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This book is concerned with the transmission and reception of Latin literary culture in the early Middle Ages, and with the production of Latin works in Ireland and in Irish centres on the Continent. In these articles, Professor Herren deals with several closely related themes: the introduction of Latin into Ireland and the study of Latin literary heritage; the language and metre of Hiberno-Latin writings; and questions of dating and authorship pertaining to a number of crucial texts, from Columbanus to John Scottus Eriugena.
Scholar, ecclesiastic, teacher and poet of the eighth century, Alcuin can be seen as a true hidden saint of the Church, of the same stature and significance as his predecessor Bede. His love of God and his grasp of Christian theology were rendered original in their creative impact by his gifts as a teacher and poet. In his hands, the very traditional theology that he inherited, and to which he felt bound, took new wings. In that respect, he must rank as one of the most notable and influential of Anglo-Saxon Christians, uniting English and continental Christianity in a unique manner, which left a lasting legacy within the Catholic Church of Western Europe. This book is intended for the general reader as well as for those studying, teaching or researching this period of early medieval history and theology in schools and universities.
Throughout Antiquity and the Middle Ages, literature was read with the ear as much as with the eye: silent reading was the exception; audible reading, the norm. This highly original book shows that Boethius's Consolation of Philosophy--one of the most widely-read texts in Western history--aims to affect the listener through the designs of its rhythmic sound. Stephen Blackwood argues that the Consolation's metres are arranged in patterns that have a therapeutic and liturgical purpose: as a bodily mediation of the text's consolation, these rhythmic patterns enable the listener to discern the eternal in the motion of time. The Consolation of Boethius as Poetic Liturgy vividly explores how in this acoustic encounter with the text philosophy becomes a lived reality, and reading a kind of prayer.
The mythic foundations of the world's greatest archaeological mystery.
This volume, comprising 24 essays, aims to contribute to a developing appreciation of the capacity of rhetoric to reinforce affiliation or disaffiliation to groups. To this end, the essays span a variety of ancient literary genres (i.e. oratory, historical and technical prose, drama and poetry) and themes (i.e. audience-speaker, laughter, emotions, language, gender, identity, and religion).
The study of manuscripts is fundamental to the appreciation of Anglo-Saxon texts and culture. Anglo-Saxon Manuscripts: Basic Readings provides an introductory collection of materials covering basic terms, techniques, resources, issues, and applications. Focusing on manuscripts copied before 1100 in England, the selections gathered here consider their history, production, analysis, and significance. Drawn from a variety of published sources and new writings commissioned for this collection, these essays offer a thorough background in principles and practices, along with up-to-date coverage of new developments in paleography. This interdisciplinary collection introduces key subjects of research for Anglo-Saxon studies while suggesting potential developments and new directions within the field.
This book demonstrates that the principles of textual criticism—borrowed from the fields of classics and medieval studies—have a valuable application for plagiarism investigations. Plagiarists share key features with medieval scribes who worked in scriptoriums and produced copies of manuscripts. Both kinds of copyists—scribes and plagiarists—engage in similar processes, and they commit distinctive copying errors. When committed by plagiarists, these copying errors have probative value for making determinations that a text is copied, and hence, unoriginal. To show the efficacy of the newly proposed techniques for proving plagiarism, case studies are drawn from philosophy, theology, and canon law.
Four very different kinds of Anglo-Saxon thinking are clarified in this volume: traditions, learned and oral, about the settlement of the country, study of foreign-language grammar, interest in exotic jewels as reflections of the glory of God, and a mainly rational attitude to medicine. Publication of no less than three discoveries augments our corpus of manuscript evidence. The nature of Old English poetry is illuminated, and a useful summary of the editorial treatment of textual problems in Beowulf is provided. A re-examination of the accounts of the settlement in Bede's Historia Ecclesiastica and the Anglo-Saxon Chronicle yields insights into the processes of Anglo-Saxon learned historiography and oral tradition. A thorough-going analysis of an under-studied major work, Bald's Leechbook, demonstrates that the compiler, perhaps in King Alfred's reign, translated selections from a wide range of Latin texts in composing a well-organized treatise directed against the diseases prevalent in his time. The usual comprehensive bibliography of the previous year's publications in all branches of Anglo-Saxon studies rounds off the book.