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Family Secrets Spill One Conversation at a Time Visit historic American landmarks through the Doors to the Past series. History and today collide in stories full of mystery, intrigue, faith, and romance. De Smet, South Dakota—1890 Young women growing up in DeSmet live by two rules: don’t go out in a snowstorm and don’t give your heart to Cap Garland. Young Mariah Patterson only managed to obey one. Orphaned and having devoted her youth to scrapping out a life with her brother Charles, Mariah finds herself with no interesting suitors or means of support. Throwing caution to the wind, she seizes an opportunity to lay her feelings at Cap’s feet, even though she knows Cap sees the world through the torch he carries for Laura Ingalls. Mariah is certain her love for Cap will be strong enough to break both bonds, and she’s willing to risk everything to prove it. De Smet, South Dakota—1974 Trixie Gowan is the fourth generation of living Gowan women residing in the sprawling farmhouse on the outskirts of De Smet. Well, former resident. She’s recently moved to Minneapolis, where she writes ads for a neighborhood paper edited by Ron Tumble. She might live and work in the city, but her co-workers still call her Prairie Girl. Thus the inspiration for her comic strip—“Lost Laura”—in which a bespectacled girl in a calico dress tries to make her way in the city. The name is a quiet rebellion having grown up in a household where she’d been forbidden to mention the name, Laura Ingalls. But when her great-grandmother Mariah’s declining health brings Trixie home for a visit, two things might just keep her there: the bedside manner of Dr. Campbell Carter and the family secret that seems to be spilling from GG’s lips one conversation at a time. Don’t miss other great books in the Doors to the Past series: The Lady in Residence by Allison Pittman Hope Between the Pages by Pepper Basham Bridge of Gold by Kimberley Woodhouse Undercurrent of Secrets by Rachel Scott McDaniel Behind Love's Wall by Carrie Fancett Pagels High-Wire Heartbreak by Anna Schmidt Love's Fortress by Jennifer Uhlarik A Promise Engraved by Liz Tolsma Laura's Shadow by Allison Pittman Passages of Hope by Terri Haynes In Spotlight and Shadow by Rachel Scott McDaniel The Keys to Gramercy Park by Candice Sue Patterson
Shortlisted for the 2017 Sunday Times Young Writer of the Year From critically acclaimed and Baileys Prize-nominated author Sara Taylor comes a dazzling new novel about youth, identity, and family secrets After a fight with Alex’s father, Ma pulls Alex out of bed and onto a pilgrimage of self-discovery through her own enthralling past. Guided by a memory map of places and people from Ma’s life before motherhood, the pair travels from Virginia to California, each new destination and character revealing secrets, stories, and unfinished business. As Alex’s coming-of-age narrative unfolds across the continent, we meet a cast of riveting and heartwarming characters including brilliant Annie, who seeks the help of Ma and Alex to escape the patriarchal cult in which she was raised, and the tragic young Marisol, whose dreams of becoming a mother end in heartbreak. Slowly, Alex begins to realizes that the road trip is not a string of arbitrary stops, but a journey whose destination is perhaps Ma’s biggest secret of all. Told from the perspective of Alex, a teenager who equates gender identification with unwillingly choosing a side in a war, and written with a stunningly assured lyricism, The Lauras is a fearless study of identity, set against the gorgeously rendered landscape of North America.
How do men imagine women? In the poetry of Petrarch and his English successors—Wyatt, Donne, and Marvell—the male poet persistently imagines pursuing a woman, Laura, whom he pursues even as she continues to deny his affections. Critics have long held that, in objectifying Laura, these male-authored texts deny the imaginative, intellectual, and physical life of the woman they idealize. In Laura, Barbara L. Estrin counters this traditional view by focusing not on the generative powers of the male poet, but on the subjectivity of the imagined woman and the imaginative space of the poems she occupies. Through close readings of the Rime sparse and the works of Wyatt, Donne, and Marvell, Estrin uncovers three Lauras: Laura-Daphne, who denies sexuality; Laura-Eve, who returns the poet’s love; and Laura-Mercury, who reinvents her own life. Estrin claims that in these three guises Laura subverts both genre and gender, thereby introducing multiple desires into the many layers of the poems. Drawing upon genre and gender theories advanced by Jean-François Lyotard and Judith Butler to situate female desire in the poem’s framework, Estrin shows how genre and gender in the Petrarchan tradition work together to undermine the stability of these very concepts. Estrin’s Laura constitutes a fundamental reconceptualization of the Petrarchan tradition and contributes greatly to the postmodern reassessment of the Renaissance period. In its descriptions of how early modern poets formulate questions about sexuality, society and poetry, Laura will appeal to scholars of the English and Italian Renaissance, of gender studies, and of literary criticism and theory generally.
Welcome to Laura Seeley's enchanting world of shadowboxes, where the ABCs spring magically to life. Welcome to Laura Seeley's enchanting world of shadowboxes, where the ABCs spring magically to life. Each shadowbox is filled with richly colorful creatures, objects, and people drawn in Seeley's intricately engaging style. From smiling acorns and alphabet stew to zany old zeroes with nothing to do, the vibrant illustrations and bouncing verses delight and instruct. As a special treat, the little guide, Shadow, follows each letter and poses an intriguing mystery to solve in every shadowbox. At the back of the book, Seeley also provides a key to all the other hidden treasures collected in the shadowboxes. A challenging, find-the-object book that will keep children interested long after they've mastered their ABCs, The Book of Shadowboxes is a gift to be handed down and treasured for generations.
Reflecting current trends in scholarly analysis of evil and the feminine, the chapters contained in Re-visiting Female Evil focus upon various ‘re-interpretations’ of evil femininities as a cultural signifier of agency, transgression and crisis, re-interpreting them through rewriting of ‘other’ stories, hermeneutic re-interpretations of ancient/classical texts, and revised film/ stage adaptations. These papers illustrate how gendered cultural myths of women’s intrinsic connection to evil still persist in today’s patriarchal society, though in variant and updated forms. Mischievous, beguiling, seductive, lascivious, unruly, carping, vengeful and manipulative – from the Disney princess to the murderous Medea, these authors grapple with our understanding of what it is to be and do ‘evil’, exploring the possible sources of the fear and hatred of women and the feminine as well as their continual fascination and appeal, and how these manifest in a range of 'real life' and fictional narratives that cross times, cultures and media.
Shadow is a man with a past. But now he wants nothing more than to live a quiet life with his wife and stay out of trouble. Until he learns that she's been killed in a terrible accident. Flying home for the funeral, as a violent storm rocks the plane, a strange man in the seat next to him introduces himself. The man calls himself Mr. Wednesday, and he knows more about Shadow than is possible. He warns Shadow that a far bigger storm is coming. And from that moment on, nothing will ever he the same...
For the first time in e-book format, a retelling of Romeo and Juliet from a master of dark fantasy. In the land of Santa Verensa, the great aristocratic Houses thrive on vendetta. Although their feuds are rooted in politics, generations of grievances have made the conflict dangerously petty and bitterly personal—a society where people live and die by the Name they bear. Romulan Montargo, heir to his family, revels in the feud. Meanwhile, Iuletta Chenti, the only child of Chenti Primo, the family’s patriarch, has spent her life sheltered. The Montargos and the Chentis have hated each other for decades, but when Iuletta first sets eyes on Romulan, she knows they are meant to be together. Determined to win his affection, she casts a charm on him to draw him to her, and the two fall in love. But Iuletta is already betrothed to the Belmorio heir, and her temperamental cousin Leopardo hates the Montargos with a murderous passion. If the young lovers are to be together, they must defy their families and defy their fates, reclaiming their chance at a happy ending. Tanith Lee beautifully reimagines Shakespeare’s classic tragedy of star-crossed lovers and bloody revenge with an added fantasy twist.
For those who have ever felt out of place, this affirming and heartwarming book tells a powerful story of the American South, the love of a dog, and the power of music. Perfect for fans of Maxi's Secrets and How to Steal a Dog, and for anyone who's ever loved a dog. Whip-smart Ariel doesn’t fit in. Only in the winds of the Blue Ridge Mountains and spring storms that mirror the unhappiness she feels at home. Her brother understands her, but he’s in Afghanistan. Her father hasn't been the same since George deployed. Her mother focuses on Ariel’s gorgeous sister. When Gloria is selected to be an Apple Blossom Parade princess, Ariel feels even more the outsider and takes to the hills. There, during a raging storm, Ariel finds a lost dog who leads her to the safety of a cabin and Sergeant Josie, a former Army K-9 handler. Together—with music, dog-dancing, and a storm-child-crazy plan—the three outcasts find themselves. In this whimsical tale of self-discovery, L. M. Elliott captures the flavor of Virginia’s hunt country and Appalachia, while exploring definitions of beauty and belonging. Storm Dog will make readers proud to dance to their own rhythms.