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“A writer as comfortable with reality as with fiction, with passion as with reason.” —John Le Carré The first-ever English publication of Georges Simenon’s compelling novel about summer escape and elusive obsessions “The island itself. Its throbbing heat as if in a belljar under the sun, the scorpion in his son’s bed, the deafening sound of cicadas.” During his first holiday on the island of Porquerolles, Dr. Mahé caught a glimpse of something irresistible. As the memory continues to haunt him, he falls prey to a delusion that may offer an escape from his conventional existence—or may destroy him. Taut, insightful, and impossible to put down, this is the first English translation of The Mahé Circle, Simenon’s dark, malevolent depiction of an ordinary man trapped in mundanity and consumed by obsession.
For nearly a century, the work of Belgian crime writer and psychological novelist Georges Simenon, creator of Chief Inspector Maigret, has captivated readers worldwide. This investigation situates Simenon's work in its historical context and interprets it as a reaction to shifting gender relations in Western society. Simenon's compelling narratives capture the anxieties of men whose patriarchal position was under threat in an era of insurgent feminist movements. These concerns are also evident in Simenon's pervasive preoccupation with sexuality, as well as his political stance that stems from his petit-bourgeois upbringing. This groundbreaking study includes interwoven commentary on all 191 novels Simenon published under his own name, including several that have never been translated into English, as well as a number of short stories and several pseudonymous works.
'For personal reasons, or for reasons I don't know myself, I began feeling old, and I began keeping notebooks. I was nearing the age of sixty' Georges Simenon's autobiographical notebooks, in which he recorded his observations, experiences, anxieties and 'all the silly ideas that pass through my head', are one of the most candid self-portraits of a writer ever put to paper. Here, as the celebrated author ruthlessly examines his tortuous writing methods, his past, his fame, his intimate relationships and his fears of ageing, the result is an unsparing, often painfully revealing insight into a man trying both to find and to escape himself. 'As revealed in these notebooks, Simenon's is a shrewd, lucid mind ... the balance tips toward the real, the immediate, the mysteries of human complexity above all ... Utterly unpretentious' The New York Times
In the first part of the twentieth century few women in western Canada had careers as artists—Pauline Boutal had three: 23 years as a fashion illustrator for the Eaton’s catalogue for the graphic design company, Brigden’s of Winnipeg, 27 years as the Artistic Director at the Cercle Molière Theatre and 70 years as a visual artist. Born in Brittany in 1894, Boutal painted in a traditional style and trained at the Winnipeg School of Art, the Cape Cod School of Art, and at l'Academie de la Grande Chaumiere in Paris, France. She left an important legacy of portraits, landscapes, still lifes, and illustrations as well as theatre sets and costume designs. This English translation of Louise Duguay’s award-winning "Pauline Boutal: Destin d'artiste 1894–1992" shares the story of an important artist who lived an exceptional life. Today a great number of Boutal’s works can be found in major private and corporate collections across Canada. For her contribution to the French culture and theatre in Canada, Boutal was awarded numerous prestigious prizes, including the Order of Canada. In addition to thousands of sketches, illustrations, and paintings, Boutal also left a rich legacy of letters, speeches and interviews at the Centre du Patrimoine Canadien. Drawing on these sources, Louise Duguay has created a work that honours the best of biography and autobiography.