Download Free Law And The Brontes Book in PDF and EPUB Free Download. You can read online Law And The Brontes and write the review.

In its exploration of legal issues presented in novels of the Brontë sisters, this book represents a significant and original contribution to the study, not just of the Brontës and the mid-nineteenth century 'woman's novel', but also the situation of women in nineteenth century English law and the debates which moved around its prospective reform.
Crammed with information, The Brontës in Context shows how the Brontës' fiction interacts with the spirit of the time.
She’s going to write her own happy ending. English professor Athena Murphy is an authority on the novels of the Brontë sisters. But as they say in academia, publish or perish. To save her job, Athena decides to write a biography of C.L. Garland, the author heating up bestseller lists with spicy retellings of classic literature. Tracking down the reclusive writer and uncovering her secret identity, though, means Athena must return to her small midwestern hometown where Garland—and her ex-boyfriend, Thorne Kent—live. Seeing Thorne again reminds Athena that real life never lives up to fiction. He was the Heathcliff to her Catherine, the Mr. Rochester to her Jane. Not only did their college breakup shatter that illusion, but they also broke each other’s hearts again a second time. Now she has to see him nearly every...single…day. The only solution is to find C.L. Garland as quickly as possible, write the book, and get the heck out of town. As her deadline looms and the list of potential C.L. Garlands dwindles, Athena and Thorne bicker and banter their way back to friendship. Could it really be true that the third time’s a charm? Athena and Thorne have a love story only a Brontë could write, and the chance for their own happily-ever-after, but first, they’ll need to forgive the mistakes of the past.
“[A] meticulously researched debut novel…In a word? Juicy.” —O, The Oprah Magazine The scandalous historical love affair between Lydia Robinson and Branwell Brontë, brother to novelists Charlotte, Emily, and Anne, gives voice to the woman who allegedly brought down one of literature’s most famous families. Yorkshire, 1843: Lydia Robinson has tragically lost her precious young daughter and her mother within the same year. She returns to her bleak home, grief-stricken and unmoored. With her teenage daughters rebelling, her testy mother-in-law scrutinizing her every move, and her marriage grown cold, Lydia is restless and yearning for something more. All of that changes with the arrival of her son’s tutor, Branwell Brontë, brother of her daughters’ governess, Miss Anne Brontë and those other writerly sisters, Charlotte and Emily. Branwell has his own demons to contend with—including living up to the ideals of his intelligent family—but his presence is a breath of fresh air for Lydia. Handsome, passionate, and uninhibited by social conventions, he’s also twenty-five to her forty-three. A love of poetry, music, and theatre bring mistress and tutor together, and Branwell’s colorful tales of his sisters’ imaginative worlds form the backdrop for seduction. But their new passion comes with consequences. As Branwell’s inner turmoil rises to the surface, his behavior grows erratic, and whispers of their romantic relationship spout from Lydia’s servants’ lips, reaching all three Brontë sisters. Soon, it falls on Mrs. Robinson to save not just her reputation, but her way of life, before those clever girls reveal all her secrets in their novels. Unfortunately, she might be too late.
A “brilliant” biography of the Brontë family, dispelling popular myths and revealing the true story of Emily, Anne, Charlotte, and their father (The Independent on Sunday). The tragic story of the Brontë family has been told many times: the half-mad, repressive father; the drunken, drug-addicted brother; wildly romantic Emily; unrequited Anne; and “poor Charlotte.” But is any of it true? These caricatures of the popular imagination were created by amateur biographers like Elizabeth Gaskell who were more interested in lurid tales than genuine scholarship. Juliet Barker’s landmark book is the first definitive history of the Brontës. It demolishes the myths, yet provides startling new information that is just as compelling—but true. Based on firsthand research among all the Brontë manuscripts and among contemporary historical documents never before used by Brontë biographers, this book is both scholarly and compulsively readable. The Brontës is a revolutionary picture of the world’s favorite literary family.
This set reissues 8 books on the Brontë family, originally published between 1968 and 1999. The volumes cover the four Brontë children; Charlotte, Emily, Anne and Patrick Branwell, and provides an analysis and commentary of their most respected works. This collection also provides a comprehensive collection of Patrick Branwell Brontë’s works and the history behind his manuscripts. This set will be of particular interest to students of English Literature.
All the seven Brontë novels are concerned with education in both senses, that of upbringing as well as that of learning. The Brontë sisters all worked as teachers before they became published novelists. In spite of the prevalence of education in the sisters' lives and fiction, however, this was the first full-length book on the subject when it was published in 2007. Marianne Thormählen explores how their representations of fictional teachers and schools engage with the intense debates on education in the nineteenth century, drawing on a wealth of documentary evidence about educational theory and practice in the lifetime of the Brontës. This study offers much information both about the Brontës and their books and about the most urgent issue in early nineteenth-century British social politics: the education of the people, of all classes and both sexes.
Readers of Emily Brontë's poetry and of Wuthering Heights have seen in their author, variously, a devout if somewhat unorthodox Christian, a heretic, or a visionary "mystic of the moors". Rather than seeking to resolve this matter, Emily Brontë and the Religious Imagination suggests that such conflicting readings are the product of tensions, conflicts and ambiguities within the texts themselves. Rejecting the idea that a single, coherent set of religious doctrines are to be found in Brontë's work, this book argues that Wuthering Heights and the poems dramatise individual experiences of faith in the context of a world in which such faith is always conflicted, always threatened. Brontë's work dramatises the experience of imaginative faith that is always contested by the presence of other voices, other worldviews. Her characters cling to visionary faith in the face of death and mortality, awaiting and anticipating a final vindication, an eschatological fulfilment that always lies in a future beyond the scope of the text.