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L'Homme, s'il veut sauver la Terre, doit retrouver le chemin de l'Arbre de Vie pour regagner le centre immobile de son être et y réinvestir sa fonction royale de gardien et de jardinier qui lui avait été assignée par les dieux. Toutes les spiritualités réellement fidèles à la Tradition Primordiale, avec des symboles qui leurs sont propres bien sûr, préconisent ce retour à la Source. Elles possèdent toutes leur omphalos où les Sages doivent se tenir pour veiller sur l'équilibre du Monde. Pour la tradition celtique, c'est Avaricon, capitale des Bituriges, cité des Rois du Monde, aujourd'hui Bourges, qui joue ce rôle. Depuis le roi Ambigat, en passant par Vercingétorix, le duc Jean de Berry, Jacques Coeur, Jean de Cucharmoy, les Frères Lallemant et le maître d'oeuvre inconnu de la cathédrale saint Étienne, des initiés ont su garder intact le message de la Tradition Primordiale que l'on peut lire encore aujourd'hui dans les vestiges de ce qui fut, il y a plus de vingt siècles, le véritable sanctuaire des Druides...
Premier novembre 2012, Samain, nouvel an desdruides et des Celtes, la forêt de Brocéliande estravagée par une bête monstrueuse. A ce momentprécis, Laura Trotel participe à un stage animé parLuc de la Garde, chaman et psychothérapeute. Savie va irrémédiablement basculer...La Bête de Brocéliande est bien plus qu'unsimple roman. A travers la découverte bien réelledes lieux aventureux de la forêt mythique, nouscheminons sur les sentiers d'une quête initiatiqueauthentique.
Musaicum Books presents to you this carefully created collection of Gustave Flaubert's renowned novels, plays & essays. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Gustave Flaubert (1821-1880) was an influential French writer who was perhaps the leading exponent of literary realism of his country. He is known especially for his first published novel, Madame Bovary and for his scrupulous devotion to his style and aesthetics. The celebrated short story writer Maupassant was a protégé of Flaubert. Table of Contents: Introduction: Gustave Flaubert: A Study by Guy de Maupassant Novels: Madame Bovary Salammbô Bouvard and Pécuchet Senitmental Education The Temptation of Saint Anthony Short Stories: November The Dance of Death Three Tales: A Simple Heart Saint Julian the Hospitalier Herodias Plays: The Castle of Hearts The Candidate Memoirs and Letters: Over strand and Field Aboard the Cange The George Sand-Gustave Flaubert Letters The Public vs. M. Gustave Flaubert Selected Correspondence and Intimate Remembrances of Gustave Flaubert Literary Writings: Rabelais Preface to the Last Songs Letter to the Municipality of Rouen Biography: The Life-Work of Flaubert Original French Texts: Madame Bovary Salammbô L'éducation Sentimentale Bouvard et Pécuchet Trois Contes La Tentation De Saint Antoine Le Candidat Le Chateau Des Cœurs Par Les Champs et Par Les Greves Literary Essays on Flaubert: Extract from 'Essays in London and Elsewhere' by Henry James Extracts from Virginia Woolf's diary Extracts from 'Phoenix: The Posthumous Papers' by D.H. Lawrence Extract from 'Figures of Several Countries' by Arthur Symons
Gustave Flaubert's comprehensive collection, "The Complete Works of Gustave Flaubert: Novels, Short Stories, Plays, Memoirs and Letters," showcases the masterful storytelling, keen observation of society, and striking realism that define his literary style. Each piece in the collection reflects Flaubert's dedication to meticulous craftsmanship and his deep exploration of human emotions and relationships. From the iconic novel 'Madame Bovary' to the poignant short stories and introspective memoirs, Flaubert's work continues to captivate readers with its timeless themes and vivid character portrayals. Set against the backdrop of 19th-century France, Flaubert's works illuminate the societal norms and moral dilemmas of his time, making them both historically significant and enduringly relevant today. Gustave Flaubert, often regarded as one of the greatest novelists in French literature, drew inspiration from his own experiences and observations to create works that challenge conventional literary norms and push the boundaries of realism. Through his meticulous attention to detail and profound psychological insight, Flaubert set a high standard for literary excellence that continues to influence writers and readers around the world. His dedication to the craft of writing and his commitment to authenticity have solidified his legacy as a pioneering figure in the development of the modern novel. I highly recommend 'The Complete Works of Gustave Flaubert' to readers who appreciate masterful storytelling, rich character development, and profound thematic exploration. This collection not only offers a comprehensive view of Flaubert's literary genius but also provides valuable insights into the complexities of human nature and society that are sure to resonate with readers of all backgrounds.
Using archaeology and social anthropology, and more than 100 original line drawings and photographs, An Archaeology of Images takes a fresh look at how ancient images of both people and animals were used in the Iron Age and Roman societies of Europe, 600 BC to AD 400 and investigates the various meanings with which images may have been imbued. The book challenges the usual interpretation of statues, reliefs and figurines as passive things to be looked at or worshipped, and reveals them instead as active artefacts designed to be used, handled and broken. It is made clear that the placing of images in temples or graves may not have been the only episode in their biographies, and a single image may have gone through several existences before its working life was over. Miranda Aldhouse Green examines a wide range of other issues, from gender and identity to foreignness, enmity and captivity, as well as the significance of the materials used to make the images. The result is a comprehensive survey of the multifarious functions and experiences of images in the communities that produced and consumed them. Challenging many previously held assumptions about the meaning and significance of Celtic and Roman art, An Archaeology of Images will be controversial yet essential reading for anyone interested in this area.
The Roman Empire had a rich and multifaceted visual culture, which was often variegated due to the sprawling geography of its provinces. In this remarkable work of scholarship, a group of international scholars has come together to find alternative ways to discuss the nature and development of the art and archaeology of the Roman provinces. The result is a collection of nineteen compelling essays—accompanied by carefully curated visual documentation, seven detailed maps, and an extensive bibliography—organized around the four major themes of provincial contexts, tradition and innovation, networks and movements, and local accents in an imperial context. Easy assumptions about provincial dependence on metropolitian models give way to more complicated stories. Similarities and divergences in local and regional responses to Rome appear, but not always in predictable places and in far from predictable patterns. The authors dismiss entrenched barriers between art and archaeology, center and provinces, even “good art” and “bad art,” extending their observations well beyond the empire’s boundaries, and examining phenomena, sites, and monuments not often found in books about Roman art history or archaeology. The book thus functions to encourage continued critical engagement with how scholars study the material past of the Roman Empire and, indeed, of imperial systems in general.
Nous ne connaissons presque rien des rituelspratiqués par les druides d'avant la conquête romaine,si ce n'est la célèbre cueillette du gui décrite par Pline l'Ancien. Le cycle de la liturgie druidique antique, associé au cycle de la spirale du temps et des saisons, comprenait quatre fêtes:Samain, autour du premier novembre, marquait le début de l'année celtique et celui de l'hiver; Imbolc, autour du premier février, celui du printemps;Beltaine, autour du premier mai, celui de l'été et Lugnasad, autour du premier août, celui de l'automne.A travers ce nouvel ouvrage, Celui du Paysde l'Ours, druide du troisième millénaire, d'unelignée traditionnelle, nous propose un décryptagede la symbolique du cycle des quatre fêtesdruidiques d'antan qui reste apte, encore aujourd'hui,à répondre aux exigences de notre réalisation d'être occidental.