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Noah nurtures his trees, planning to give them to his sons, but God has another use for them in mind. With simple, elegant verse and glowing watercolor illustrations, Le Tord breathes new life into an old tale.
In a garden of spectacular beauty in Giverny, France, Claude Monet painted flowers. Dazzled by the light, he painted with rich colors of vermilion, emerald, and violet. His poppies, tulips, irises, and waterlilies have awed the world. In her radiant watercolors, Bijou Le Tord uses Monet's own palette of only eight colors. Her magnificent paintings and poetic words celebrate the extraordinary vision of the beloved impressionist painter, Claude Monet.
What happens to the Responsorial Psalm in the Sunday liturgy? How can it help us pray the Sunday readings? How can it help in planning the liturgy? The Responsorial Psalm is the most neglected part of the Liturgy of the Word, yet it can be the key to all the rest. Its intent is to help bring the message of the other readings into our lives. This book addresses the riches of the Responsorial Psalm for every Sunday of the three-year cycle. It explains the psalm genre, offers exposition on the meaning and beauty of the psalm itself, and comments on the relationship of the Responsorial Psalm to the other readings. It is the book for anyone who wants to understand and appreciate the Sunday readings -- preachers, catechists, liturgists and all the people in the pews.
At last, a guide that explains points of French grammar and structure simply, then clarifies each with concrete examples. The examples use the language of real-life situations. This new edition also makes difficult topics, like the difference between mood and tense, even easier to understand. Numerous fill-in-the-blank and other exercises with delayed answers help cut down the time it takes readers to gain proficiency and confidence communicating in French.
Investigating and reimagining the origin story of the sex doll through the tale of the sailor’s dames de voyage. The sex doll and its high-tech counterpart the sex robot have gone mainstream, as both the object of consumer desire and the subject of academic study. But sex dolls, and sexual technology in general, are nothing new. Sex dolls have been around for centuries. In Sex Dolls at Sea, Bo Ruberg explores the origin story of the sex doll, investigating its cultural implications and considering who has been marginalized and who has been privileged in the narrative. Ruberg examines the generally accepted story that the first sex dolls were dames de voyage, rudimentary figures made of cloth and leather scraps by European sailors on long, lonely ocean voyages in centuries past. In search of supporting evidence for the lonesome sailor sex doll theory, Ruberg uncovers the real history of the sex doll. The earliest commercial sex dolls were not the dames de voyage but the femmes en caoutchouc: “women” made of inflatable vulcanized rubber, beginning in the late nineteenth century. Interrogating the sailor sex doll origin story, Ruberg finds beneath the surface a web of issues relating to gender, sexuality, race, and colonialism. What has been lost in the history of the sex doll and other sex tech, Ruberg tells us, are the stories of the sex workers, women, queer people, and people of color whose lives have been bound up with these technologies.
A boy, a balloon, a timeless adventure.
L'orf?vrerie alg?rienne et tunisienne.