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The world-famous locked-room mystery from a master of detective fiction A frightful act of malice committed in Paris: the dastardly attempted assassination of the daughter of a famed scientist who was working late in his laboratory with an assistant when the attack took place in the adjacent room. A locked chamber, windows barred, no one hiding inside. The poor young lady unconscious, covered with blood, violent marks on her throat and a wound at her temple. The scientist’s revolver removed from its cabinet and sealed in the room with her. The only trace of her assailant is a large, bloody handprint on the wall. At a loss, the chief of the Sûreté telegraphs for the famous detective Frédéric Larsan to be assigned to the seemingly unsolvable case. A genre-defining novel, The Mystery of the Yellow Room follows the investigation step by step, with thorough descriptions of the crime scene to allow the reader access to the same opaque clues to the crime that the detectives have. This ebook features a new introduction by Otto Penzler and has been professionally proofread to ensure accuracy and readability on all devices.
Like The Mystery of the Yellow Room, The Secret of the Night is a Joseph Rouletabille mystery. In The Mystery of the Yellow Room fictional detective Rouletabille investigated a complex and seemingly impossible crime - in which the criminal appears to disappear from a locked room! There've been so many locked-room mysteries since that it's become a subgenre - but there are folks who believe Gaston Leroux invented the form. (We hate assertions like that. Have you noticed how often things turn out to have been invented by monks in the middle ages, or by prehistoric Chinamen, or seventeenth-century Englishmen? - Heavy sigh.) John Dickson Carr, the master of locked-room mystery, named The Mystery of the Yellow Room as the "finest locked room tale ever written" in his 1935 novel the Hollow Man.
"Un soir d'octobre 1892, au château du Glandier, peu après minuit, tandis que le professeur Stangerson travaille dans son laboratoire en compagnie de son serviteur, il entend, dans la chambre attenante, les appels au secours de sa fille. Tous les deux se précipitent, mais la porte est fermée de l'intérieur, comme les volets de l'unique fenêtre. Lorsqu'ils découvrent la jeune femme qui râle sur le plancher, il ne reste de l'assassin que la marque, sur le mur, d'une main ensanglantée - et le revolver du serviteur : meurtre incompréhensible, dont le reporter Joseph Rouletabille va pourtant percer le mystère. De ce roman paru en feuilleton en 1907, Hercule Poirot, en connaisseur, dira que c'est « un véritable chef-d'oeuvre ». Mais ce qui pour nous, aujourd'hui, fait également la singularité du livre, c'est sa manière de mêler au roman policier les ressources du feuilleton et le charme du roman d'aventures. Dans cette enquête sur « un crime surnaturel », c'est bien en tout cas le mystère qui domine."--leslibraires.ca.
Belphegor, a criminal mastermind and hooded maniac, is obsessed with retrieving the lost treasure of the Medicis from its ancient burial place. Only Chantecoq, the 'king of detectives' can hope to unveil the sinister and sadistic figure that nightly haunts the Paris Louvre and its catacombs. And with that unveiling comes one of the most stunning twists. Belphegor was made into a highly successful 1960s serial for French television and it remains one of the key works of early French pulp fiction.
Drucker skillfully traces the development of this critical position, suggesting a methodology closer to the actual practices of the early avant-garde artists based on a rereading of their critical and theoretical writings. After reviewing theories of signification, the production of meaning, and materiality, she analyzes the work of four poets active in the typographic experimentation of the 1910s and 1920s: Ilia Zdanevich, Filippo Marinetti, Guillaume Apollinaire, and Tristan Tzara. Drucker explores the context for experimental typography in terms of printing, handwriting, and other practices concerned with the visual representation of language. Her book concludes with a brief look at the ways in which experimental techniques of the early avant-garde were transformed in both literary work and in applications to commercial design throughout the 1920s and early 1930s.
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Andrea Goulet takes the study of the novel into the realm of the visual by situating it in the context of nineteenth-century scientific and philosophical discourse about the nature of sight. She argues that French realism, detective fiction, science fiction, and literature of the fantastic from 1830 to 1910 reflected competition between two modern visual modes: a not-yet-outdated idealism and an empiricism that located truth in the body. More specifically, the book argues that key narrative forms of the nineteenth century were shaped by a set of scientific debates: between idealism and materialism in Honoré Balzac's Comédie humaine, between deduction and induction in early French detective fiction, and between objective vision and subjective vision in the "optogram" fictions of Jules Verne and others. Goulet aims to revise critical views on the modern novel in a number of ways. For instance, although many literary studies focus on the impact of cinema, photography, and painting, Optiques asserts the materialist bases of realism by establishing a genealogy of popular fictional genres as fundamentally optical, that is, as articulated according to bodily notions of sight. With its chronological and interdisciplinary scope, Optiques stands to contribute an important chapter to the study of literary modernity in its scientific context.
Le mystere de la chambre jauneby Gaston Leroux Le Mystère de la chambre jaune est un roman policier de Gaston Leroux, paru en 1907. Il s'agit de la première aventure de jeune reporter Joseph Rouletabille. « Leroux, qui voulait faire mieux que Conan Doyle et plus complet que Poe, a construit une intrigue à la rigueur géométrique justement admirée par Agatha Christie ». Par le truchement d'Hercule Poirot, la romancière anglaise fait d'ailleurs l'éloge du roman de Gaston Leroux dans Les Pendules. Dans Trois cercueils se refermeront de l'auteur américain et grand spécialiste des énigmes de chambre close John Dickson Carr, c'est au tour du Dr Gideon Fell de rendre hommage à l'oeuvre de Leroux. Mais au-delà de son intrigue, le grand succès remportée par Le Mystère de la chambre jaune tient également aux quelques éléments poétiques, voire absurdes, qui émaillent le récit et qui furent encensés par les surréalistes et par Jean Cocteau, auteur pour le roman de Leroux d'une préface en forme de dithyrambe.We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.