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Inspired by the playwright's youthful experience as a staff writer on Sid Caesar's Your Show of Shows, with all the attendant comic drama as the harried writing staff frantically scramble to top each other with gags while competing for the attention of star madman "Max Prince."
Inspired by the playwright's youthful experience as a staff writer on Sid Caesar's Your Show of Shows, with all the attendant comic drama as the harried writing staff frantically scramble to top each other with gags while competing for the attention of star madman "Max Prince."
"Featuring scenes from the ten best plays"--Jacket.
Koprince (English, U. of North Dakota at Grand Forks) seeks to grant the prolific and popular playwright a measure of the serious literary attention that has passed his work by. She analyzes 16 of Simon's comedies beginning with his first Broadway effort, Blow your horn (1961) and ending with Laughter on the 23rd floor (1993). Koprince emphasizes Simon's versatility, craftsmanship, and willingness to experiment with the comedic form as well as the fundamentally serious nature of his plays. Small format: 5.25x7.25". Annotation copyrighted by Book News, Inc., Portland, OR
A deeply textured and compelling biography of comedy giant Mel Brooks, covering his rags-to-riches life and triumphant career in television, films, and theater, from Patrick McGilligan, the acclaimed author of Young Orson: The Years of Luck and Genius on the Path to Citizen Kane and Alfred Hitchcock: A Life in Darkness and Light. Oscar, Emmy, Tony, and Grammy award–winner Mel Brooks was behind (and sometimes in front the camera too) of some of the most influential comedy hits of our time, including The 2,000 Year Old Man, Get Smart, The Producers, Blazing Saddles, and Young Frankenstein. But before this actor, writer, director, comedian, and composer entertained the world, his first audience was his family. The fourth and last child of Max and Kitty Kaminsky, Mel Brooks was born on his family’s kitchen table in Brooklyn, New York, in 1926, and was not quite three-years-old when his father died of tuberculosis. Growing up in a household too poor to own a radio, Mel was short and homely, a mischievous child whose birth role was to make the family laugh. Beyond boyhood, after transforming himself into Mel Brooks, the laughs that came easily inside the Kaminsky family proved more elusive. His lifelong crusade to transform himself into a brand name of popular humor is at the center of master biographer Patrick McGilligan’s Funny Man. In this exhaustively researched and wonderfully novelistic look at Brooks’ personal and professional life, McGilligan lays bare the strengths and drawbacks that shaped Brooks’ psychology, his willpower, his persona, and his comedy. McGilligan insightfully navigates the epic ride that has been the famous funnyman’s life story, from Brooks’s childhood in Williamsburg tenements and breakthrough in early television—working alongside Sid Caesar and Carl Reiner—to Hollywood and Broadway peaks (and valleys). His book offers a meditation on the Jewish immigrant culture that influenced Brooks, snapshots of the golden age of comedy, behind the scenes revelations about the celebrated shows and films, and a telling look at the four-decade romantic partnership with actress Anne Bancroft that superseded Brooks’ troubled first marriage. Engrossing, nuanced and ultimately poignant, Funny Man delivers a great man’s unforgettable life story and an anatomy of the American dream of success. Funny Man includes a 16-page black-and-white photo insert.
Since 1960, a Broadway season without a Neil Simon play has been a rare one. For more than thirty years, Simon's wry and astute observations on life, love, and the human condition have been making audiences laugh uproariously even as his beautifully realized characters touch their hearts. These five plays, including the Pulitzer- and Tony-award-winning Lost in Yonkers, show Simon at the pinnacle of his extraordinary career. Rumors Lost in Yonkers Jake's Women Laughter on the 23rd Floor London Suite Including the author's introduction: "How to Stop Writing and Other Impossibilities"
"An absolutely dazzling entertainment. . . . Arousing on every level—political, erotic, intellectual, and above all, humorous." —Newsweek "The Book of Laughter and Forgetting calls itself a novel, although it is part fairy tale, part literary criticism, part political tract, part musicology, and part autobiography. It can call itself whatever it wants to, because the whole is genius." —New York Times Rich in its stories, characters, and imaginative range, The Book of Laughter and Forgetting is the novel that brought Milan Kundera his first big international success in the late 1970s. Like all his work, it is valuable for far more than its historical implications. In seven wonderfully integrated parts, different aspects of human existence are magnified and reduced, reordered and emphasized, newly examined, analyzed, and experienced.
“An extraordinary theatrical event in which the personal and the political combine in a way that suggests a contemporary Chekhov.” —Michael Billington, Guardian This intimate and landmark series follows the Gabriel family of Rhinebeck, New York, through the momentous and divisive 2016 election year. While preparing meals in their kitchen, together they grapple in real time with issues of money, history, art, politics and family, as well as the fear of having been left behind.
Leon Tolchinsky is ecstatic. He’s landed a terrific teaching job in an idyllic Russian hamlet. When he arrives, he finds people sweeping dust from the stoops back into their houses and people milking upside down to get more cream. The town has been cursed with Chronic Stupidity for two hundred years, and Leon’s job is to break the curse. No one tells him that if he stays over twenty-four hours and fails to break the curse, he too becomes stupid. But he has fallen in love with a girl so stupid, she has only recently learned how to sit down.
Bubbas extra-curricular activities, without exception, appear to be illegal. They run the gamut from cash prize bingo, to a rum distillery, to off-track betting. You name it, Bubba is doing it. Arriving at the hotel is Beatrice Rutherford-Smythe (The epitome of the New England blue bloods) and her daughter Traci, to check out the hotel for Tracis wedding. They have an appointment with Madame Coco, the hotels wedding planner, who unfortunately has eloped. The only staff member who knows anything about weddins is Uncle Bubba, who, coerced by Audrina, now has to spend the rest of the play, alternating between himself and Madame Coco. Two other guests are checking in today. Tracis fiance, Peter Mudd, and a mysterious Douglas DuPont. Through a mix up of room numbers, a sweries of mistaken identities ensues. Candy, the hotel receptionist is bribed by Beatrice to flirt with Peter, but ends up with Douglas. Douglas, who is actually an innocent travel writer for a destination wedding publication, is mistaken for a federal agent from the Bureau of Alcohol, Tobacco, Firearms and Explosives. Candys report to Beatrice introduces a roller coaster of events creating an on again-off again wedding. In the midest of all this mayhem,Bubba and Beatrice appear to be falling in love. Peter and Traci are reconciled (Several times), and Audrina and Douglas find they have a strong attraction for each other. Throughout the play though, one question remains unanswered: Is it true love or is it the mystique of Sandy Toes & Salty Kisses at the Lovers Landing Beach Hotel?