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Western travel and collecting classical antiquities in the nineteenth century informed European understandings of Greece's past and present, and enriched private collections and museums. Travel and collecting have typically been studied separately by literary scholars, historians of archaeology, and historians of the Ottoman Empire and modern Greece. Similarly, publications have largely prioritised evidence from and about elite social groups. This book breaks new ground through its interdisciplinary approach, its insistence on the interweaving of the phenomena of travel and collecting, and its emphasis on marginalised perspectives. Contributors drawn from art history, classics, history of architecture, Ottoman history and modern Greek history foreground diversity and small-scale engagements with the landscape and material past of Ottoman Greece. The book explores the perspectives of both foreign travellers and local inhabitants through case studies, keeping a sharp focus on ethnicity and social status. Diaries, visual art, and rich archival material are analysed, often from a novel perspective, to give voice to a range of people including English servants, Albanian peasants, an illiterate Greek fighter, and the Ottoman Sultan. The result is a micro-cultural history of travel and classical collecting which expands existing narratives. As such, it changes the simplistic dichotomy between collecting as ‘pillaging’ or ‘saving’, and nuances the important current debate surrounding repatriation. Travel and Classical Antiquities in Nineteenth-Century Ottoman Greece addresses scholars in the areas of classical reception studies, classical archaeology, material culture studies, nineteenth-century studies, Ottoman studies and modern Greek studies. It will also appeal to a broader audience of people interested in travel writing, the history of archaeology and the history of Greece.
"Three years spent in France, during the 'Second Empire' of Napoleon III, gave Henry James an early mastery of the French language and its literature. When he settled in Europe, as an adult, it was not in Britain but, briefly yet crucially, in Paris. This study identifies the 'missing link' in the history of James's literary engagement with France, between Balzac, revered throughout his career, and later French writers. It was Second Empire writers who spurred James's own contribution to the novel. While realism courted official displeasure, culminating in the prosecution of Flaubert's Madame Bovary, and closure of the radical Revue de Paris which serialized it, the conservative Revue des Deux Mondes (to which James subscribed) enjoyed imperial approval. James remained indebted to the authors published in its pages - Edmond About, Victor Cherbuliez, and Octave Feuillet - to his close friend Paul Bourget, and to the era's greatest playwright, Alexandre Dumas fils."
This inaugural volume in the Forgotten Stars of the Musical Theatre series sets Lydia Thompson, queen of burlesque, under the spotlight. The series will attempt to resurrect theatre performers and writers who were famous in their era, yet who have since inexplicably faded from popular memory. Outlandish tales of Lydia's touring burlesque company, the British Blondes, and such lurid episodes as her horsewhipping of a Chicago editor, a romance with a Russian Grand Duke and a lesbian attacker have left her with a reputation as a bawdy burlesquer, but Kurt Gänzl argues she was nothing of the kind. Through this biography, the reader will learn the whole and hitherto untold story of this fascinating, multi-dimensional musical-theatre star.