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Criminal lawyer, Adele Harvey, is having a bad day. Her parents are separating, her younger sister moves in with her baby, the client she thought was a woman turns out to be a man, and Ben Paxton, the guy she gave the bird to in the parking lot, is prosecuting. And he never loses. Ben is a dozen mysteries wrapped in a sexy package. He's a billionaire yet he works as a prosecuting lawyer; he's new to the city, yet no one knows why he moved; he's hot yet he's single. Adele has her work cut out for her trying to solve his secrets and keep work separate from pleasure - not an easy task when she has to face Ben in the courtroom every day. To top it all off, it's up to her to prove her client is innocent of stealing sexually explicit artifacts. WARNING: This fun novel contains a snarky heroine, bad language, some tame sex, a mystery, romance, Australian spelling, humour, and lawyers. If that doesn't sound like your cup of tea, don't read LAW UNTO HIMSELF. Otherwise, strap on for a fast-paced ride that will have you seeing the legal profession differently. This book was originally published under the title The Naked Truth.
This is a fully documented inside examination of the Internal Revenue Service, in many ways the largest and most powerful of all federal agencies, and also the agency whose competent function is most essential to our democracy. The book’s appearance in 1989 sparked a public furor and major legislation attempting to redress the IRS’ many abuses of power, both political and bureaucratic. The book will be a relevant handbook as long as the agency remains a towering presence in American life.
The third book in Mark Warren's historical fiction trilogy ends with a bang. In Tombstone, Arizona Territory, despite a silver strike promising entrepreneurial opportunities, Wyatt Earp returns to law enforcement, posing a new threat to the cow-boy rustlers running rampant on both sides of the U.S.-Mexican border. The Earp brothers make as many enemies as they do allies in a deeply divided community. Aspiring to be county sheriff, Wyatt bargains with outlaw informants in his pursuit of three wanted men. When the deal unravels, the cow-boy traitors fear retribution from their own, planting the seed for the thirty seconds that will ensure Wyatt Earp his place in history—the gunfight that erupts behind the O.K. Corral. What follows—assassination and swift justice—guarantees that Wyatt Earp's name will forever serve as one standard within the debate of law versus order.
Louisiana's legal heritage has long been a source of fascination, curiosity, and sadly, misinformation. Outsiders have viewed the legal system as an anomaly and have shunned its study because of its perceived quirkiness. Moreover, past writings about the state's legal structure have focused on the minutiae of Louisiana's civil law origins, adding to an image of peculiarity. Consequently, Louisiana has been generally ignored in treatments of American or southern legal history. Recently, however, a new vision has emerged the New Louisiana Legal History. A product of an energetic cadre of writers, this rendering explores new methods and areas of research with the aim of integrating Louisiana into the mainstream of American legal history, southern history, and American history in general. The ten essays in this volume -- which address law in the state through the nineteenth century -- mark the coming of age of the New Louisiana Legal History. Grounded in novel research methodologies and underutilized manuscripts, this book links the distinctive history of Louisiana law to the wider contexts of southern and American history and offers an exciting new interpretation of the state's unique past.
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From Bedroom to Courtroom argues that the fictional trial scenes in the Greek ideal romances reflect Roman legal institutions and ideas, particularly relating to family and sexuality. Given the genre's emphasis on love and chastity, the specter of adultery looms over most of the scenarios that develop into elaborate trials. Such scenes shed light on the Greek reception of the criminalization of adultery promulgated by the moral legislation during the reign of Augustus. This book focuses on three major novels whose composition coincided with the extension of Roman citizenship when access to Roman courts was granted to increasing numbers of inhabitants of the eastern provinces of the Roman Empire. Chariton's Callirhoe is interpreted as an artifact of the generation after the implementation of the Augustan moral legislation, particularly its criminalization of adultery. Achilles Tatius' Leucippe and Clitophon was created in a legally pluralistic milieu where shrewd sophists learned to navigate and exploit the interstices between the overlapping jurisdictions of imperial and local law. Finally, Heliodorus' Aethiopica, widely regarded as the masterpiece of the genre, adapts the type-scene of the trial to present a series of case studies of different types of government, culminating in the utopian kingdom of Meroe. Through the novels' melodramatic trial scenes, we can begin to see how the opening of Roman courtroom to Greek-speaking citizens of the Roman Empire stimulated dreams of a world in which universal justice under Rome was wed to Hellenism.
BIOTERRORISM Instead of the thrill he sought in Afghanistan, an American microbiologist, displaying his jujitsu with germs in cockfights, got noticed by notorious party-poopers, The Taliban, and everything changed; his life, his jujitsu repackaged, through organized manipulation, for mayhem in America.