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When Anne Ford, the great-granddaughter of Henry Ford, learned that her daughter Allegra's ''differences'' were the result of severe learning disabilities (LD), she faced a challenge that neither money nor position could ease. Desperate for answers, she sought out doctors, schools, and tutors for help. As she journeyed from denial to acceptance, Anne faced rejection, intolerance, disinterest, and puzzlement from friends, family, and professionals, eventually finding her way to the schools, people, and situations that enabled her to raise her family with hope and promise. She became an activist on behalf of children and families faced with LD, and in time, Anne saw her child grow into a vibrant, loving, independent adult with a passion for ice skating and a commitment to help other children with disabilities. While Allegra's disabilities are unique (as with each LD child), the feelings of pain, frustration, shame, and guilt felt by Anne are shared to a varying degree by all parents of a child with LD. As Anne writes, ''When Allegra was diagnosed, I needed information to explain her condition and what I could do to help her, but I also needed a guide to the heart...I needed to connect with someone who had been through it already and could offer words of comfort and the most simple reassuring statement a parent can hear: 'Your child will be fine.' I didn't have that, and that is my reason for writing this book, to enlighten parents and give them hope and help guide them on the oftentimes treacherous journey.'' In addition to her personal story, Anne includes three invaluable special sections: Answers to the most commonly asked questions about LD A resource guide on where to find help A discussion from a mother's perspective on the challenges concerning homework, money, relationships, the workplace, getting around, and planning as the child with LD and the parents age. As for Allegra's thoughts about her mom writing this book, the introduction conveys her message: ''I think mom has done well...telling people out there that you CAN get help...I didn't want my life in a book at first [and] we talked it over and thought about it. If it helps other kids then we should do it and so I told my mom OK.''
Of all of Longfellow's beloved poems (and there are many) none is so personal, so sunny, or so touching as this affectionate love letter to his three daughters, "grave Alice, and laughing Allegra, and Edith with the golden hair." Longfellow's happiest hours were spent writing on a cluttered desk by the south window of his beloved Craigie House, an imposing mansion still preserved on Cambridge's famous Brattle Street. It was here that most of the action takes place (except for his literary reference, and brief excursion, to the "Mouse-Tower on the Rhine"), here that his daughters come creeping down the stairs to beard the gentle, genial poet in his lair. Lang's luminous illustrations perfectly capture the happy atmosphere of that house, the author's affections for his daughters, and the painterly quality of his verse. This book for young readers presents one of the sweetest poems in the English language, her newly illustrated, beautifully presented, and now available to a new generation of readers.
Memoirs, autobiographies, and diaries represent the most personal and most intimate of genres, as well as one of the most abundant and popular. Gain new understanding and better serve your readers with this detailed genre guide to nearly 700 titles that also includes notes on more than 2,800 read-alike and other related titles. The popularity of this body of literature has grown in recent years, and it has also diversified in terms of the types of stories being told—and persons telling them. In the past, readers' advisors have depended on access by names or Dewey classifications and subjects to help readers find autobiographies they will enjoy. This guide offers an alternative, organizing the literature according to popular genres, subgenres, and themes that reflect common reading interests. Describing titles that range from travel and adventure classics and celebrity autobiographies to foodie memoirs and environmental reads, Life Stories: A Guide to Reading Interests in Memoirs, Autobiographies, and Diaries presents a unique overview of the genre that specifically addresses the needs of readers' advisors and others who work with readers in finding books.
Robert Gottlieb’s immense sampling of the dance literature–by far the largest such project ever attempted–is both inclusive, to the extent that inclusivity is possible when dealing with so vast a field, and personal: the result of decades of reading. It limits itself of material within the experience of today’s general readers, avoiding, for instance, academic historical writing and treatises on technique, its earliest subjects are those nineteenth-century works and choreographers that still resonate with dance lovers today: Giselle, The Sleeping Beauty, Swan Lake; Bournonville and Petipa. And, as Gottlieb writes in his introduction, “The twentieth century focuses to a large extent on the achievements and personalities that dominated it–from Pavlova and Nijinsky and Diaghilev to Isadora Duncan and Martha Graham, from Ashton and Balanchine and Robbins to Merce Cunningham and Paul Taylor and Twyla Tharp, from Fonteyn and Farrell and Gelsey Kirkland (“the Judy Garland of Ballet”) to Nureyev and Baryshnikov and Astaire–as well as the critical and reportorial voices, past and present, that carry the most conviction.” In structuring his anthology, Gottlieb explains, he has “tried to help the reader along by arranging its two hundred-plus entries into a coherent groups.” Apart from the sections on major personalities and important critics, there are sections devoted to interviews (Tamara Toumanova, Antoinette Sibley, Mark Morris); profiles (Lincoln Kirstein, Bob Fosse, Olga Spessivtseva); teachers; accounts of the birth of important works from Petrouchka to Apollo to Push Comes to Shove; and the movies (from Arlene Croce and Alastair Macauley on Fred Astaire to director Michael Powell on the making of The Red Shoes). Here are the voices of Cecil Beaton and Irene Castle, Ninette de Valois and Bronislava Nijinska, Maya Plisetskaya and Allegra Kent, Serge Lifar and José Limón, Alicia Markova and Natalia Makarova, Ruth St. Denis and Michel Fokine, Susan Sontag and Jean Renoir. Plus a group of obscure, even eccentric extras, including an account of Pavlova going shopping in London and recipes from Tanaquil LeClerq’s cookbook.” With its huge range of content accompanied by the anthologist’s incisive running commentary, Reading Dance will be a source of pleasure and instruction for anyone who loves dance.
In the 1960s the masters of crime fiction expanded the genre’s literary and psychological possibilities with audacious new themes, forms, and subject matter—here are five of their finest works This is the first of two volumes gathering the best American crime fiction of the 1960s, nine novels of astonishing variety and inventiveness that pulse with the energies of that turbulent, transformative decade. In The Murderers (1961) by Fredric Brown, an out-of-work actor, hanging out with Beat drifters on the fringes of Hollywood, concocts a murder scheme that devolves into nightmare. This late work by a master in many genres is one of his darkest and most ingenious. Dan J. Marlowe’s The Name of the Game Is Death (1962) channels the inner life of a violent criminal who freely acknowledges the truth of a prison psychiatrist’s diagnosis: “Your values are not civilized values.” Written with unnerving emotional authenticity, the story hurtles toward an annihilating climax. Charles Williams drew on his experience in the merchant marine for his thriller Dead Calm (1963). A newlywed couple alone on a small yacht find themselves at the mercy of the mysterious survivor they have rescued from a sinking ship, in a suspenseful story that chillingly evokes the perils of the open ocean. In the beautifully told and sharply observant The Expendable Man (1963), Dorothy B. Hughes’s final masterpiece of suspense, a young man in the American Southwest runs afoul of racial assumptions after he picks up a hitchhiker who soon turns up dead. In twenty-four brilliantly constructed novels, Richard Stark (a pen name of Donald Westlake) charted the career of Parker, a hard-nosed professional thief, with rigorous clarity. The Score (1964), a stand-out in the series, finds Parker and his criminal associates hatching a plot to rob simultaneously all the jewelry stores, payroll offices, and banks in a remote Western mining town, only to come up against the human limits of even the most intricate planning. Volume features include an introduction by editor Geoffrey O'Brien (Hardboiled America), newly researched biographies of the writers and helpful notes, and an essay on textual selection.
A sprawling stream-of-conscious novel set primarily in the head of Alice Pinkerton at the dawn of the twentieth century. Alice isn't yet ready for the new age; she's a vestige of Victorian times, a "madwoman" living on the third floor (not in the attic, she insists) of her family's home. "No one was as close to her as words on a page," Alice muses, and indeed, she relates more to characters from the novels of George Eliot, Charlotte Bronte, and Charles Reade than to the people who surround her, especially the thoroughly modern socialite Mrs. Albert Comstock, who represents everything Alice hates. Alice's doctor, who seeks to cure her of her "malady," proclaims, "Imagination is an impediment to progress." For Alice, there's no more chilling sentiment.
For centuries the women of Aronsdale have lived freely among the green and misted valleys. Creatures of exotic beauty and sensuality, they possess powerful skills of enchantment…and young Allegro is no different. But her life—and Aronsdale's independence—is threatened when Jazid nomads invade, carrying Allegro into the desert as a prized trophy…or worse. Until an unexpected ally falls under her spell. From the moment feared Jazid warrior Markus Onyx sees the alluring beauty, he knows he has found his queen. But even the promise of love cannot quell Allegro's determination to save her homeland. Summoning her powers, she casts herself north—out of passion's grip—and into the dark heart of conflict.…