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A sweet holiday story from a New York Times bestselling duo!From the New York Times bestselling team that brought us The Littlest Pilgrim comes a sweet new holiday follow-up filled with Christmas cheer and adorable stickers!Oliver may be the littlest elf in the North Pole, but he has a big desire to discover his very special job in Santa's workshop! But after getting lost in the toy shop, making a mess at the book shop, and falling in the mixing machine at the bakery, is the littlest elf just too little? Perhaps he just needs the littlest reindeer to remind him what Christmas is all about!
From the award-winning creator of Pig the Pug comes another laugh-out-loud book, filled with holiday cheer! No one loves Christmas more than Pig. And the world's greediest pug will stay up all night to get his presents! When Pig yips at Santa and finds himself joining in on the flying sleigh ride, things quickly get out of hand in a way that is pure Pig pandemonium.
The Fairy Mythology is a great collection of folk tales about fairies from all over the world. The book looks at fairy traditions from various countries and nations; Scandinavia, the British Isles, Germany, with folklore tales and the histories behind myths and legends of such mythical creatures as the Kobolds or Korrigans. The author took a thorough approach to the study of myth and folklore, and explored the parallels between the myth of a nation to the religions and mythology of other regions.
The Fairy Legends is a great collection of folk tales about fairies from all over the world. The book looks at fairy traditions from various countries and nations; Scandinavia, the British Isles, Germany, with folklore tales and the histories behind myths and legends of such mythical creatures as the Kobolds or Korrigans. The author took a thorough approach to the study of myth and folklore, and explored the parallels between the myth of a nation to the religions and mythology of other regions.
What is the public value of poetry? How do poets envisage their own role and function within society? How do we? Do poets seek to shape public opinion and behaviour? Should they? Or do they offer alternatives—perhaps sacred alternatives—to political and religious ideologies? Are they what Shelley in 1821 called 'the unacknowledged legislators of the World'? And what might that mean? During the decades immediately preceding the Revolution of 1789 the status of contemporary poetry in France was at its lowest ebb. At the same time the perceived power of the writer to influence public events reached a high-water mark with Voltaire's triumphant return to Paris in 1778. In the course of the next century French poetry enjoyed an extraordinary renaissance and flowering, perhaps its greatest. But what of the poet's public influence? In 1881 the people of Paris processed for six hours past the home of Victor Hugo on the occasion of his 79th birthday, and in 1885 an estimated two million people witnessed his state funeral. But who or what were they acknowledging? Poetry or republicanism? Or perhaps their own power? For with each Revolution that passed—1789, 1830, 1848—French poets themselves felt increasingly marginalised. This study addresses the first part of this story and focuses on the role and function of the poet during the so-called Romantic Period. Beginning with an account of the literary climate in pre-revolutionary France it then maps the changes in that climate wrought by the events of the 1789 Revolution. It describes the new politico-literary agendas set by Chateaubriand and others on the monarchist Right, and by Staël and others on the liberal Left. Against this background it then analyses in detail the poetic output and public exploits of the three major French poets of the period: Lamartine, Hugo, and Vigny. The Romantic figure of the poet as prophet and magus is habitually dismissed as a cliché. But by focusing on the role of the poet as lawgiver this book reveals the rich and complex terms in which the public function of poetry was debated in post-revolutionary France - and how amidst the centenary celebrations of 1889, as Romanticism gave way to Symbolism, the poet as lawgiver continued to play a central part in that debate.
This collection of essays highlights the importance of water imagery in the work of the renowned nineteenth-century French female author George Sand. It provides a complex picture of the polyvalent presence of water in Sand’s work that encompasses life and death imagery, ecocriticism, fluid kinship, homosocial ties, and artistic creativity. Drawing on Gaston Bachelard’s premise that the substance of water carries deep meaning, the articles in this volume explore the element of water and its symbolism in a selection of George Sand’s writings and art work, from her most famous novels (Indiana, Lélia, and Consuelo) to her later works, short stories, plays, and autobiographical writing (Teverino, Jean de la Roche, Les Maîtres sonneurs, La Reine Coax, L’Homme de neige, Le Drac, Un Hiver à Majorque, Marianne), and dendrite paintings.
This collection of enchanting tales spotlights the works of 5 outstanding French writers prominent during the 19th century. Included are Trilby, or the Elf of Argyll, by Charles Nodier, Théophile Gautier's The Amorous Dead Woman, as well as works by Prosper Mérimée, Guy de Maupassant, and Villiers de l'Isle-Adam. Informative introduction and notes.
Included are Trilby, or the Elf of Argyll, by Charles Nodier, Théophile Gautier's The Amorous Dead Woman, as well as works by Prosper Mérimée, Guy de Maupassant, and Villiers de l'Isle-Adam.