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The open access publication of this book has been published with the support of the Swiss National Science Foundation. Ce livre propose une étude intertextuelle des descriptions d’aurores et de crépuscules dans la Thébaïde de Stace. Les images poétiques de l’Aurore aux doigts de rose ou du char solaire plongeant dans l’Océan cachent un travail minutieux sur la tradition littéraire antérieure. Les remarquables aurores et crépuscules de la Thébaïde illustrent parfaitement la façon dont les caractéristiques traditionnelles du motif peuvent être détournées pour transmettre un nouveau message. Chaque chapitre de cet ouvrage examine en détail un des aspects lié aux aurores et aux crépuscules : expressions formulaires, rôle structurant, fonction lumineuse et temporelle, potentiel métaphorique. This book offers an intertextual study of dawn and dusk descriptions in Statius’ Thebaid. Poetic images such as rosy-fingered Dawn and the fiery chariot of the Sun sinking into the Ocean are the result of learned work on the previous literary tradition. The striking dawn and dusk descriptions in the Thebaid offer a perfect illustration of the way in which the traditional characteristics of the motif can be remodelled to produce new meaning. Each chapter in this monograph examines one of the aspects associated with dawns and dusks: formulaic diction, structuring role, relation to time and light, allegory.
Voici que viennes les jours sombresOù tout ce qui a été ne sera plus.Après que le monde ne se soit enflammé deux fois,Après la chute des deux Géants,Viendra le jour où le sang sera verséSur le Sol Sacré.Le monde basculera alors dans le chaosEt la terreur.Les Douze se rassemblerontEt se battront jusqu'au dernierMais chacune de leurs victoiresEntraînera un peu plus le mondeDans les ténèbres.Par une nuit sans luneDans un berceau de flammesL'homme du NordLe fils des Hautes-TerresL'enfant du FerEt la Dame du LacDécideront du sort du monde.Que jamais le monde ne connaisseCes temps obscurs et ténébreuxCar le dernier survivantA été, estEt seraPour l'éternité.Et ce sera pour les hommesLe dernier crépuscule...
Though he wrote more than a century ago, French author Victor Hugo (1802-1885) continues to capture the imagination of contemporary readers both in France and around the world. In the United States, he is best remembered as the author of the novel Les Mis^D'erables (1862), which has been adapted for the stage, and of Notre-Dame-de-Paris (1831), more commonly known to Americans as The Hunchback of Notre Dame. But Hugo was also a poet and dramatist, a great religious and social thinker, and one of the most important shapers of French Romanticism. As a poet, he created new verse forms, explored historical and mythological themes, and criticized social issues of his time. Through his drama, he united prose and poetry and examined the politics of England and Spain. In all of his works, he discussed such theological and social issues as the problem of evil, the nature of war and peace, and the problems of capital punishment. The volume begins with a short biography that places Hugo within the context of 19th-century France. The biography tells of his early years during which he began to form his religious and political views, his maturation as a writer and thinker during the 1830s, and his political exile, during which he wrote some of his finest poetry. The alphabetically arranged entries that follow discuss his works, characters, themes, and ideas, as well as historical persons and places that figured prominently in his life and writings. Many of the entries cite sources of additional information, and the volume closes with a selected, general bibliography.