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Interdisciplinary in approach and methodologically sophisticated, this book explores the dynamic reception of Latin erotic elegy in Renaissance love poetry.
This is the first compendious study of the influence of Plato on the English literary tradition, showing how English writers used Platonic ideas and images within their own imaginative work. Established experts and new writers have worked together to produce individual essays on more than thirty English authors, including Shakespeare, Milton, Blake, Wordsworth, T. S. Eliot, Auden and Iris Murdoch; and the book is divided chronologically, showing how every age has reconstructed Platonism to suit its own understanding of the world.
This volume sheds new light on the extraordinary richness and variety of love poetry written in Latin from the fifteenth to the eighteenth century. It shows how Latin love poets reworked classical Roman and Greek models, and engaged in dialogue with mediaeval and contemporary vernacular traditions of poetry. They used the poetic language of love in Latin to reflect and comment on wider social, ethical and literary issues, and reconfigured its codes of representation in response to changing conceptions of love in the philosophical and religious spheres. Their poetry often aligned itself with dominant discourses of power and gender, but it could also be subtly subversive or even openly transgressive.
The Oxford History of Poetry in English (OHOPE) is designed to offer a fresh, multi-voiced, and comprehensive analysis of 'poetry': from Anglo-Saxon culture through contemporary British, Irish, American, and Global culture, including English, Scottish, and Welsh poetry, Anglo-American colonial and post-colonial poetry, and poetry in Canada, Australia, New Zealand, the Caribbean, India, Africa, Asia, and other international locales. OHOPE both synthesizes existing scholarship and presents cutting-edge research, employing a global team of expert contributors for each of the fourteen volumes. By taking as its purview the full seventeenth century, 1603-1700, this volume re-draws the existing literary historical map and expands upon recent rethinking of the canon. Placing the revolutionary years at the centre of a century of poetic transformation, and putting the Restoration back into the seventeenth century, the volume registers the transformative effects on poetic forms of a century of social, political, and religious upheaval. It considers the achievements of a number of women poets, not yet fully integrated into traditional literary histories. It assimilates the vibrant literature of the English Revolution to what came before and after, registering its long-term impact. It traces the development of print culture and of the literary marketplace, alongside the continued circulation of poetry in manuscript. It places John Milton, Andrew Marvell, Margaret Cavendish, and Katherine Philips and other mid-century poets into the full century of specifically literary development. It traces continuity and change, imitation and innovation in the full-century trajectory of such poetic genres as sonnet, elegy, satire, georgic, epigram, ode, devotional lyric, and epic. The volume's attention to poetic form builds on the current upswing in historicist formalism, allowing a close focus on poetry as an intensely aesthetic and social literary mode. Designed for maximum classroom utility, the organization is both thematic and (in the authors section) chronological. After a comprehensive Introduction, organizational sections focus on Transitions; Materiality, Production, and Circulation; Poetics and Form; Genres; and Poets.
Beginning with the last years of the reign of Elizabeth I and ending late in the seventeenth century, this volume traces the growth of the literary marketplace, the development of poetic genres, and the participation of different writers in a century of poetic continuity, change, and transformation.
This book offers a representative selection of the three main exponents of Latin love elegy: Propertius, Tibullus, and Ovid. A few elegiac poems by Catullus are included for purposes of comparison. The book includes a general introduction to the elegy, select bibliography, Latin text of twenty poems, and commentary to introduce each poem, notes, both grammatical and to aid literary analysis.
Augustan love elegy represents one of the most important and most distinctive Roman contributions to European and world literature. This volume presents the first detailed commentary in any language on Ovid's Amores Book 3, the last collection of love poems composed in the Augustan age. Aimed at both students and scholars, the commentary has been written to be as accessible to as many readers as possible, with all quotations from ancient Greek and modern languages being translated. It includes an Introduction for the general reader which pays particular attention not only to the book's poetic design and the distinctive features of Ovid's style, but the relationship of the whole three-book collection to earlier love elegy and its handling of political and social questions. It offers an edition of the text of Book 3 based on printed editions together with a translation designed to clarify the surface meaning of the Latin. P. J. Davis's commentary focuses on topics including Ovid's engagement with the works of earlier poets, his use of rhetoric and wit, his employment of verbal and metrical patterns, textual difficulties, and, of course, the elucidation of linguistic problems. Amores Book 3 takes love elegy in new directions giving us, for example, a dream-vision poem, a dutiful husband's account of a religious pilgrimage, and the speech of a pickup artist trying to seduce a girl at the races. Perhaps its most striking feature is its shift away from obsession with a single mistress to reflection on the poet's place in the tradition of Latin love poetry, with poems explicitly devoted to issues raised by Catullus, Tibullus, and Propertius.
Latin love elegy is one of the most important poetic genres in the Augustan era, also known as the golden age of Roman literature. This volume brings together leading scholars from Australia, Europe and North America to present and explore the Greek and Roman backdrop for Latin love elegy, the individual Latin love elegists (both the canonical and the non-canonical), their poems and influence on writers in later times. The book is designed as an accessible introduction for the general reader interested in Latin love elegy and the history of love and lament in Western literature, as well as a collection of critically stimulating essays for students and scholars of Latin poetry and of the classical tradition.
This revisionist literary history of early court poetry illuminates late-medieval and early modern theories of literary production.