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Laughter and Liberation is based on the idea that humor is an agent of psychological liberation. Since we are able to include every kind of wit and humor under the umbrella of this thesis, it amounts to an informal, comprehensive theory of the ludicrous. Briefly put, the theory proposes that the most fundamental function of humor is its power to release us from the inhibitions and restrictions under which we live our daily lives.The quest for laughter is as old as man himself?Egyptian pharaohs and Roman emperors went to great lengths to amuse themselves, as did the monarchs of medieval Europe with court jesters. Our speech and literature abound with references to humor such as: "Laugh and the world laughs with you, cry and you cry alone," "He who laughs last laughs best," "All the world loves a clown," "Laugh if you are wise," and "A good laugh is sunshine in the house."In Laughter and Liberation, Harvey Mindess tells us how laughter and our sense of humor work. He gives us the background of several well-known humorists?Steve Allen, Richard Armour, Sholom Aleichem?and explains his theory of how and why they have become expert in making others laugh.
Laughter and Liberation is based on the idea that humor is an agent of psychological liberation. Since we are able to include every kind of wit and humor under the umbrella of this thesis, it amounts to an informal, comprehensive theory of the ludicrous. Briefly put, the theory proposes that the most fundamental function of humor is its power to release us from the inhibitions and restrictions under which we live our daily lives.The quest for laughter is as old as man himself Egyptian pharaohs and Roman emperors went to great lengths to amuse themselves, as did the monarchs of medieval Europe with court jesters. Our speech and literature abound with references to humor such as: "Laugh and the world laughs with you, cry and you cry alone," "He who laughs last laughs best," "All the world loves a clown," "Laugh if you are wise," and "A good laugh is sunshine in the house."In Laughter and Liberation, Harvey Mindess tells us how laughter and our sense of humor work. He gives us the background of several well-known humorists Steve Allen, Richard Armour, Sholom Aleichem and explains his theory of how and why they have become expert in making others laugh.
Drawing on the author's experience in Brazil, this text provides a portrait of everyday life among the women of the favelas - a portrait that challenges much of what we think we know about the 'culture of poverty'. It helps us understand the nature of joking and laughter in the shantytown.
Russia, once compared to a giant sphinx, is often considered in the Anglophone world an alien culture, often threatening and always enigmatic. Although recognizably European, Russian culture also has mystical features, including the idiosyncratic phenomenon of Russian irrationalism. Historically, Russian irrationalism has been viewed with caution in the West, where it is often seen as antagonistic to, and subversive of, the rational foundations of Western speculative philosophy. Some of the remarkable achievements of the Russian irrationalist approach, however, especially in the artistic sphere, have been recognized and even admired, though not sufficiently investigated. Bridging the gap between intellectual cultures, Olga Tabachnikova discusses such fundamental irrationalist themes as language and the linguistic underpinning of culture; the power of illusion in national consciousness; the changing relationship between love and morality; the cultural roots of humour, as well as the relevance of various individual writers and philosophers from Pushkin to Brodsky to the construction of Russian irrationalism.
Contemporary philosophy has adopted an increasingly tragic point of view. Tragedy, though, is only a partial truth of the human condition. Comedy is another partial truth. The nature of human existence is neither wholly the one nor the other, but tragi-comic. Philosophy must be attuned to both despair and laughter if it is to understand its own world. In Making Philosophy Laugh, the philosopher Dustin Peone makes an apology for the comic side of existence and its use in philosophy. He demonstrates the social and moral uses of humor and analyzes its significance for speculative thinking. Folly and irony are shown to be vital facets of dialectical philosophy. The reader is introduced to the comical side of Socrates and Homer, Descartes and Vico, Kant and Hegel, and many others. Finally, a doctrine of the tragi-comic sense of life is presented that does justice to all aspects of human existence and liberates the spirit from the grimness of serious thought.
Sarah’s Laughter provides a reflection on suffering that is deeply personal and both theologically and philosophically astute. Vinoth Ramachandra draws on his distinctive positioning as a Sri Lankan Christian theologian – one who has lived and ministered in contexts shaped by the destruction of natural disasters and the violence of human evil – to confront the intellectual, moral, and political challenges posed to faith in the increasingly broken world of the twenty-first century. Yet far from being an abstract discussion of theodicy, this book is intimate and vulnerable, embracing the biblical practice of lament and inviting an authentic response to grief – one that makes space for serious doubt and profound questioning. Sharing his own ongoing journey with suffering and a questing faith, Ramachandra reminds us that lament and joy, faith and protest, clarity and ambiguity, belong together in faithful Christian discipleship. It is not in bypassing the darkness of the world, but in embracing it – in imitation of the incarnate God – that we may glimpse the new creation.
Utilizing contemporary scholarship on secularization, individualism, and consumer capitalism, this book explores religious movements founded in the West which are intentionally fictional: Discordianism, the Church of All Worlds, the Church of the SubGenius, and Jediism. Their continued appeal and success, principally in America but gaining wider audience through the 1980s and 1990s, is chiefly as a result of underground publishing and the internet. This book deals with immensely popular subject matter: Jediism developed from George Lucas' Star Wars films; the Church of the Flying Spaghetti Monster, founded by 26-year-old student Bobby Henderson in 2005 as a protest against the teaching of Intelligent Design in schools; Discordianism and the Church of the SubGenius which retain strong followings and participation rates among college students. The Church of All Worlds' focus on Gaia theology and environmental issues makes it a popular focus of attention. The continued success of these groups of Invented Religions provide a unique opportunity to explore the nature of late/post-modern religious forms, including the use of fiction as part of a bricolage for spirituality, identity-formation, and personal orientation.
Dove's accessible, innovative methods allow readers to reap the benefits of meditation in any situation. Drawing on traditions and teachers, this work synthesizes the needs of contemporary life with attention to the full range of the human experience.
This work investigates the role of religious thought in shaping and framing Bakhtin's writings. The authors explore Bakhtin's idea of faith - an abstract codification of a belief system - and a feeling for faith which involves the active participation of persons, both human and divine.