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The official movie tie-in to the winner of the Outstanding First Narrative Feature Award at the Los Angeles Gay & Lesbian Film Festival, and the Best Gay Male Feature Film Award at the Philadelphia International Gay & Lesbian Film Festival. A shallow LA party boy falls in love with a hunky, repressed Mormon missionary in this gay romantic drama from the writer of Sweet Home Alabama starring Reese Witherspoon. The theatrical release date of Latter Days is January 2004, starring Jacqueline Besset, Mary Jay Place, Wes Ramsey, Steve Sandvoss and Amber Benson.
In a chronological narrative that explores the pre-mortal, mortal, and post-mortal existence of man, animals, and the Earth itself, "Latter Days" focuses on the unique catalog of Latter-day Saint doctrine. 8-page photo insert.
This volume contains the full text of the Book of Mormon in large type, footnotes, definitions, explanations of important concepts, questions for young readers to ponder, and beautiful, full-color illustrations and paintings by Clark Kelley Price, Robert Barrett, Scott Snow, Del Parson, Garry Kapp, Ted Henninger, and Tom Lovell.
In 1820, a young farm boy in search of truth has a vision of God the Father and Jesus Christ. Three years later, an angel guides him to an ancient record buried in a hill near his home. With God’s help, he translates the record and organizes the Savior’s church in the latter days. Soon others join him, accepting the invitation to become Saints through the Atonement of Jesus Christ. But opposition and violence follow those who defy old traditions to embrace restored truths. The women and men who join the church must choose whether or not they will stay true to their covenants, establish Zion, and proclaim the gospel to a troubled world. The Standard of Truth is the first book in Saints, a new, four-volume narrative history of The Church of Jesus Christ of Latter-day Saints. Fast-paced, meticulously researched, Saints recounts true stories of Latter-day Saints across the globe and answers the Lord’s call to write history “for the good of the church, and for the rising generations” (Doctrine and Covenants 69:8).
Individual liberty is a fundamental aspect of the good news of the gospel. But what is liberty exactly, and what role does it play in our lives? Connor Boyack explores these questions and much more in this detailed analysis of historical developments, secular information, and scriptural insights. Make the most of your freedom through the joys of the gospel with this timely book.
From Sister Wives and Big Love to The Book of Mormon on Broadway, Mormons and Mormonism are pervasive throughout American popular media. In Latter-day Screens, Brenda R. Weber argues that mediated Mormonism contests and reconfigures collective notions of gender, sexuality, race, spirituality, capitalism, justice, and individualism. Focusing on Mormonism as both a meme and an analytic, Weber analyzes a wide range of contemporary media produced by those within and those outside of the mainstream and fundamentalist Mormon churches, from reality television to feature films, from blogs to YouTube videos, and from novels to memoirs by people who struggle to find agency and personhood in the shadow of the church's teachings. The broad archive of mediated Mormonism contains socially conservative values, often expressed through neoliberal strategies tied to egalitarianism, meritocracy, and self-actualization, but it also offers a passionate voice of contrast on behalf of plurality and inclusion. In this, mediated Mormonism and the conversations on social justice that it fosters create the pathway toward an inclusive, feminist-friendly, and queer-positive future for a broader culture that uses Mormonism as a gauge to calibrate its own values.
SUB TITLE:The Old Testament
When Judith Freeman was 22, she was working in the cookware department of the Mormon church-owned department store in the town in Utah where she grew up. She was living in her parents' house with her four year old son, who had already endured two heart surgeries, and she was in the process of divorcing her husband, whom she married at the age of 17. She had abandoned Mormonism, the faith into which she was born, and she was having an affair with her son's surgeon, who was married with three children of his own. She had decided she was going to be a writer. How, Freeman wonders when she looks back at that moment, did she get there? And how did she move on? The reader is given a glimpse, through Freeman's eyes, of Mormon culture and tradition, as well as of the ways in which our memories are constantly evolving, always subject to the force of our present. and forgiveness, of memory and hindsight, and of identity and self--the very stuff that makes us human"--