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Ce livre s'adresse à tous les propriétaires intéressés à apprendre ce qu'ils peuvent faire pour améliorer l'efficacité thermique de leur maison - sans dépenser des milliers d'euros. Vous n'avez pas besoin d'embaucher un professionnel pour mettre votre maison à l'épreuve en hiver, mais vous voudrez peut-être retenir les services d'un inspecteur professionnel à un moment donné pour évaluer les secteurs de votre maison à améliorer. (Par exemple, vous voudrez peut-être embaucher quelqu'un pour vérifier si votre chaudière fonctionne efficacement).
Wealth is no longer just an ability to live well in a world shaped by human activities. It is also an ability to push back or defer the limits of a world in biological and climatic closure. This book examines the theoretical conflicts and the power plays which often oppose the socio-political and technical-financial practices of recognition of what intervenes in the production of this wealth – i.e. of what has value. It lays down the principles of a contributory modeling method, allowing debates around the concept of development; the building of scenarios; the negotiation of their implementation; and a cross-sectoral reading of their social, ecological and economic costs. This method, called Dynamic Modeling of Cost Systems, is based on a territorial communication device which articulates political, contractual and accounting innovations using deliberative and normative digital tools. It combines different local representations of value, in order to approach wealth through an integrated analysis of micro-, meso- and macro- issues.
First published in 1987. Routledge is an imprint of Taylor & Francis, an informa company.
Black Skin, White Masks is a classic, devastating account of the dehumanising effects of colonisation experienced by black subjects living in a white world. First published in English in 1967, this book provides an unsurpassed study of the psychology of racism using scientific analysis and poetic grace.Franz Fanon identifies a devastating pathology at the heart of Western culture, a denial of difference, that persists to this day. A major influence on civil rights, anti-colonial, and black consciousness movements around the world, his writings speak to all who continue the struggle for political and cultural liberation.With an introduction by Paul Gilroy, author of There Ain't No Black in the Union Jack.
Keine Angaben
Jean and Luc are two best friends serving in the army. Life as a soldier is unforgiving, but every Sunday provides a ray of hope for the two soldiers as they walk down the Seine river and lunch in a forest that reminds them of home. The idyllic countryside of Champioux is, to them, a little heaven. Yet when a milkmaid catches one of the soldier’s eyes, the two friends’ ordered world begins to unravel. A simple tale of friendship, love, and loss, "Two Little Soldiers" is a masterful portrayal of Maupassant’s knowledge of the human soul and condition. Perfect for readers of Hemingway, this short story is tinged with the tragedy of war seen through the lives of everyday soldiers. Guy de Maupassant (1850-1893) was a famous French writer, often referred to as the father of the short story. A prolific writer, his best known works include "Bel-Ami", "Une Vie" and "The Necklace", alongside some 300 short stories, travel books, and poetry. A master of style and dramatic narrative, Maupassant’s stories are drawn to themes of war, the working class, and the human condition. One of his greatest influences was Gustave Flaubert, who introduced him to some of the central names of the time such as Emile Zola, Ivan Turgenev, and Henry James.
The Cahiers/Notebooks of Paul Valéry are a unique form of writing. They reveal Valéry as one of the most radical and creative minds of the twentieth century, encompassing a wide range of investigation into all spheres of human activity. His work explores the arts, the sciences, philosophy, history and politics, investigating linguistic, psychological and social issues, all linked to the central questions, relentlessly posed: 'what is the human mind and how does it work?', 'what is the potential of thought and what are its limits?' But we encounter here too, Valéry the writer: exploratory, fragmentary texts undermine the boundaries between analysis and creativity, between theory and practice. Neither journal nor diary, eluding the traditional genres of writing, the Notebooks offer lyrical passages, writing of extreme beauty, prose poems of extraordinary descriptive power alongside theoretical considerations of poetics, ironic aphorisms and the most abstract kind of analysis. The concerns and the insights that occupied Valéry's inner voyages over more than 50 years remain as relevant as ever for the contemporary reader: for the Self that is his principal subject is at once singular and universal.