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This is an encyclopedic work, arranged by broad categories and then by original authors, of literary pastiches in which fictional characters have reappeared in new works after the deaths of the authors that created them. It includes book series that have continued under a deceased writer's real or pen name, undisguised offshoots issued under the new writer's name, posthumous collaborations in which a deceased author's unfinished manuscript is completed by another writer, unauthorized pastiches, and "biographies" of literary characters. The authors and works are entered under the following categories: Action and Adventure, Classics (18th Century and Earlier), Classics (19th Century), Classics (20th Century), Crime and Mystery, Espionage, Fantasy and Horror, Humor, Juveniles (19th Century), Juveniles (20th Century), Poets, Pulps, Romances, Science Fiction and Westerns. Each original author entry includes a short biography, a list of original works, and information on the pastiches based on the author's characters.
Shades of Sexuality: Colors and Sexual Identity in the Novels of Blaise Cendrars, by Amanda Leamon, is currently one of the few studies on the modernist poet and novelist Blaise Cendrars to be written in English. Of interest to scholars of Cendrars, Modernism, Twentieth Century French Literature and early Twentieth Century Art and Humanities, Shades of Sexuality is unique among the growing body of criticism and analysis of Cendrars' fiction in that it explores the ways in which Cendrars makes use of the spectrum of fragmented colors and other elements of disguise and trompe-l'oeil, both as an artistic device in the construction of the fictional tekst, and as a recurrent motif in the representation and exploration of the male subject and his relation to woman. The author demonstrates how Cendrars effects intersections of gender in the tekst through the manipulation of colors and their associations with femininity, ultimately undermining the illusory façade of male autonomy which dominates his fictional corpus.
Cesser de croire aux mensonges, apprendre à se voir dans sa beauté, son unicité. Voir l'ordonnancement parfait de notre vie, afin de nous permettre de réaliser au mieux le projet de notre âme. Apprendre à faire confiance à la vie. Arrêter de se plaindre, d'accuser les autres, de croire au drame. Partir à la recherche de qui nous sommes profondément. Être le créateur conscient de sa vie. Prendre ses peurs à bras-le-corps, rentrer en soi, apprendre à s'aimer et commencer à vivre pleinement. Nous avons reçu la vie, cet incroyable cadeau, cette aventure passionnante, qu'en faisons-nous?
Some of the artworks pose difficulties in interpretation, but regardless of amorphous subjects and confusing representations, Butor's creativity finds poetry in them.".