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This study offers a broad outline of the history of the eighteenth-century sermon. Thematically, it provides an overview of the research over the past three decades as well as suggesting new approaches to the history of preaching.
From the dawn of the early modern period around 1400 until the eighteenth century, Latin was still the European language and its influence extended as far as Asia and the Americas. At the same time, the production of Latin writing exploded thanks to book printing and new literary and cultural dynamics. Latin also entered into a complex interplay with the rising vernacular languages. This Handbook gives an accessible survey of the main genres, contexts, and regions of Neo-Latin, as we have come to call Latin writing composed in the wake of Petrarch (1304-74). Its emphasis is on the period of Neo-Latin's greatest cultural relevance, from the fifteenth to the eighteenth centuries. Its chapters, written by specialists in the field, present individual methodologies and focuses while retaining an introductory character. The Handbook will be valuable to all readers wanting to orientate themselves in the immense ocean of Neo-Latin literature and culture. It will be particularly helpful for those working on early modern languages and literatures as well as to classicists working on the culture of ancient Rome, its early modern reception and the shifting characteristics of post-classical Latin language and literature. Political, social, cultural and intellectual historians will find much relevant material in the Handbook, and it will provide a rich range of material to scholars researching the history of their respective geographical areas of interest.
These essays are, according to Marjorie Nicholson, “the most illuminating articles we have on the important subject of prose style. They were pioneer articles which have remained standard.” Originally published in 1966. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Preaching in the Patristic Era. Sermons, Preachers, Audiences in the Latin West offers a state of the art of the study of the sermons of Latin Patristic authors. Parts I and II of the volume cover general topics, from the transmission of early Christian Latin sermons to iconography, from rhetoric to reflections on the impact of Latin preaching. Part III offers fourteen chapters devoted to Latin preachers such as Augustine, Gregory the Great, Maximus of Turin, and to collections of sermons, such as Arian sermons, preaching in 4th-century Spain, or sermons translated from Greek. By outlining the relevant sources, methodologies, and issues, this volume provides a comprehensive introduction to the field of Latin patristic preaching. Contributors are Pauline Allen, Lisa Bailey, Andrea Bizzozzero, Shari Boodts, Andrew Cain, Nicolas De Maeyer, François Dolbeau, Jutta Dresken-Weiland, Geoffrey Dunn, Anthony Dupont, Camille Gerzaguet, Bruno Judic, Rémi Gounelle, Johan Leemans, Wendy Mayer, Robert McEachnie, Bronwen Neil, Gert Partoens, Adam Ployd, Eric Rebillard, Maureen Tilley, Sever Voicu, Clemens Weidmann and Liuwe Westra.
The Oxford Handbook of the Early Modern Sermon is the first book to survey this rich new field for both students and specialists. It is divided into sections devoted to sermon composition, delivery, and reception; sermons in Scotland, Ireland, and Wales; English Sermons, 1500-1660; and English Sermons, 1660-1720.
Traces the intellectual life of Italy, where humanism began a century before it influenced the rest of Europe.
This 1980 text was the first full-length study of seventeenth-century pulpit oratory since 1863, and the first to treat both Catholic and Protestant preaching. The first part opens with a general discussion on the sermon as a literary form, followed by a survey of ideas on preaching and the practical 'arts of preaching' circulating in late Renaissance Europe. Of the central chapters on the sermons themselves, two are concerned with the style and complex formal structures of the sermons; while two examine in turn the major themes of illusion and nature and the imagery associated with them. The second part is a descriptive catalogue of extant sermons and some funeral orations of the period, which provided a great deal of information never previously collected. The book made a significant contribution both to the study of a neglected period of French literature, the 'Baroque', and to comparative studies of the sermon.
At the end of the sixteenth century, when painters, writers, and scientists from all over Europe flocked to Rome for creative inspiration, the city was also becoming the center of a vibrant and assertive Roman Catholic culture. Closely identified with Rome, the Counter-Reformation church sought to strengthen itself by building on Rome's symbolic value and broadcasting its cultural message loudly and skillfully to the European world. In a book that captures the texture and flavor of this rhetorical strategy, Frederick McGinness explores the new emphasis placed on preaching by Roman church leaders. Looking at the development of a sacred oratory designed to move the heart, he traces the formation of a long-lasting Catholic worldview and reveals the ingenuity of the Counter-Reformation in the transformation of Renaissance humanism. McGinness not only describes the theory of sermon-writing, but also reconstructs the circumstances, social and physical, in which sermons were delivered. The author considers how sermons blended spirituality with pious legends--for example, stories of the early martyrs--and evocative metaphors to fashion a respublica christiana of loyal Catholics. Preachers projected a "right" view of history, social relationships, and ecclesiastical organization, while depicting a spiritual topography upon which Catholics could chart a path to salvation. At the center of this topography was Rome, a vast stage set for religious pageantry, which McGinness brings to life as he follows the homiletic representations of the city from a bastion of Christian militancy to a haven of harmony, light, and tranquility. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
This monograph demonstrates why humanism began in Italy in the mid-thirteenth century. It considers Petrarch a third generation humanist, who christianized a secular movement. The analysis traces the beginning of humanism in poetry and its gradual penetration of other Latin literary genres, and, through stylistic analyses of texts, the extent to which imitation of the ancients produced changes in cognition and visual perception. The volume traces the link between vernacular translations and the emergence of Florence as the leader of Latin humanism by 1400 and why, limited to an elite in the fourteenth century, humanism became a major educational movement in the first decades of the fifteenth. It revises our conception of the relationship of Italian humanism to French twelfth-century humanism and of the character of early Italian humanism itself. This publication has also been published in hardback, please click here for details.