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Laughter in the Trenches: Humour and Front Experience in German First World War Narratives explores the appearances and functions of humour and laughter in selected novels and short stories, based on autobiographical experiences, written by authors during the war and in the Weimar Era (1919–1933). This study focuses on popular and lesser-known works of German literature that played an important role in the socio-political life of the Weimar Republic: Storm of Steel by Ernst Jünger (1920), Advance from Mons 1914 by Walter Bloem (1916), The Case of Sergeant Grischa by Arnold Zweig (1927), and All Quiet on the Western Front by Erich Maria Remarque (1929). The author shows that these works often share surprisingly similar narrative strategies in describing humorous experiences and soldier laughter to justify direct violence and oppressive power structures, regardless of the works’ ideological assignment and their popular and critical reception. This book also examines the parodic imitations of All Quiet on the Western Front, the German text All Quiet on the Trojan Front by Emil Marius Requark (1930) and the American film So Quiet on the Canine Front by Zion Myers and Jules White (1931) as significant polemical contributions that use humoristic strategies to stress or undermine elements of the original text.
Laughter in the Trenches: Humour and Front Experience in German First World War Narratives explores the appearances and functions of humour and laughter in selected novels and short stories, based on autobiographical experiences, written by authors during the war and in the Weimar Era (1919â "1933). This study focuses on popular and lesser-known works of German literature that played an important role in the socio-political life of the Weimar Republic: Storm of Steel by Ernst JÃ1/4nger (1920), Advance from Mons 1914 by Walter Bloem (1916), The Case of Sergeant Grischa by Arnold Zweig (1927), and All Quiet on the Western Front by Erich Maria Remarque (1929). The author shows that these works often share surprisingly similar narrative strategies in describing humorous experiences and soldier laughter to justify direct violence and oppressive power structures, regardless of the worksâ (TM) ideological assignment and their popular and critical reception. This book also examines the parodic imitations of All Quiet on the Western Front, the German text All Quiet on the Trojan Front by Emil Marius Requark (1930) and the American film So Quiet on the Canine Front by Zion Myers and Jules White (1931) as significant polemical contributions that use humoristic strategies to stress or undermine elements of the original text.
Super-funny, but at times super-serious, this thought provoking autobiography is the life story of Joey Camen; a white Jewish kid growing up in black neighborhoods in Detroit, making his way into the world of Hollywood show business. The story follows Joey from a not so pleasant home life - dealing with an abusive father and oddball siblings - to leaving home at seventeen to become one of the youngest professional stand-up comedians ever...where Joey quickly found himself working nightly with comedians Richard Pryor, Robin Williams and many other famous names. Enjoy this up-and-down tale of survival, laughs, and heartache - engagingly written by someone who has spent four-plus decades in the world of entertainment and beyond. Joey Camen is a veteran stand-up comedian, voice talent, actor, author and award-winning short filmmaker. Joey's long career in performing arts encompasses everything from movies, to sitcoms, to Las Vegas showrooms. Joey has provided voices for many recognizable cartoon shows, commercials, movies and video games. Laughing Through the Pain is his second book. He lives in Los Angeles with his wife Wendy.
Where Youth and Laughter Go completes LtCol Seth Folsom’s recounting of his personal experiences in command over a decade of war. It is the culminating chapter of a trilogy that began with The Highway War: A Marine Company Commander in Iraq in 2006 and continued with In the Gray Area: A Marine Advisor Team at War in 2010. The chronicle of Folsom’s command of 3rd Battalion, 7th Marine Regiment, “The Cutting Edge,” and his harrowing deployment to Afghanistan’s volatile Sangin District presents a deeper look into the complexities and perils of modern counterinsurgency operations in America’s longest war. Charged with the daunting task of pacifying a region with a long history of violence and instability, Folsom and his Marines struggled daily to wage a dynamic campaign against the shadowy enemy force that held Sangin’s population firmly in its grip. With peace and stability always teetering on the brink of collapse, the Marines of “The Cutting Edge” confronted their own mortality as they conducted endless patrols through Sangin’s minefields while fighting to win the hearts and minds of the Afghan villagers. No other books have been published from the perspective of a Marine infantry battalion commander in Afghanistan. It was Folsom’s job, as the unit commander, to lead his Marines under impossible circumstances. LtCol Folsom made the unusual decision to patrol with his rifle squads every day through Sangin, where his Marines dodged improvised explosive devices and sniper fire from an invisible enemy. As his tour progressed and casualties mounted, he found his objectivity evaporating and the love for his men growing. Where Youth and Laughter Go is more than a blood-and-guts war story, it is a jarring, “boots on the ground”–level examination of the myriad challenges and personal dilemmas that today’s young service members face as the United States approaches its final endgame in Afghanistan.
Do men and women laugh at the same things? Is laughter contagious? Has anyone ever really died laughing? Is laughing good for your health? Drawing upon ten years of research into this most common-yet complex and often puzzling-human phenomenon, Dr. Robert Provine, the world's leading scientific expert on laughter, investigates such aspects of his subject as its evolution, its role in social relationships, its contagiousness, its neural mechanisms, and its health benefits. This is an erudite, wide-ranging, witty, and long-overdue exploration of a frequently surprising subject.
In the tradition of All Quiet on the Western Front, Elton E. Mackin’s memoirs are a haunting portrayal of war as seen through the eyes of a highly decorated Marine who fought in every Marine Brigade battle from Belleau Wood to the crossing of the Meuse on the eve of the Armistice. Praise for Suddenly We Didn't Want to Die “This beautifully written and truly gripping war memoir is a significant addition to battlefield literature. A minor classic . . . An altogether remarkable job [comparable] to Crane, Remarque and Mailer. Deserves the widest possible audience.”—The Cleveland Plain Dealer “This immediate, eloquent report merit[s] comparison with Thomas Boyd’s Marine Corps [1923] classic Through the wheat.”—Publishers Weekly “A real curiosity: a highly mannered World War I diary, published nearly 80 years after being written and 20 years after its author’s death. Bright snapshots abound…sometimes a young man’s lyricism takes over [but] the horror of war never departs. The diary has the faults one expects, and the promise one prays for. A fine addition to WWI literature.”—Kirkus Reviews “A forthright, eloquent, and powerful memoir certain to become an enduring testament to the drama and tragedy of World War I. Threaded with no small measure of poetry, this superb memoir is sure to become a classic.”—Great Battles “A plain but powerful tale . . . [in] vivid prose loaded with details that bring the horrors of World War I to life, he tells an exceptional new version of the old story of battle transforming a boy into a veteran.”—American Library Association Booklist “To the ranks of Erich Maria Remarque, E.E. Cummings, John Dos Passos and Siegfried Sassoon, we must now add Elton Mackin . . . who, in a terse style reminiscent of Hemingway, [succeeds] in making someone unfamiliar with war truly now the frightfulness of the trenches and the greatness of the many men who fought in them.”—Marine Corps Gazette
Have you ever been chased by a ghost or felt one? Hounded by a reporter or a ghost chaser? Or be asked to check out a property to see if it's haunted? Ever chased a seller's runaway dog down the street in high heels or got bitten by one? From suburban deer hunting, tenants, naked homeowners, and stories that would make a good scene for a Hitchcock Thriller, to voodoo, hoodoo, and all kind of craziness. Get ready to read a collection of true stories that I couldn't dream up, even with my wildest imagination.
Humor and entertainment were vital to the war effort during World War I. While entertainment provided relief to soldiers in the trenches, it also built up support for the war effort on the home front. This book looks at transnational war culture by examining seemingly light-hearted discourses on the Great War.
A NYRB Classics Original Winner of the Scott Moncrieff Prize for Translation A young soldier learns the true meaning of fear amidst the carnage of World War I in this literary masterpiece and “one of the most effective indictments of war ever written” (Wall Street Journal) 1915: Jean Dartemont heads off to the Great War, an eager conscript. The only thing he fears is missing the action. Soon, however, the vaunted “war to end all wars” seems like a war that will never end—whether mired in the trenches or going over the top, Jean finds himself caught in the midst of an unimaginable, unceasing slaughter. After he is wounded, he returns from the front to discover a world where no one knows or wants to know any of this. Both the public and the authorities go on talking about heroes—and sending more men to their graves. But Jean refuses to keep silent. He will speak the forbidden word. He will tell them about fear. John Berger has called Fear “a book of the utmost urgency and relevance.” A literary masterpiece, it is also an essential and unforgettable reckoning with the terrible war that gave birth to a century of war.