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This ten-year supplement lists 10,000 titles acquired by the Library of Congress since 1976--this extraordinary number reflecting the phenomenal growth of interest in genealogy since the publication of Roots. An index of secondary names contains about 8,500 entries, and a geographical index lists family locations when mentioned.
Since the meeting of the first Primary, poets and composers have shared their talents to create songs for Latter-day Saint children. This impressive volume about the making of the Children's Songbook includes a variety of sources and stories not available to the public. Discover the miracles and memories behind the songs you love in this valuable and inspiring book.
William Parmenter was born in England in 1823. His family were farm laborers and when he was about 23 he married Mary Ann Simpkin. In 1854 William brought his family to America where they lived in New York and Michigan before finally settling in Missouri. They were the parents of twelve children. Information on their lives, their descendants, and background on their life in England is given in this volume. Descendants now live in Idaho, Colorado, Washington, Kansas, and Missouri. Some descendants are also members of the Church of Jesus Christ of Latter-day Saints.
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"A definite shift in the Catholic Church's understanding of marriage took place at Vatican Council II. Rather than perceiving marriage as a contract whose primary purpose was the procreation of children, the council spoke of marriage as an intimate partnership of life and love. Then, recapturing an earlier tradition, it went on to describe the family as a domestic church." "In this book seven theologians who have lectured and written extensively on marriage probe the rich theology of marriage and family that emerged from Vatican II and explore some of the implications that flow from this theology." "Part One reflects on the sacramentality of marriage and on the family as a church of the home. Part Two examines the pastoral implications this has for marital and family ministry and spirituality."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Based on extensive archival research, this open access book examines the poetics and politics of the Dublin Gate Theatre (est. 1928) over the first three decades of its existence, discussing some of its remarkable productions in the comparative contexts of avant-garde theatre, Hollywood cinema, popular culture, and the development of Irish-language theatre, respectively. The overarching objective is to consider the output of the Gate in terms of cultural convergence the dynamics of exchange, interaction, and acculturation that reveal the workings of transnational infrastructures.