; accepted by Theology and Philosophy for the Common Good; and used by rulers as an instrument for social intimidation. The application of the death penalty followed a regular trial, and the status of the individual dictated the method of execution, reserving the fire for the worst crimes, as the Inquisition applied against the so-called heretics. The executions were public, and the authorities and the people shared the common goal of restoring the will of God which had been broken by the executed person. The death penalty took an important place in the core of the medieval mind: people included executions in the jokes and popular narratives while the gallows filled the landscape fitting the jurisdictional limits and, also, showing rotten corpses to assert that the best way to rule and order the society is by terror. This book utilises previously unpublished archival sources to present a unique study on the death penalty in late Medieval Europe.
Through a detailed analysis of ghost tales in the Ashkenazi pietistic work Sefer ḥasidim, Susan Weissman documents a major transformation in Jewish attitudes and practices regarding the dead and the afterlife that took place between the rabbinic period and medieval times. She reveals that a huge influx of Germano-Christian beliefs, customs, and fears relating to the dead and the afterlife seeped into medieval Ashkenazi society among both elite and popular groups. In matters of sin, penance, and posthumous punishment, the infiltration of Christian notions was so strong as to effect a radical departure in Pietist thinking from rabbinic thought and to spur outright contradiction of talmudic principles regarding the realm of the hereafter. Although it is primarily a study of the culture of a medieval Jewish enclave, this book demonstrates how seminal beliefs of medieval Christendom and monastic ideals could take root in a society with contrary religious values—even in the realm of doctrinal belief.
Death is not only the final moment of life, it also casts a huge shadow on human society at large. People throughout time have had to cope with death as an existential experience, and this also, of course, in the premodern world. The contributors to the present volume examine the material and spiritual conditions of the culture of death, studying specific buildings and spaces, literary works and art objects, theatrical performances, and medical tracts from the early Middle Ages to the late eighteenth century. Death has always evoked fear, terror, and awe, it has puzzled and troubled people, forcing theologians and philosophers to respond and provide answers for questions that seem to evade real explanations. The more we learn about the culture of death, the more we can comprehend the culture of life. As this volume demonstrates, the approaches to death varied widely, also in the Middle Ages and the early modern age. This volume hence adds a significant number of new facets to the critical examination of this ever-present phenomenon of death, exploring poetic responses to the Black Death, types of execution of a female murderess, death as the springboard for major political changes, and death reflected in morality plays and art.
Philippe Ariès a déjà publié en 1975, sous le titre ##Essais sur l'histoire de la mort en Occident du Moyen Age à nos jours##, une approche à la magistrale étude qu'il nous livre aujourd'hui. Cette somme d'érudition propose une exploration historique de l'événement de la mort tel qu'il fut perçu et vécu dans les sociétés occidentales au cours des siècles. On y voit évoluer la relation de l'homme avec la mort, la sienne et celle de ses proches, de cette familiarité obligée due à son omniprésence au Moyen Age, jusqu'au maquillage et à l'occultation qui est son lot aujourd'hui dans une civilisation vouée à l'omnipotence médicale.
A group of renowned North American scholars gathered at the University of Notre Dame in 1993 for a symposium on Pope Gregory the Great (550-604). The essays collected in this volume are arranged in the order in which they were delivered, and several additional contributions are included as well. In these essays Gregory emerges as a figure both interpreting and interpreted: interpreting the past, receiving, synthesizing, and developing the teachings of earlier writers, and, by this very process, presenting a persuasive theological and pastoral agenda which itself inspires ongoing projects of interpretation and development in later periods up to and including our own.