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Few people are so widely read within Commonwealth literature or are so knowledgeable about so many different cultures as Jean-Pierre Durix. . . . The first part of the book deals with general, theoretical themes (e.g., the writer as teacher), while the second contains studies of single novels by such writers as Patrick White, C.K. Stead, and Salmon Rushdie; here Durix is at his best. Choice Exploring the relationship between the writer and his craft, between the artist and society, between the creator and his conception of creation, this fascinating study takes up various key positions represented by major writers from Africa, Australia, Canada, the Caribbean, India, New Zealand, and the South Pacific, and examines the practice of literature, which is frequently concerned with a search for problematic roots and authenticity in its relation with didacticism, social concern, language and myth. The distinctively comparative approach brings together a series of close textual studies and examines four examples of metafiction from which emerge a number of specific features characteristic of literatures born out of Colonialism and its aftermath. Seen in this perspective, literary scholarship provides an irreplaceable point of view from which to assess the role of the imagination in multi-cultural societies.
Previous studies of African poetry have tended to concentrate either on its political content or on its relationship to various European schools. This book examines West African poetry in English and French against the background of oral poetry in the vernacular. Do the roots of such poetry lie in Africa or in Europe? In committing their work to writing, do poets lose more than they gain? Can the immediacy of oral performance ever be recovered? Robert Fraser's account of two centuries of West African verse examines its subjugation to a succession of international styles: from the heroic couplet to the austerity of experimental Modernism. Successive chapters take us through the Négritude movement and the emergence of anglophone free verse in the 1950s to the rediscovery in recent years of the neglected springs of orality, which is the subject of the concluding chapter.
The personal writings of a remarkable couple who lived parallel lives during the Second World War, surviving persecution and exile.
A classic work that overturns conventional assessments of African literature, offering a unique contribution to literary criticism.
"Psychoanalysis is dead!" Again and again this obituary is pronounced, with ever-increasing conviction in newspapers and scholarly journals alike. But the ghost of Freud and his thought continues to haunt those who would seal the grave. The Legend of Freud shows why psychoanalysis has remained uncanny, not just for its enemies but for its advocates and practitioners as well—and why it continues to fascinate us. For psychoanalysis is not just a theory of psychic conflict: it is a thought in conflict with itself. Often violent, the conflicts of psychoanalysis are most productive where they remain unresolved, thus producing a text that must be read: deciphered, interpreted, rewritten. Psychoanalysis: legenda est. Review "The Legend of Freud is a fine example of what can be done with Freud's texts when philosophical and literary approaches converge, and you leave the couch in the other room. . . . Like Lacan and Derrida, Weber doesn't so much explain or interpret Freud as engage him, performing what Freud would have called an Auseinandersetzung, a discussion or argument that's also a taking apart, a deconstruction. . . . Deconstruction has picked up a bad name, especially in the minds of those who don't understand it; but this wouldn't be the case if there were more books like Weber's. The Legend of Freud is the best deconstructive work I've seen lately, and the best response to Freud; it merits close attention from anyone who wants a challenge, not merely a guide to what's right and wrong. . . . Weber is brilliantly imaginative, respectful of his subject and his readers, and productive of new ideas." —Village Voice Literary Supplement
The Ledger is a foundational book-length poem in the Field Notes series that Canada's top literary bullshitter has now declared Completed. Be that as it may, The Ledger has been in continuous demand since its first publication in 1972. This documentary long poem about pioneering in Bruce County, Ontario makes the debit-credit form of accounting into a force-field that holds the pros and cons of settling a new country. If you begin these pages wondering what makes them poetry, feel free to shuck the term. Robert Kroetsch's poetry generously offers a reader enough space to become a writer. Go ahead and read yourself in.