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Baseball is back And the focus of many fans is almost always on hitting. All of which makes it a great time forLau's Laws on Hitting. The Art of Hitting .300 (Dutton) by Charley Lau and Alfred Glossbrenner was published in 1980. It is still in print and, as of early 1999, has sold over 85,000 copies. Lau's Laws on Hitting will both build on that success and pick up where the earlier title left off. Written by a man who is not only the son of the most famous batting coach of all time, but who is also a professional hitting instructor with an impressive track record of his own, this book incorporates two decades of new information, observations, teaching techniques, player analysis, and refinements to the Lau System. And, in response to numerous reader requests, it includes sections specifically designed to help coaches at all levels teach the Lau System most effectively.
Using sequence photography, Charley Lau, the batting instructor for the New York Yankees, teaches his system of hitting and includes an analysis of current and past hitters, and practice drills.
The Book of the Duchess is a surreal poem that was presumably written as an elegy for Blanche, Duchess of Lancaster's (the wife of Geoffrey Chaucer's patron, the royal Duke of Lancaster, John of Gaunt) death in 1368 or 1369. The poem was written a few years after the event and is widely regarded as flattering to both the Duke and the Duchess. It has 1334 lines and is written in octosyllabic rhyming couplets.
Luminary author Grant Morrison (All-Star Superman, Happy!) and Eisner Award-winning illustrator Dan Mora (Go Go Power Rangers) bring their lauded reinvention of Santa Claus fully into the 21st century with two modern tales of Klaus saving Christmas from sinister threats that span dimensions. Collects Klaus and the Witch of Winter and Klaus and the Crisis in Xmasville.
What does Doing the Impossible really mean? This book is for those who have a desire to achieve greatness and are ready to take the steps to turn that desire into a reality. At one point or another in this book, you will experience several different reactions - excitement, curiosity, joy, laughter, or even tears - but the ultimate goal is to encourage and challenge you to make a decision to do the impossible. That may have a totally different meaning to you than it did to Steve Jobs, Thomas Edison, or any of the other role models we will look at; but whatever Doing the Impossible means to you, the goal of this book is to help you realize that you have the capacity to do what the critics think is impossible. - Patrick Bet-David, Introduction to Doing the Impossible. Doing the Impossible is a roadmap for those who want to do something big with their lives. The book goes over 25 steps that the reader should take to re-create themselves, identify their cause, and make history. Patrick Bet-David shares his own impossible crusade and gives key principles for anyone looking to do the same.
Developing a friendship with God may be the starting point for the spiritual journey, but how can that important internal relationship move us to make an impact on—and even transform—the world around us? In Changed Heart, Changed World, renowned spiritual director William A. Barry, SJ, delves into such topics as how friendship with God impacts our role in society, how to see forgiveness as a way of life, and how compassion can make its mark on the world. Throughout the book, Fr. Barry provides many practical ways to integrate the inner life, where we experience a relationship with God, with the outer life, where we live in relationship with our world. Above all else, Changed Heart, Changed World reminds us that God has a dream for his creation here and now—a dream that can only be realized by our becoming “other Christs in this world.”
The emblem book was invented by the humanist lawyer Andrea Alciato in 1531. The preponderance of juridical and normative themes, of images of rule and infraction, of obedience and error in the emblem books is critical to their purpose and interest. This book outlines the history of the emblem tradition as a juridical genre, along with the concept of, and training in, obiter depicta, in things seen along the way to judgment. It argues that these books depict norms and abuses in classically derived forms that become the visual standards of governance. Despite the plethora of vivid figures and virtual symbols that define and transmit law, contemporary lawyers are not trained in the critical apprehension of the visible. This book is the first to reconstruct the history of the emblem tradition, evidencing the extent to which a gallery of images of law already exists and structuring how the public realm is displayed, made present and viewed.